Essays and Features

A Syrian Surgeon and Novelist Returns to a 'Country Once Called Syria'

Khalil al-Neimi Exposes What Tyranny Has Done to His Homeland

By Elie Chalala

I feel an affinity with Khalil al-Neimi, the author and novelist. Like him, I left my country, Lebanon, in 1972, and often thought about what I left behind. I gradually lost the desire to return, and later, after making a short visit back, I gave up on the idea altogether after being away for 38 years. Neimi and I differ on why it took us a long time to return (for me, 38 years, and for him, 50 years). It has been 53 years now since I departed Lebanon.

Essays and Features

Dismantling the Politicization of the Veil:

Samar Yazbek on Syria’s Oppressive History of Manufacturing Female Vulnerability

By

Naomi Pham

The questions of freedom and equality remain on the minds of many Syrians as the country navigates not only change, emerging from the Assad regime’s decades-long grasp, but also the recent tragedies of the coastal massacres. Liberating the country from tyranny extends beyond resolving its systemic judicial and political issues, but must also be re-examined from a fundamental human rights perspective.

Life Suspended Between Sorrow and Loss:

Nesrine Akram Khoury on the Trauma of Displacement in ‘A Room Between Two Massacres’

By Naomi Pham

“We were surprised by the other, the room, and me. I took a small space from it, just enough to open my laptop and resume the life I had left behind, hungry and afraid. The room, in turn, took two years of my life.” In this poetic portrait of life caught between war, displacement, and cyclical violence, Nesrine Akram Khoury’s “A Room Between Two Massacres”* dredges up painful memories that may resonate with many despite their intensely personal nature.

Essays and Features

Societal Perceptions on Gender and Marketability Shaped by Trends and Jury Preferences — A Disappointing Future for Literary Prizes

By

Naomi Pham

Not a year goes by without the same discussions questioning the authenticity of literary prize culture in the Arab world. Since its inception in 2007, the International Prize for Arabic Fiction (IPAF), often referred to as the Arabic Booker Prize, has been the subject of scrutiny among literary critics and authors. Ghazlan Touati's article "The 'Booker' and Arab Women Writers...

Waciny Laredj Reflects on the Ambiguous Nature of Nationalism and Algerian Literature in French

By Elie Chalala

Language is not just a means of expression; it shapes identity and offers a broader, more complex connection to culture. In his essay “Arabic Literature in French: A Confusing Classification,”* published in Al Quds Al Arabi, Algerian novelist Waciny Laredj unravels the complex relationship between Arab writers, the French language, and identity. Language, he writes, is not merely a tool of expression — for many, it is a “home” and a determinant of cultural and intellectual vision, especially among writers who adopted French, whether by necessity or strategic choice, whose Arab identities were erased and sidelined in the literary world.

Essays and Features

Syrian Novelist Reflects on Exile, Alienation, and War Devastation:

Syria Strips Away Symbols of the Old Regime to Reveal the Layers of Hell Beneath Damascus

By Elie Chalala

Syrian novelist Samar Yazbek recently returned to Syria and has written and given interviews on exile, displacement, fear, alienation, and the devastation of war. Having lived in displacement for nearly a decade, the thought of returning frequently occupied her mind. Her essay, “In Damascus, a Steep Road Leads to Hell,”* published in the New Arab newspaper, covers her experience as a returnee.

Essays and Features

Breaking the Silence on Syria’s Prison Discussion: Can ‘Museums of Silence’ Become a Symbol of Survival and Remembrance?

By

Elie Chalala

A reader may wonder why I am so captivated by prison literature. Personally and professionally, I have had to address this valid question with deep conviction, as it lies at the heart of Middle Eastern and Arab studies. Yet, I find it challenging to offer a concise answer for several reasons. One stems from my doctoral research on Syrian politics, where the themes of prisons and prisoners featured prominently.

Prison Becomes a City: Separating the Unspeakable Legacy of Assad’s Sednaya and Tadmur from the Fabric of Syrian Souls and Cities

By Elie Chalala

Suppose we must encapsulate the essence of Abeer Dagher Esber’s message for Syrians to remember, now and in the future. In that case, it should be the words she leaves at the end of her essay in Al Modon newspaper: “Our detention centers and the shame they represent — something we hope never to endure again — are woven into the fabric of our souls and cities, the stains on our brows that generations strive to erase and forgive. Our detention centers reflect a complex relationship with a collective memory we hesitate to confront, fearing we might be accused of mere rhetoric and shedding sentimental tears in unfamiliar cities.”

Essays and Features

Syria’s Sectarian Strife Woven with Twisted Fortunes and Cruel Ironies

By

Elie Chalala

What occurred on March 6 off the Syrian coast has long been anticipated following the downfall of the Assad regime. However, it unfolded several weeks later. The accurate prediction of violence on the Syrian coast did not require exceptional foresight but was tragically Pavlovian. The defeat of Assad's forces, primarily supported by the Alawites, at the hands of Hayat Tahrir al-Sham (HTS), a Sunni Muslim-dominated group, had set the conditions for a sectarian conflict. "Syria: Fear vs.

‘The Obedient Tears’ of Youssef Abdelki

By Elie Chalala

Since the downfall of the Assad regime, Syria’s preeminent painter, Youssef Abdelki, has remained active in both the artistic and political spheres. Maen al-Bayyari honors the artist’s impactful contributions, calling for his recognition from the creative community in his essay, “Youssef Abdelki’s Obedient Tears,”* published in The New Arab. Bayyari’s article is not a biographical profile of Abdelki, but rather an effort to move past the “long night” and recognize the artist’s contributions and sacrifices for Syria’s struggle for freedom, both before and after the 2011 Revolution. He states, "It is natural that no tribute will be held for him in his country during that long night; I believe it is essential to organize a significant celebration for him, as freedom has remained a central theme in many of his works, sculptures, paintings, and graphics." This recommendation genuinely deserves attention.

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