Recent Stories

Lebanon Still Overshadowed by Oblivion As Port Blast Aftermath Enters Fourth Year

Art has played an influential role in making sense of the loss felt after the August 4 explosion. Tom Young’s “Strong Angels” and other paintings show a human dimension of the tragedy and its civilian heroes, who “join forces to lift the city’s grief,” writes Darine Houmani of Diffah Three (The New Arab). “Despite all its devastation, the August 4 explosion brought greater impetus to preserve our heritage and brought about a database of our historical buildings that hadn’t been done before,” states Mona Hallak, an architect, heritage activist, and director of the American University of Beirut’s Neighborhood Initiative, as cited in The New Arab. Several weighed in on the rebuilding efforts, including Lebanese architect Jad Tabet, who proposed “rehabilitation” rather than “reconstruction,” focusing on preserving the city’s existing social fabric and inhabitants alongside the architecture (for further reading on Jad Tabet and architectural heritage, see Al Jadid, Vol. 4, No, 25, Fall 1998; Vol. 5, No. 26, Winter 1999; and Vol. 24, No. 79, 2020). As art historian and gallery owner Andrée Sfeir-Semler says, “You need to nourish people with art and culture because that is what feeds their souls.”

Pages

Subscribe to Al Jadid

Our Current Issue

An Algerian Intellectual on Once-‘Arab Leftist Radicals’!

The Modern Arab Intellectual Forsakes Ideological Integrity, Following the Footsteps of Previous Enemies Who Accuse Him of Takfir and Treason
By Elie Chalala
 
Were I to sum up Amin Zaoui’s position on the Arab leftist intellectuals, who nowadays are considered part of the mumanah alliance — that is, Arab intellectuals who support the positions of Iran, Hezbollah, Syria, Iraq, and Yemen — a word of caution about the terminology used must be clarified: a distinction exists between today’s leftists and those of the 1960s, 1970s, and even part of the 1980s. Today’s leftists tend to be vulgar and lack the theoretical sophistication of their previous iterations. These critiques by Amin Zaoui, an Algerian novelist and essayist whose commentaries appear weekly in Independent Arabia, analyze the two mumanah generations, particularly emphasizing the contemporary generation of leftists who grew up in the new millennium and its current trends.
Essays and Features

Lebanon’s Civilian ‘Veterans’ Cope Differently Than Younger Generations in the Current Conflict!

By Elie Chalala


Lebanon has been no stranger to war and its memory, steeped in countless wars internally and externally throughout the past century. Since the beginning of the war in Gaza and southern Lebanon in October 2023, tensions have teetered a fragile line, a constant wave of insurmountable anxiety and fear — of the war’s escalation, dwindling comforts of security, and the country’s uncertain future. Despite efforts to keep panic at bay, the state of anxiety has skyrocketed amid foreign embassies’ calls for their citizens to leave Lebanon for security reasons.

Essays and Features

The Late Khaled Khalifa Hoped for Remedy and Redemption of the Arab Literary Prize Through Transparency

By Elie Chalala
 
Syrian novelist Khaled Khalifa’s sudden death last year in his Damascus home shocked the Arab literary world. The novelist, screenwriter, and poet has enraptured critics through his works, especially with his 2006 novel “In Praise of Hatred,” which was banned by the Syrian government. Khalifa’s passing at 59 leaves friends and acquaintances mourning the many words the writer left unsaid. At the same time, it becomes ever more prudent to heed his words, especially regarding the Arab literary prizes.
 
Essays and Features

Grand Prix de la Francophonie Marks Pinnacle of Abdelfattah Kilito’s Profound Impact on Ancient Arabic Literary Traditions

By Al Jadid Staff
 
Moroccan literary scholar and writer Abdelfattah Kilito’s efforts in spreading recognition for Arabic literature have been honored again in the form of the Grand Prix de la Francophonie, one of two prestigious prizes awarded annually by the French Academy. The award, which marks Kilito’s second prize from the French Academy since he received the French Academy Award in 1996, celebrates the author for his contributions to developing the French language worldwide. A renowned Arabic literary critic, Kilito has authored several books in Arabic and French, devoting himself to safeguarding ancient Arabic literature. His book “Thou Shalt Not Speak My Language” (2002) remains a valuable resource for scholars on the Arabic literary tradition, establishing him as one of the greatest Arab and Francophone writers.
Essays and Features

Global Audiences Resonate With ‘Goodbye Julia,’ a Film About Two Sudanese Families Shattered by Tragedy

By Naomi Pham


For a debut film, “Goodbye Julia” has been graced with many ‘firsts,’ becoming the first Sudanese work to participate in the Cannes International Film Festival and go on to win several awards. Like his previous short film, “Nyerkuk” (2016), Kordofani continues to captivate his audience with drama, airing out wounds that are as relevant today as they were in 2005. The quiet frustrations within the walls of a home can feel just as loud as the unrest overtaking the city streets.

Films

Etab Hreib on Conflict, Commercialism , and Sexism in Syria’s Current Art Movement

By 
Rebecca Joubin

In the this interview with the critically acclaimed Syrian watercolorist, Etab Hreib, she discusses the interrelated nature of the arts in the context of her own love for the theater and set design, and details various influences on her work.

Critically acclaimed Syrian watercolorist, Etab Hreib, a native of Der-Ez-Zor, graduated from the Graphic Arts Department of the University of Damascus. Since then, she has exhibited her work in various parts of the world. She was the recipient of the Al-Mahros Golden Award in Tunisia, a Golden Award from the Chinese Ministry of Culture, and an award from the Ministry of Culture in Algeria.

Evelyn Shakir: Memoirs of an Arab-American Writer, Teacher, and Humanist

By 
By Lynne Rogers

 The World lost a great writer, teacher, scholar, and humanist when Arab-American Evelyn Shakir finally succumbed to breast cancer in 2010. Fortunately, Shakir bequeathed a rich literary legacy to her students, family, and admirers, one that reached its pinnacle with the publication of her final book, "Teaching Arabs, Writing Self, Memoirs of an Arab-American Woman," which is reviewed by Lynne Rogers for Al Jadid. The work documents her experiences growing up as a Lebanese American, as well as her adventures teaching abroad in Lebanon, Bahrain, and Damascus. Interesting characters, observations, and experiences, all related in her gentle, humorous, and often ironic style, make this book one readers will not want to miss. Shakir avoids the pitfalls of being overly didactic through the simple but profound expediency of revealing the social history and politics of each particular moment through a wealth of human interaction.

Teaching Arabs, Writing Self, Memoirs of an Arab-American Woman
By Evelyn Shakir
Olive Branch Press. 2014. 170 pp.  

'Realist' Scholar's Argument Delights the Syrian Regime: 'To Crush ISIS, Make a Deal With Assad"!

By 
Elie Chalala

"It feels surreal to even contemplate the possibility of Western powers crushing ISIS while allying with a regime that has facilitated the deaths of more than 200,000 of its citizens, displaced half of Syria's population, and transformed more than half of the country's infrastructure into a pile of rubble. How could the oppressed and marginalized Sunni communities ever trust in an alliance made with their tormentors?" (From The 'Realist' Scholar's Argument Strikes Delight in Syrian Regime: 'To Crush ISIS, Make a Deal With Assad"!)

Documentary Film Gives Voice to the Erotic Body

By 
Kim Jensen

Joumana Haddad, Lebanese feminist, author, and poet, founded Jasad, the Arabic Journal of Erotic Arts, in order to advocate for the sexual liberation for the Arab World. In her film, “Jasad & The Queen of Contradictions” Amanda Homsi-Ottosson combines interviews with Haddad, Jasad journal contributors, and critics, as well as reactions from the street, and footage taken from the literary salons of Beirut, the Queen of Contradictions herself.  

Jasad & The Queen of Contradictions
A film by Amanda Homsi-Ottosson
Women Make Movies,  2011, 40 minutes 

The Only Diner in the Restaurant: A Travel Writer’s Perspective on the Arab Spring

By 
By Daniel Hugh-Jones

Several excellent articles and books have been written concerning the revolutions of the Arab Spring, most by participants, relatives of the fallen, political analysts or foreign correspondents. Tom Chesshyre makes no claim to any of these perspectives. Instead, he deals with the subject of life during and after revolution with the light touch and charm of a travel writer.

A Tourist in the Arab Spring
By Tom ChesshyreBradt Travel Guides, Ltd.
Bradt Travel Guides, Ltd.The Globe Pequot Press Inc., 2013
The Globe Pequot Press Inc., 2013

The American Mirage: Immigrant or “Un-American?”

By 
By Francis Khairallah Noble

Carlos ben Carlos Rossman, a Puerto Rican Jew, is in for a surprise. When he lands in New York Harbor in 1950, he realizes that the American melting pot is more fable than fact. In many cases, diversity is likely to make one “Un-American” rather than American. Language, culture, religion, or even something as simple as a green baseball bat, when all of the other kids own plain pine bats, can result in ostracism.

In the House UN-AmericanBy Benjamin Hollander
By Benjamin HollanderClockroot Books, 2013
Clockroot Books, 2013

The Uncompromising Voice of Syrian Screenwriter Fouad Hamira

By 
Rebecca Joubin

A Study in Courage: Screenwriter and Activist Fouad Hamira

Cinematic activist, Fouad Hamira, who began his career working for the National Theater, has become one of the leading voices for justice in Syrian television. Despite all attempts to silence him, this man of courage and conviction remains as vocal as ever. Since the current uprising in Syria, he has denounced injustices such as the government’s attempts to reframe the battle for Syrian freedom as a sectarian uprising. 

Fouad Hamira, who began as an employee in the National Theater, has gone on to become one of the leading voices in Syrian television drama. He is renowned for his unwillingness to compromise with the forces of societal and political oppression. His controversial “Ghazlan fi Ghabat al-Dhi‘ab” (Gazelles in a Forest of Wolves), which was filled with a poignant critique of corruption and the abusive nature of power, was finally allowed to air  in 2006, although he had written the miniseries 15 years earlier.

Pages