Recent Stories

Lebanon Still Overshadowed by Oblivion As Port Blast Aftermath Enters Fourth Year
 
Art has played an influential role in making sense of the loss felt after the August 4 explosion. Tom Young’s “Strong Angels” and other paintings show a human dimension of the tragedy and its civilian heroes, who “join forces to lift the city’s grief,” writes Darine Houmani of Diffah Three (The New Arab). “Despite all its devastation, the August 4 explosion brought greater impetus to preserve our heritage and brought about a database of our historical buildings that hadn’t been done before,” states Mona Hallak, an architect, heritage activist, and director of the American University of Beirut’s Neighborhood Initiative, as cited in The New Arab. Several weighed in on the rebuilding efforts, including Lebanese architect Jad Tabet, who proposed “rehabilitation” rather than “reconstruction,” focusing on preserving the city’s existing social fabric and inhabitants alongside the architecture (for further reading on Jad Tabet and architectural heritage, see Al Jadid, Vol. 4, No, 25, Fall 1998; Vol. 5, No. 26, Winter 1999; and Vol. 24, No. 79, 2020). As art historian and gallery owner Andrée Sfeir-Semler says, “You need to nourish people with art and culture because that is what feeds their souls.”

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Our Current Issue

The Woman Who Gave the Village a Voice:

Seven Years After Her Passing, Emily Nasrallah’s Words Still Carry the Homeland
By Naomi Pham
 
Renowned Lebanese writer Emily Nasrallah’s legacy continues to broaden the understanding of emigration and exile, celebrated seven years after her death and living on through a foundation established in her honor, the Beit Touyour Ayloul Foundation, named after her first novel, “Birds of September.” On July 7, 2025, the Oriental Library of the Saint Joseph University of Beirut became the new home to a part of Nasrallah’s archive. A decade ago, Nasrallah had also donated 17 documents of her literary works to the same library.
Essays and Features

The Unbearable Weight of Existence in Arab Letters:

Between the Silence of Taboo and the Cry of Despair
By Naomi Pham
 
The 10th of September every year marks World Suicide Prevention Day. The International Association for Suicide Prevention (IASP) and World Health Organization (WHO) estimate more than 720,000 suicides occur each year worldwide. Large-scale studies conducted on a global level find that the rates of suicidality (encompassing suicidal ideation, plans, attempts, and death by suicide) are low in the Arab world compared to other countries. 2019 statistics from the World Health Organization reported that countries within the Arab world held figures between 2.0 to 4.8 suicides per 100k (with Syria reporting 2.0 and Iraq 3.6 per 100k).
Essays and Features

The Nobel Mirage:

How Power and Language Keep Arabic Literature at the Margins
By Naomi Pham
 
Literary prizes have long held the rapt attention of critics, intellectuals, and readers in the Arab world, as evidenced by the dozens of prizes awarded each year for novels, short story collections, and poetry anthologies. Occasionally, Arab writers have been awarded the International Booker Prize or the Prix Goncourt for translated editions of their works. Yet the Nobel Prize, whose last Arab winner was Naguib Mahfouz in 1988, has eluded them for nearly 40 years. Amir Taj al-Sir writes in “The Annual Nobel Fever,” published in Al-Quds Al-Arabi, that Arab readers and intellectuals follow developments surrounding the Nobel Prize “as if stricken with fever — even though it is not an Arab prize, and it is doubtful that it will ever again be awarded to an Arab after Naguib Mahfouz, given the humiliation and marginalization that Arabs and their ancient civilization face across the world.”* Year after year, anticipation over the year’s winner leaves many in the Arab world asking questions similar to those of Brewin Habib in Al-Quds Al-Arabi: “Will the Nobel remember us after 37 years of absence? And will the eternal nominee, Adonis, finally receive it?”
Essays and Features

The Fragility of Stone, the Fragility of Nations:

Beirut’s Raouché Rock Tells Stories of Endurance and Collapse
By Elie Chalala
 
As a Lebanese and as many others who grew up not far from Beirut and the Raouché district — also known as Pigeons’ Rock — I was captivated by its grandeur. Two massive limestone outcrops rise from the Mediterranean along Beirut’s western coast, separated from the mainland by an ancient earthquake. This natural landmark is not only a symbol of beauty but also a silent witness to Lebanon’s triumphs and tragedies.
Essays and Features

Doria Shafik:

The Daughter of the Nile Who Refused Oblivion
By Naomi Pham
 
There is a sense of irony, or perhaps tragic justice, in that the story of a woman whose life and presence were forcibly erased from the public sphere continues to linger on the minds of many, unforgettable even 50 years after her death. Just as she forged a path through the social and political barriers confronting her, the Egyptian feminist, poet, and editor Doria Shafik’s legacy as one of the leading figures of the Egyptian women’s liberation movement in the 1940s cannot be forgotten. Shafik strived to make her voice and the voices of all Egyptian women known, undeterred by the many who hurled insults, slander, and mockery her way — but in exchange for her efforts, all her work was seized, her allies turned their backs on her, and she lived out her final years in silence and isolation.
Essays and Features

Prolific in Exile: An Appreciation of the Life and Work of Ali al-Shawk

By 
Al Jadid Staff
 
A prolific author and reader, Ali al-Shawk embodied scholarship, transforming himself into a veritable encyclopedia of intellectual knowledge. His humility endeared him to his friends and set a worthy example for others. He remains particularly known for being a good listener and for his non-confrontational ways, listening “to you until you finished talking before offering his own opinion,” according to Mahmoud Saeed. His writings encompassed the topics of mathematics, music, painting, literature, etymology, mythology, and science, and he wrote continuously until his death in his London home this year.

New Book Places Famed 20th Century Lebanese Beauty and Unappreciated Intellectual May Ziadeh at Center of Controversy Now as Then

Forthcoming in Al Jadid
By 
Elie Chalala

Twenty-years ago, Al Jadid published “The Victim Of Beauty: Reviving the Literary Legacy of Mai Ziadeh” by Ghada Samman. The issue we tackled then was how Ziadeh's talents and skills were overlooked because of her gender, and even worse, how highlighting her personal life at the expense of her intellect distorted her legacy. One Lebanese critic was emotionally overwhelmed by the recent book, “May: The Nights of Isis Copia” (Dar al-Adab, 2018) by Waciny Laredj, expressing her appreciation for this kind gesture by the Algerian-French novelist and academic toward a fellow “Lebanese.” However, an Egyptian critic takes issue with the new book. The same concerns which fueled early criticism of how Ziadeh was treated did not escape the notice of Sharif al-Shafei's thoughtful essay in Al Modon newspaper.  

May Menassa (1939-2019): Journalist, Novelist Wrote in the Black Ink of War and Tragedy

By 
Al Jadid Staff


The Lebanese Civil War (1975-1990) spurred the production of a vast literature. Yet only a small fraction of these books, novelsand memoirs are available in English. An even smaller portion received wide attention through reviews or publicity campaigns. This leaves a void in the English language about the literature of this war. This essay highlights one novelist’s contributions in the Arabic literature of the war as well as a brief glimpse into her life.

Leila Slimani: Demolishing Barriers with Literature and Francophone Values

By 
Naomi Pham
 
Beyond her award-winning novels, the public knows Moroccan-French novelist Leila Slimani for her advocacy of francophone values, promoting the French language, a culture of diversity and openness, as well as for her support for women’s rights. During the French presidential elections, Ms. Slimani accompanied President Emmanuel Macron in his visit to Morocco, encouraging Moroccan-French citizens to vote for him against the right-wing and ethnocentric Marine Le Pen. According to press reports, the French President initially wanted to appoint Slimani as Minister of Culture, but she declined. So he appointed her as his personal representative of francophone affairs.
 
Beyond her award-winning novels, the public knows Moroccan-French novelist Leila Slimani for her advocacy of francophone values, promoting the French language, a culture of diversity and openness, as well as for her support for women’s rights. During the French presidential elections, Ms. Slimani accompanied President Emmanuel Macron in his visit to Morocco, encouraging Moroccan-French citizens to vote for him against the right-wing and ethnocentric Marine Le Pen.

Nostalgia for a Lost Damascus Leads Native Son into Danger in New Thriller

In his latest novel, “Sophia,” Syrian-German author Rafik Schami takes readers on a journey from Beirut and Heidelberg to Rome and Damascus through the eyes of Salman, the son of Sophia, the novel’s namesake, who is a beautiful Christian woman who had recently left her Muslim lover, Karim, to marry Yusuf Baladi, a rich Damascene Christian goldsmith. The story follows Salman’s trail as he flees Syria to Lebanon after accidentally wounding a police officer in an armed revolt to topple the dictatorship.

Dystopic Trends in Modern Arabic Literature

 
In the first two decades of the 21st century, the Arabic literary scene has witnessed a new trend in fiction in the form of a dystopian narrative. Where Arabic research has mainly focused on Classic Western utopias as characterized by the writings of Thomas More, Tommaso Campanella, Samuel Butler, and 20th-century Western dystopian fiction, the rise of Arabic authors exploring the dystopian genre has caught the attention of Western readers. These new dystopian works by Arab authors have been defined as the start of a new literary genre in modern Arabic literature, written mostly in English or French, with any works written in Arabic quickly being translated into English, suggesting an interest and wish on the part of the authors and publishers for a presence in the Anglophone market.
 
In the first two decades of the 21st century, the Arabic literary scene has witnessed a new trend in fiction in the form of a dystopian narrative. Where Arabic research has mainly focused on Classic Western utopias as characterized by the writings of Thomas More, Tommaso Campanella, Samuel Butler, and 20th-century Western dystopian fiction, the rise of Arabic authors exploring the dystopian genre has caught the attention of Western readers.

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