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Algerian Identity 60 Years After Independence: Reclaiming Memory and Sovereignty Over Language Amid Lingering French Tensions

By Elie Chalala and Naomi Pham

Many Arab intellectuals and literary elites, some of whom fought in the Algerian Liberation War, romanticize the Algerian Revolution. Arab poets, novelists, and intellectuals produced a sizable amount of literature during and after the revolution. But the French-Algerian conflict did not disappear with Algeria's independence in 1962 and continues to this day with tense relations ebbing and flowing, especially as the country commemorates its 60th anniversary of independence.

Essays and Features

Inheritors of Sound and Song: Arab Music and the Legacy of Al-Andalus

By Sami Asmar

In our childhood, they taught many of us that Al-Andalus was the center of a grand golden era of Arab civilization. As we lament the current state of Arab civilization, we were also taught that European civilization benefited immensely during this period. These notions are self-evident in the realm of music since, to this day, there is a highly popular genre of Arab music attributed to Andalusian heritage. Do these notions have the historical support needed for academic research, or do they remain mythological?

Books

Muslim Americans Negotiate the Public Sphere: 'Civic Purdah' and Civic Engagement in Metro Detroit

By Pamela Nice

This academic book is an ethnographic study of Muslim communities within Hamtramck, a small incorporated city within the boundaries of greater Detroit. As such, the subtitle is somewhat misleading, as Detroit has differing demographics and ethnic and religious dynamics from Hamtramck, and the two are, in fact, compared periodically by the author. Alisa Perkins lived and worked among Hamtramck’s Muslims — primarily women — during 2005-2007, with follow-up research through 2017.

Books

Historical Overview of Arab American Women from 19th Century to Present Honors the Works of Michael Suleiman

By Lynne Rogers

“Arab American Women: Representation and Refusal,” a collection of 19 essays edited by Michael W. Suleiman, Suad Joseph and Louise Cainkar, provides a moving and appropriate tribute to the seminal work of the late Michael Suleiman. A public intellectual whose important contributions like his book, “Arabs in America” and founding of the Association of Arab American University Graduates (AAUG), Suleiman vastly broadened Arab American studies. The collection offers essays for both the interested lay reader and the serious scholar and Suleiman’s immense founding contribution to the field of Arab American Studies can easily be seen in the frequency he is cited in the articles’ references. 

Books

Nudity Overshadows Betrayal in 'Huda's Salon'

Arab Audience and Critics Riled Over Controversial Film
By Naomi Pham and Elie Chalala
The controversy over Palestinian-Dutch director Hany Abu-Assad’s “Huda's Salon” will not be the last furor over an Arab film. Not long ago, the film "Amira" and its director Mohamed Diab (more on “Amira” can be found in Al Jadid, Vol. 25, Nos. 80-81, 2021) met with similar disapproval. Most of the outrage against these two films did not center on the plots, themes, acting, directing, special effects, or cinematography, but on politics and what they considered immoral elements — which in “Huda’s Salon” is female nudity. The Palestinian creative community, including in the diaspora, has not been spared from harsh, and at times treasonous, accusations. Reasonable critics dismiss this latest controversy as being uninformed, superficial, and ideological. But the long-term consequences of these "populist" campaigns against Palestinian cinema carry intellectual costs. Many Palestinian talents, whether in the diaspora or inside Palestine, may retreat or abandon creative attempts to further the interests of their communities, given the chilling treatment met by their fellow directors. Despite the opposition's reasoning, profound ideological legacies of Palestinian politics still direct and guide some activists' campaigns that continue the old tactics and direct cultural politics to agree with their rejectionist political positions.
 
Films

Growing Dysfunction of Arab Societies Parallels Rise in Violence Against Women

By 
Naomi Pham and Elie Chalala

Gender-based violence is not a new phenomenon in the Arab world. Attacks against women have been on the rise for years. One might recall the attacks on female social media influencers in 2018, leading to the deaths of former Miss Baghdad Tara Fares, beauticians Rasha al-Hassan and Rafif al-Yasiri, and the human rights activist Suad al-Ali. In 2021, the gruesome death of Farah Hamza Akbar, a Kuwaiti mother killed in front of her children by her stalker, filled headlines with an outcry against the lack of protection for women. 

Looking at Reading Rates Beyond Bogus Statistics

Yes, Arabs Read! But How Much?
By 
Naomi Pham

As UNESCO celebrates World Book Day, many countries have turned their attention to not just books but also the reading rates of their citizens and how they compare globally. Many speculate that Arabs do not read as much as Europeans and North Americans. Time and time again, major publications and news outlets fill their headlines with the claim that Arab citizens read an average of only six minutes a year. This figure was cited in the early 2000s, attributed to the December 2011 4th Annual Cultural Development Report by the Arab Thought Foundation, which has yet to be published online. The number appeared in a TEDxRamallah panel in April 2011 by Fadi Ghandour, CEO of Aramex in Jordan, who claimed his source was UNESCO (UNESCO has denied ever publishing the statistic). According to Thana Atwi, a spokeswoman for the Arab Thought Foundation, the number was never meant to be read at face value but as a symbolic figure, as cited by Leah Cladwell on the website Hekmah. Regardless of right or wrong, one cannot deny that the reading rates in the Arab world are low, which may be why the erroneous “six-minute myth” has been repeated for over a decade and continues to be a statistic that many significant publications take seriously.

The Catcher in the Bulgur?

Coming of Age Story Witnesses Tribulations of Growing up Arab American in Brooklyn
By 
D.W. Aossey
Coming of age stories can be tricky. In no other genre do authors willingly stick out their necks, relying on a single, flawed adolescent to heroically carry the day. No clever plot twist can save our young protagonists if they’re not up to the task; no quirky sidekicks or kinky lovers can plaster over the holes. The vulnerability of a Holden Caulfield, the dimwitted charm of a Forrest Gump, or even the precocious morality of a Kevin Arnold was always destined to shine. And then we have Michael Haddad, the teenager at the center of “Arab Boy Delivered” by author Michael Aziz Zarou.
 
It’s the early 1960s. A Palestinian family takes over a neighborhood grocery store in an Italian part of Brooklyn, where working-class residents pop in and out for bread, milk, beer, and cigarettes. They’re mild to outright discriminatory against Arabs. “Camel jockey assholes, go back to the desert!” comes up more than once; vandalism and other mischief loom. The police have little help. Michael, the young son of old country proprietors Aziz and Jamila Haddad, searches his parent’s worried expressions and philosophizes. He listens to 60s music and goes through his coming-of-age routine, seeming more grown-up than he should be. He looks at himself in the mirror and thinks. 

Mona al-Saudi (1945-2022): The Sculptor Who Befriended Stone and Challenged Traditions

By 
Naomi Pham and Elie Chalala

Ensconced in her garden of stone and statues, Jordanian poet, artist, and sculptor Mona al-Saudi has always been connected to the earth around her. She spent her earliest years playing amidst the ruins of the Roman Nymphaeum near her home in Amman, enamored with the geometric forms. Staring at the towering structures, her mind wandered to the more existential questions of life from a young age. “I would leave my little friends to play with the statues, converse with them, contemplate their folds, and I felt that they were silent creatures full of life… These legendary archaeological sites gave me the feeling of man’s ability to create great works that remain for eternity. And that is how my dreams began,” she said, as cited by Ghazi Anayem in Thaqafat. This love of heritage and history followed her wherever she went, inspiring all her creations for years to come. She told Gulf News, “Our house was only three meters away, and when I opened the door of my house, I could step into the Nymphaeum, with its Roman baths, columns, and scattered sculptures all over. These were literally historical stones. And I used to play in these ruins. That is why I belong to this kind of era, which I feel endures.”

Multiple Pressures From State Repression, Fundamentalist Retribution, Cultural Critiques and Competition From Global Media Choking Off The Voice Of The Arab Intellectual

By 
Elie Chalala
Many definitions of Arab intellectuals are rooted in the idealistic tradition that glorifies them as guardians of values and ethics, as figures closer to “angels” and “faqihs,” who stand above politics and power struggles and enjoy a monopoly over the authority of knowledge. These notions reflect social illusions and popular perceptions of the time when intellectuals were considered part of a sacred class. A recurrent list of names often cited and idealized as intellectuals include Mahmoud Abbas al-Akkad, Taha Hussein, and Naguib Mahfouz. These perceptions clearly distinguish the intellectual from the politician.
 

The Wonders of a Village Childhood

By 
Lynne Rogers
 
Stories My Father Told Me: Memories of a Childhood in Syria and Lebanon
By Elia Zughaib and Helen Zughaib
Cune Press, 2020
 
“Stories My Father Told Me: Memories of a Childhood in Syria and Lebanon” is a delightful collection of short one-page stories told to Elia Zughaib by his father, accompanied by paintings by his daughter, Helen Zughaib.

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