Books

Lebanon and Egypt are the only two Muslim-majority countries to boast of significant alcoholic beverage industries. For the Lebanese this means Arak, the anise-flavored grape-wine whose production (and consumption) is nothing less than a matter of national pride. Egyptians, for their part, have a similar reputation with regard to beer-making, though this has not been quite as visible since the 1970s, when Sadat began appeasing the Islamists.

The Atassi Foundation’s recent exhibition, “Personal Revolutions: Women Artists from Syria,” prompts a much-needed discussion on the work of female Syrian artists. Running from March to April earlier this year, the exhibition celebrated Syrian women artists as “female fighters” who create their own revolutions. Mouna Atassi, the founder of Atassi Foundation, begins the exhibition’s catalog with an illuminating message, calling for “An Eye on the Past and an Eye on the Present.”

In his latest novel, “Sophia,” the Syrian-German ‘hakawati’ Rafik Schami returns yet again to the well of modern Syria, mining it for tales of romance and intrigue. The “Sophia” of the title, a willful, beautiful, Christian woman, jilts her Muslim lover, Karim, in favor of marrying a rich Damascene Christian goldsmith, Yusuf Baladi. Sophia’s son, Salman, proves the real hero of the novel, the eponymous title notwithstanding. Having fled Syria to Lebanon, he seeks shelter with his aunt Amalia, whose family ostracized her for having married a Protestant.