Recent Stories

Lebanon Still Overshadowed by Oblivion As Port Blast Aftermath Enters Fourth Year
 
Art has played an influential role in making sense of the loss felt after the August 4 explosion. Tom Young’s “Strong Angels” and other paintings show a human dimension of the tragedy and its civilian heroes, who “join forces to lift the city’s grief,” writes Darine Houmani of Diffah Three (The New Arab). “Despite all its devastation, the August 4 explosion brought greater impetus to preserve our heritage and brought about a database of our historical buildings that hadn’t been done before,” states Mona Hallak, an architect, heritage activist, and director of the American University of Beirut’s Neighborhood Initiative, as cited in The New Arab. Several weighed in on the rebuilding efforts, including Lebanese architect Jad Tabet, who proposed “rehabilitation” rather than “reconstruction,” focusing on preserving the city’s existing social fabric and inhabitants alongside the architecture (for further reading on Jad Tabet and architectural heritage, see Al Jadid, Vol. 4, No, 25, Fall 1998; Vol. 5, No. 26, Winter 1999; and Vol. 24, No. 79, 2020). As art historian and gallery owner Andrée Sfeir-Semler says, “You need to nourish people with art and culture because that is what feeds their souls.”

Pages

Our Current Issue

The Fragility of Stone, the Fragility of Nations:

Beirut’s Raouché Rock Tells Stories of Endurance and Collapse
By Elie Chalala
 
As a Lebanese and as many others who grew up not far from Beirut and the Raouché district — also known as Pigeons’ Rock — I was captivated by its grandeur. Two massive limestone outcrops rise from the Mediterranean along Beirut’s western coast, separated from the mainland by an ancient earthquake. This natural landmark is not only a symbol of beauty but also a silent witness to Lebanon’s triumphs and tragedies.
Essays and Features

Doria Shafik:

The Daughter of the Nile Who Refused Oblivion
By Naomi Pham
 
There is a sense of irony, or perhaps tragic justice, in that the story of a woman whose life and presence were forcibly erased from the public sphere continues to linger on the minds of many, unforgettable even 50 years after her death. Just as she forged a path through the social and political barriers confronting her, the Egyptian feminist, poet, and editor Doria Shafik’s legacy as one of the leading figures of the Egyptian women’s liberation movement in the 1940s cannot be forgotten. Shafik strived to make her voice and the voices of all Egyptian women known, undeterred by the many who hurled insults, slander, and mockery her way — but in exchange for her efforts, all her work was seized, her allies turned their backs on her, and she lived out her final years in silence and isolation.
Essays and Features

The Elegy of the Resistance:

Hezbollah’s Last Stand Against the Lebanese State
By Elie Chalala
 
Marwan Harb offers a sharp critique of Hezbollah’s estrangement from Lebanese national identity, portraying it as a militarized organization that derives its legitimacy not from democratic participation but from its arsenal. Harb traces the evolution of Hezbollah’s weaponry — once venerated as a sacred tool of liberation — through three distinct phases: initially serving as a sectarian shield during vulnerable times, then an instrument of internal political domination, and ultimately a hollow burden, clinging to relevance without justification. This trajectory illustrates the symbolic decay of the ‘weapon,’ transforming it from a shield of defense to a mechanism of control.
Essays and Features

The Ashes of Victory:

When Triumph Fails to Heal Syria’s Wounds
By Naomi Pham
 
Like others reacting to the state of Syria following the fall of the Assad regime, Nour al-Sayed’s response is heavy with disappointment and dismay, expressed in the title of her essay for Al Modon, “If We Knew the Depth of Our Hatred… We Wouldn’t Have Needed a Revolution.” Sayed, adding a surprising levity, acknowledges the title comes across like something a child might say after not having their way, but just as quickly states that the severity of Syria’s predicament is not a matter that can be treated as “a child’s folly.” Her assessment of the country is sobering: the ‘victory’ against the Assad regime has “failed to mend the wounds, but instead has reopened them and deepened the pain.”
Essays and Features

The Rise and Fall of Ziad Rahbani Through Syrian Eyes

By Elie Chalala
 
For decades, Ziad Rahbani occupied a unique place in the Syrian imagination — a figure at once satirist, musician, and political voice, whose art offered both entertainment and coded dissent. His relationship with Syrians moved through phases of clandestine admiration, public estrangement, and finally to a bittersweet mixture of betrayal and a lingering, conflicted gratitude that survived even the most profound political disappointments. His artistic journey intertwined with Syria’s own political and cultural shifts, making his transformation all the more personal for those who once claimed him as their own.
Essays and Features

Chronicling Syrians’ Personal Stories of Struggle to Reach Safe Refuge

By 
Sarah Rogers
 
On Friday January 27, 2017, President Donald Trump signed an executive order that, for a 90-day period, suspended immigrant and nonimmigrant entry into the United States from Syria, Sudan, Iran, Somalia, Libya, and Yemen. It also, for a period of 120 days, suspended the Refugee Resettlement Program, placing an indefinite ban on Syrian refugees. “Leaving Syria: Seeking Refuge in Greece” makes clear the plight of Syrian refugees traces back to a much longer and tragic history.
 
Leaving Syria: Seeking Refuge in Greece
By Bill Dienst, MD and Madi Williamson
Cune Press, 2017
 
On Friday January 27, 2017, President Donald Trump signed an executive order that, for a 90-day period, suspended immigrant and nonimmigrant entry into the United States from Syria, Sudan, Iran, Somalia, Libya, and Yemen.

Little Time to Rest: 'Daughters' of Nomads

By 
Pamela Nice
 
Watching “Daughters of Anatolia,” a film documenting the nomadic lifestyle of goat herders in contemporary Turkey, makes one aware of the value of ethnographic filmography over its drier, academic prose cousin. Describing the migratory path from the Mediterranean Sea to the Taurus Mountains cannot compare with seeing the breath-taking beauty of mountains in bloom as goats scramble over them.
 
Daughters of Anatolia
Directed by Halé Sofia Schatz
Grasshopper Film, 2015
 
Watching “Daughters of Anatolia,” a film documenting the nomadic lifestyle of goat herders in contemporary Turkey, makes one aware of the value of ethnographic filmography over its drier, academic prose cousin.

Broadway’s ‘Oslo’ Highlights Human Drama of Famous Peace Accords

By 
Naomi Pham
 
With two nations at odds for more than half of a century, different major power players brought all types of peace attempts to the table, but to no avail, with two significant exceptions. The Egyptian-Israeli Peace Treaty of 1979 stands as a lonely, if successful peace attempt, while the 1993 Oslo Accords represent the second, partially successful and incomplete effort. As a result, Palestinians and Israelis formally recognized each other’s existence, and committed themselves to working together to resolve the conflict in a non-violent manner.
 
With two nations at odds for more than half of a century, different major power players brought all types of peace attempts to the table, but to no avail, with two significant exceptions. The Egyptian-Israeli Peace Treaty of 1979 stands as a lonely, if successful peace attempt, while the 1993 Oslo Accords represent the second, partially successful and incomplete effort.

Ancient Classic Expresses Modern Tragedy of Syria’s 'Trojan Women'

By 
Naomi Pham
 
Amidst the ruins of Troy, Queen Hecuba declares, “Lift up your head from the dust! Heave up from the earth the weight of your misery, you whom the Gods have cursed. Some agonies are beyond telling, and some must be told.” One of the acclaimed works of ancient Greek playwright Euripides tells the tale of Hecuba, Andromache, Cassandra and the other women of fallen Troy, who, after their husbands die in battle, now face being sold into slavery with their families. Although this war assuredly takes place in the past, director Zoe Lafferty’s reworking of the ancient play reveals a haunting similarity with the wars we wage today.
 
Amidst the ruins of Troy, Queen Hecuba declares, “Lift up your head from the dust! Heave up from the earth the weight of your misery, you whom the Gods have cursed. Some agonies are beyond telling, and some must be told.” One of the acclaimed works of ancient Greek playwright Euripides tells the tale of Hecuba, Andromache, Cassandra and the other women of fallen Troy, who, after their husbands die in battle, now face being sold into slavery with their families.

Syrian, Palestinian and Afghan Stage Artists Cross Oceans to Land in Maxim Gorki Theater in Berlin

By 
Al Jadid Staff
 
Despite being so far from their homes, a group of actors and actresses come together at Germany’s Maxim Gorki Theater to present a story near and dear to their hearts. “Winterreise” (or, “Winter Journey”), performed by the “Exil Ensemble,” tells of 24-year-old Syrian actress Kenda Hmeidan’s journey with her fellow six performers as they take a bus tour through Germany during the brittle cold weeks of January. Each an exile from Syria, Palestine, or Afghanistan, these actors have left their home countries in pursuit of their art, all while struggling with the transition from departure to settlement.
 
Despite being so far from their homes, a group of actors and actresses come together at Germany’s Maxim Gorki Theater to present a story near and dear to their hearts. “Winterreise” (or, “Winter Journey”), performed by the “Exil Ensemble,” tells of 24-year-old Syrian actress Kenda Hmeidan’s journey with her fellow six performers as they take a bus tour through Germany during the brittle cold weeks of January.

Syrian Refugee Drama Troupe Seeks to Heal Traumas

By 
Al Jadid Staff
 
It is no accident that the "Love Boat" theatrical sea journey ends in Shakespeare's "King Lear," as more and more Syrians die either under assault from Assad and Russian bombs or by drowning, desperately taking to the seas in hopes of escaping genocidal policies.


It is no accident that the "Love Boat" theatrical sea journey ends in Shakespeare's "King Lear," as more and more Syrians die either under assault from Assad and Russian bombs or by drowning, desperately taking to the seas in hopes of escaping genocidal policies. 

Pages