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Second-Wave Arab American Literature Caught Between Assimilation and Diversity (3-4): Literary Legacy Which Descended into a Dormant Period Experienced a Revival in Late 1960s

Scholarship on the Mahjar writers saturates much of the existing literature and discussion of Arab American literature, often alongside the contemporary writers of the third wave. By comparison, second-wave literature shares hardly a fraction of the attention between these two periods. From 1948 to 1973, second-wave writers occupied a surprisingly quiet and subdued presence despite the tumultuous developments occurring around them and in the Arab world.

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With Cutting-Edge Scholarship, New Reader ‘Sajjilu’ Challenges Traditional, Homogenous Archive Representations of Arab American Studies

By Lynne Rogers

As part of their Critical Arab American Studies, Syracuse University’s “Sajjilu Arab American: A Reader in SWANA Studies” celebrates the emerging field of Arab American, Southwest Asian, and North African Studies not by “canonization but rather by inquiry and exploration.” This collection of 39 essays offers a comprehensive and scholarly introduction to the field and highlights the interdisciplinary anti-racist, anti-imperialist, and feminist perspectives of this growing and innovative field. The varied collection also includes excerpts from early seminal works, many of which have been reviewed in this journal upon their publication, to provide the reader with the foundation of Arab American studies, followed by excerpts of contemporary cutting-edge scholarship informed by activism and committed research. The title “Sajjilu” refers to Mahmoud Darwish’s 1964 poem “Identity Card” (Bitaqat Hawiyyah), composed while in an Israeli prison, which begins with ‘sajjil ana arabi.’ Using the verb's imperative, the opening lines mean “Register: I am an Arab.” While the scholars examine the historical moments of the Arab American narrative, including early Arab misogyny, the Occupation of Palestine, the attack of 9/11 and its repercussions, and the American war in Iraq, the collection acknowledges the complexity of and diversity under the umbrella of Arab American identity. It dismantles “the historical archive that privileges assimilation and heteronormative narratives.” Admirably, the academic rigor does not come at the expense of the personal. In the introduction, each editor begins with a personal statement that chronicles their introductory awareness of being an Arab/Arab American and their trajectory in the field. In “Pauline’s Story,” she gratefully acknowledges the influence of this journal, Al Jadid, and her participation in Al Jadid’s efforts to share the cultural pulse of the Arab American community.

Books

Second-Wave Arab American Literature Caught Between Assimilation and Diversity (3-4): Literary Legacy Which Descended into a Dormant Period Experienced a Revival in Late 1960s

By Naomi Pham

Scholarship on the Mahjar writers saturates much of the existing literature and discussion of Arab American literature, often alongside the contemporary writers of the third wave. By comparison, second-wave literature shares hardly a fraction of the attention between these two periods. From 1948 to 1973, second-wave writers occupied a surprisingly quiet and subdued presence despite the tumultuous developments occurring around them and in the Arab world.

Essays and Features

Lebanon Still Overshadowed by Oblivion As Port Blast Aftermath Enters Fourth Year

By Naomi Pham

Art has played an influential role in making sense of the loss felt after the August 4 explosion. Tom Young’s “Strong Angels” and other paintings show a human dimension of the tragedy and its civilian heroes, who “join forces to lift the city’s grief,” writes Darine Houmani of Diffah Three (The New Arab). “Despite all its devastation, the August 4 explosion brought greater impetus to preserve our heritage and brought about a database of our historical buildings that hadn’t been done before,” states Mona Hallak, an architect, heritage activist, and director of the American University of Beirut’s Neighborhood Initiative, as cited in The New Arab. Several weighed in on the rebuilding efforts, including Lebanese architect Jad Tabet, who proposed “rehabilitation” rather than “reconstruction,” focusing on preserving the city’s existing social fabric and inhabitants alongside the architecture (for further reading on Jad Tabet and architectural heritage, see Al Jadid, Vol. 4, No, 25, Fall 1998; Vol. 5, No. 26, Winter 1999; and Vol. 24, No. 79, 2020). As art historian and gallery owner Andrée Sfeir-Semler says, “You need to nourish people with art and culture because that is what feeds their souls.”

Essays and Features

Arab American Literature Pioneers Incorporating Modernism and Reason: How Later Generations Reduced a Dynamic Legacy to Mere Genealogy (2-4)

By Elie Chalala
The pioneering Mahjar writing of first-wave Arab American literature has fascinated those in the diaspora community and their homelands for over a century. Modernist characteristics of this literature contributed to its fascination, as it developed earlier than modernism in Arabic literature.
 
The Mahjar modernist movement emerged in the early 20th century, rooted in romanticism and spiritual philosophy. Arab American poetry diverged from Arab poetry dramatically in form and theme, characterized by simple language, freedom from tradition in rhyme and meter, and the abandonment of stereotypes. This modernist literature was, in some ways, an antecedent to its Arab counterparts. Fascinatingly, while Arab literature did not embrace modernism until the late interwar period, members of the Arab American intellectual community readily adopted the literary movement.
Essays and Features

Haidar Haidar, 1936-2023: Author Who Shunned Spotlight and For Whom Writing Was Truly Its Own Reward

By Elie Chalala

As a young man, Syrian author and novelist Haidar Haidar had been silently involved in political events in his country. Like many Arab and Syrian intellectuals, he participated in the Algerian Arabization process, volunteering to teach the Arabic language in Algeria. His works have been translated into German, English, French, and Italian and remain read in the Arab world, achieving various success. His novel, “The Leopard,” was adapted into a movie directed by the late prominent director Nabil Al-Maleh, winning many awards in international festivals. He often explored his connection to nature in his writing, touching on the relationship between hunter and prey and his own reflections as a novelist and hunter. 

Essays and Features

Farewell to Habib Sadek (1931-2023): Friend, Poet, and Exceptionally Honest Politician

Having Self-Exiled from the Turbulent World of Lebanese Politics, Sadek Dies Peacefully at 92
By 
Elie Chalala

Rarely do I get personal in my notebooks and essays, but this time I will. On July 1, 2023, I lost a friend in Lebanon whom I had known for more than four decades, and even longer if I count the years before I met him in person in Los Angeles. Habib Sadek (1931-2023) was a Lebanese intellectual, poet, author, head of the Cultural Council of Southern Lebanon, former parliamentarian, and, more importantly, someone whose support deeply impacted the early years of Al Jadid Magazine, for which I will always be grateful.

Nazik al-Malaika: Queen of Free Verse Remains Uncertain

Fifty Years of Debate Yield No Consensus Over Her Place on the Throne of New Arabic Poetry
By 
Elie Chalala

Rarely do I open a cultural page in Arab newspapers, whether print or online, without catching wind of new discourse on modern poetry. Though I have never written poetry, the topic naturally draws my interest as an academic in political science, lecturing on debates between tradition and modernity for nearly a third of a century...Debates between traditional and new poetry shouldn’t be dismissed as simply Byzantine arguments. Such discourse indicates significant changes in the Arab world, including modernization and later globalization. Several critics have raised this discussion, the latest of which was in a column by Aref al-Saadi in Asharq Al Awsat, who writes, “I say this based on a slow study of our contemporary poetry and its trends, and I say it because it is the logical result of our willingness to read European literature and study the latest theories in philosophy, art, and psychology. In reality, those who want to combine modern culture with ancient traditions of poetry are like those living today in the clothes of the first century of immigration.” According to Saadi, there are two alternatives to discussing modernity and tradition: “Either we learn the theories, are influenced by them, and apply them, or we do not learn them at all. It may be useful for us to remember that the development in the arts and literature in a given era arises from the meeting of two or more nations.” Closed nations don’t produce anything new but merely repeat what their ancestors did.

To a Woman He Never Met: What Gibran’s Love Letters to May Ziadeh Reveal About the Inner Life of the ‘Prophet’s’ Author

By 
Lynne Rogers

For the ordinary reader, “Love Letters” is a short yet savorable book, with letters you can thumb through when drawn to thoughtful musings or aspirations to better oneself. For those interested in Gibran as either a literary giant or an artist, this collection of letters provides a nuanced narrative of his deep spiritual yearnings, dedication to his work, extended gentleness, and benevolent humor. This touching correspondence between these two seminal intellectuals weaves together their mundane concerns, from Ziadeh’s change of hairstyle to intimate emotional and spiritual revelations, as well as Gibran’s aesthetic reflections, adding an empathic human depth to further appreciate both his art and life as an artist.

A Fresh Look at the Debate: Definitions and Historiography of Arab Americans in the New Century

1-4
By 
Elie Chalala
 
Arab American literature and how we define it remains central to the field’s discourse. Some scholars believe prior knowledge of Arab culture is essential to comprehending Arab American literature since it is an ethnic genre. Since the 20th century until the present, Arab Americans have strongly lobbied to classify Arab American studies as an ethnic field and draw a line between Middle East studies — which belongs to the area studies — and ethnic studies.

The Imperialism of Indifference: From Colonial Voice to Reliable News Source Trusted by Generations, the BBC Closes its Iconic Arabic Radio After 85 Years

By 
Elie Chalala

The demise of BBC Arabic closes a chapter in modern Arab history. This is not a romantic or idealistic lamentation. Any Arab student or scholar who lived through or part of the post-WWI era of the 20th century can easily recognize the association between BBC Arabic and major political events. The question becomes not who are the writers of history — it is a history written by the literate or middle classes as opposed to a popular history. How can scholars tell that BBC Arabic was part of the lives of the groups who have written about the contemporary history of the Arab world? We rely on two indicators: literacy and politicization. When I use the term history, I believe that most if not all those who wrote on the political history of the Arab world came from literate classes and were part of groups ‌that cared for and even were engaged in politics. Those included pan-Arabists of the radical schools such as Nasserites and Bathists, conservatives, Islamists, and those moderate liberals opposed to socialists and communist groups.

Brexit and Lebanon’s Economic Collapse Close the Chapter of London’s Iconic Saqi Bookshop

By 
Naomi Pham and Elie Chalala
For 44 years, Al Saqi Books has served as the beating heart of Arab culture for tourists, expatriates, and Arab readers in London — but after struggling to stay afloat amid a rocky economic climate both in the Middle East and at home in the United Kingdom, the independent bookstore recently announced its closure at the end of the month, just before the new year. Over the past decade, bookstores worldwide have been forced to shut their doors. Syria and Lebanon have faced closures due to economic and social crises (read more about the state of the Arab world’s publishing industry in Al Jadid, Vol. 25, Nos. 80-81, 2021 and Vol. 26, Nos. 82-83, 2022). The bookstore chain Borders was liquidated in 2011, and even Barnes & Noble has closed several of its locations. Independent bookstores have taken especially hard hits as the culture of reading shifts with technology, making it increasingly difficult to keep up with costs.
 

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