Studies of autobiography in literature, especially in Western scholarship, typically favor a Western definition of the genre that denies the possibility of a "true" autobiography in Arab literature. Most associated with the ideas of Franz Rosenthal, the argument follows the claim of the "superiority of the "Western self"' and its "perceived capacity for individualism and self-awareness necessary to produce an autobiography, a capacity they believed was lacking in Arab culture," according to the late Issa Boullata’s review of "Interpreting the Self: Autobiography in the Arabic Literary Tradition" by Dwight Reynolds (For the review, see Al Jadid Vol. 7, No. 37, Fall 2001). Moroccan researcher Mohamed al-Wardi's recent book, "The Beginnings of Autobiography Among the Arabs: Customs, Types, and Objectives" (Seliki Brothers, 2021), combats this notion and synthesizes much of what is known about Arab autobiography into a new understanding of the genre. 

Sawsan al-Abtah’s recent article in Asharq al-Awsat exposed the lackluster presence of Arabic on the internet today. This topic is hardly a new one: since the early 2010s, discussions on the broader use of Arabic online and how to streamline Arabic use of the web brought concerns about the language’s underrepresentation in the digital world. Then the outbreak of the Arab Spring led to a larger Arab userbase, with increased citizen journalism, organized activism, and the availability of platforms allowing more freedom of speech and expression. With an abundance of Arabic-speaking users, one would expect Arabic content to develop naturally. On the contrary — al-Abtah points out that Arabic content has been and continues to be overshadowed by content in other languages. Today, we have become more conscious of its shortcomings amid a global pandemic that has pushed large portions of work, education, and social life online, with very few Arabic language resources available.