Recent Stories

Lebanon Still Overshadowed by Oblivion As Port Blast Aftermath Enters Fourth Year
 
Art has played an influential role in making sense of the loss felt after the August 4 explosion. Tom Young’s “Strong Angels” and other paintings show a human dimension of the tragedy and its civilian heroes, who “join forces to lift the city’s grief,” writes Darine Houmani of Diffah Three (The New Arab). “Despite all its devastation, the August 4 explosion brought greater impetus to preserve our heritage and brought about a database of our historical buildings that hadn’t been done before,” states Mona Hallak, an architect, heritage activist, and director of the American University of Beirut’s Neighborhood Initiative, as cited in The New Arab. Several weighed in on the rebuilding efforts, including Lebanese architect Jad Tabet, who proposed “rehabilitation” rather than “reconstruction,” focusing on preserving the city’s existing social fabric and inhabitants alongside the architecture (for further reading on Jad Tabet and architectural heritage, see Al Jadid, Vol. 4, No, 25, Fall 1998; Vol. 5, No. 26, Winter 1999; and Vol. 24, No. 79, 2020). As art historian and gallery owner Andrée Sfeir-Semler says, “You need to nourish people with art and culture because that is what feeds their souls.”

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Our Current Issue

The Ashes of Victory:

When Triumph Fails to Heal Syria’s Wounds
By Naomi Pham
 
Like others reacting to the state of Syria following the fall of the Assad regime, Nour al-Sayed’s response is heavy with disappointment and dismay, expressed in the title of her essay for Al Modon, “If We Knew the Depth of Our Hatred… We Wouldn’t Have Needed a Revolution.” Sayed, adding a surprising levity, acknowledges the title comes across like something a child might say after not having their way, but just as quickly states that the severity of Syria’s predicament is not a matter that can be treated as “a child’s folly.” Her assessment of the country is sobering: the ‘victory’ against the Assad regime has “failed to mend the wounds, but instead has reopened them and deepened the pain.”
Essays and Features

The Rise and Fall of Ziad Rahbani Through Syrian Eyes

By Elie Chalala
 
For decades, Ziad Rahbani occupied a unique place in the Syrian imagination — a figure at once satirist, musician, and political voice, whose art offered both entertainment and coded dissent. His relationship with Syrians moved through phases of clandestine admiration, public estrangement, and finally to a bittersweet mixture of betrayal and a lingering, conflicted gratitude that survived even the most profound political disappointments. His artistic journey intertwined with Syria’s own political and cultural shifts, making his transformation all the more personal for those who once claimed him as their own.
Essays and Features

From Renaissance to the Digital Age:

How Translation Can Power Arabic’s Future
By Naomi Pham
 
The Arabic language, with all its vast, rich history, has frequently been a subject of concern among intellectuals and linguists throughout recent years. The language has experienced significant development over the past century and a half and remains one of the most widely spoken languages, the official language of over 20 countries, and used by over 400 million speakers. Despite this, articles emerge every other year worrying about its development.
Essays and Features

Not a Kafer, Just a Critic:

How Ziad Rahbani Challenged Religious and Political Orthodoxy with Wit, Sorrow, and Song
By Sami Asmar
 
On 26 July 2025, the Lebanese composer, pianist, playwright, and polemicist Ziad Rahbani passed away from cirrhosis of the liver in Beirut at the age of 69. Since he started composing as a teenager, the son of the legendary Fairuz (now 90 years old) and the late Assi Rahbani of the celebrated Rahbani Brothers, the musical prodigies who defined the shape of the modern Lebanese short song, Ziad leaves us a multi-decade-long legacy that reshaped Arab music and Lebanese politics. The genius and enigmatic Ziad will be remembered by his countless fans worldwide, but likely happily forgotten by the authorities he challenged and ridiculed. 
Essays and Features

Aftermath of the Mar Elias Church Bombing:

Abeer Dagher Esber on the ‘Sectarianization of Blood’ in Syria’s Long Continuum of Collapse
By Naomi Pham
 
The recent attacks on the Church of Mar Elias in Al-Dweilaa on June 22, 2025 during Divine Liturgy left at least 25 dead and 63 injured. Perhaps Syrians have become accustomed to hearing such tragedy in the news, for every month a new story of blood, violence, and climbing death tolls appears, the massacres on the Syrian coast still a fresh wound on top of the losses suffered in Al-Dweilaa. Abeer Dagher Esber’s impassioned response to the attacks in her essay, “A Prophet of Fire… Consumed by Our Zero-Sum Conflicts,”* is an unflinching criticism of Syria’s problems. The attack on the Church of Mar Elias is a "wound to the spiritual memory of Syria and to the symbolism of the saint whose name the church bears," she writes, adding, "It is a bloody irony that the place named after the ‘one who raised the dead’ should be blown up by someone who worships death, sees the Other as heresy, and life as merely a path toward a delusional glory."
Essays and Features

The Passing of Two Women, Very Different, But Bonded By Their Search For Peace

By 
Al Jadid Staff


Two strong women’s lives never crisscrossed, coming from different worlds, politically, socially and economically, yet their missions in life were somewhat similar. Kathy Kriger and Hatidza Mehmedovic each worked towards standing up against injustice, in their own ways, regardless of their backgrounds. Kathy Kriger, born Kathleen Anne Kriger, served as the United States’ diplomat in Morocco for several years, living what many would consider a comfortable life in a prestigious position. In the wake of September 11 and the

On Hips and Heritage: Cairo Nativists Object to Invasion of Foreign Belly Dancers!

By 
Naomi Pham

The recent arrest of Russian belly dancer Ekaterina Andreeva, who goes by her stage name Johara, has sparked questions about how to view foreigners participating in this dance career. In his article for the New York Times, Declan Walsh discusses this supposed “sullying” of the Egyptian ancient art form. In Egypt’s current belly-dancing scene, foreigners -- the majority of whom come from America, the United Kingdom, Brazil, and Eastern Europe – dominate the ranks and appear among the most well-known dancers in their field. According to Walsh, “The foreigners bring an athletic, high-energy sensibility to the dance, more disco than Arabian Nights. Their sweeping routines contrast with the languid, subtly suggestive style of classic Egyptian stars. Some are overtly sexual.”

Chronicling Syrians’ Personal Stories of Struggle to Reach Safe Refuge

By 
Sarah Rogers
 
On Friday January 27, 2017, President Donald Trump signed an executive order that, for a 90-day period, suspended immigrant and nonimmigrant entry into the United States from Syria, Sudan, Iran, Somalia, Libya, and Yemen. It also, for a period of 120 days, suspended the Refugee Resettlement Program, placing an indefinite ban on Syrian refugees. “Leaving Syria: Seeking Refuge in Greece” makes clear the plight of Syrian refugees traces back to a much longer and tragic history.
 
Leaving Syria: Seeking Refuge in Greece
By Bill Dienst, MD and Madi Williamson
Cune Press, 2017
 
On Friday January 27, 2017, President Donald Trump signed an executive order that, for a 90-day period, suspended immigrant and nonimmigrant entry into the United States from Syria, Sudan, Iran, Somalia, Libya, and Yemen.

Little Time to Rest: 'Daughters' of Nomads

By 
Pamela Nice
 
Watching “Daughters of Anatolia,” a film documenting the nomadic lifestyle of goat herders in contemporary Turkey, makes one aware of the value of ethnographic filmography over its drier, academic prose cousin. Describing the migratory path from the Mediterranean Sea to the Taurus Mountains cannot compare with seeing the breath-taking beauty of mountains in bloom as goats scramble over them.
 
Daughters of Anatolia
Directed by Halé Sofia Schatz
Grasshopper Film, 2015
 
Watching “Daughters of Anatolia,” a film documenting the nomadic lifestyle of goat herders in contemporary Turkey, makes one aware of the value of ethnographic filmography over its drier, academic prose cousin.

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