ESSAYS IN FORTHCOMING AL JADID, VOL. 24, NO. 78, 2020

Silent in First Person: Where is the Confessional Autobiography in Arab Literature?
By 
Al Jadid Staff

Confessions in autobiographies can achieve two things: they reveal all that the writers have concealed about their lives, or they serve to offend those around them in doing so. Some have used confessions to elevate their own characters, depicting their actions as courageous while recalling the wrongs done against them throughout their life. In Arab tradition, writers wish their readers to see them in a positive light, and readers look to autobiographies for ideal figures and role models for future generations, drawing on religious traditions and figures. Rather than touch on his misdeeds, the writer would instead share his accomplishments, highlighting only the positive parts, according to Ehab al-Najdi. The 2015 publication of the Egyptian Najdi’s “Literature of Confessions: Analytical Approaches from a Narrative Perspective” (Dar al-Maaref) examines the complex obstacles and scarcity of confessional writings in the Arab world.

ESSAYS & FEATURES IN FORTHCOMING AL JADID, VOL. 23, NO. 77, 2019

Despite Decades-Old Controversies, Iraqi Poet Badr Shaker al-Sayyab Still Relevant!
By 
Al Jadid Staff

The Arab cultural scene never tires of Iraqi poet Badr Shakir al-Sayyab’s legacy, refusing to let it rest even 55 years after his death. The recent publications of Jasim al-Muttair’s “The Swinging Moods of Badr Shakir al-Sayyab,” as well as several columns on the poet by Iraqi writer Yassin al-Dulaymi and Lebanese columnist Mohammad al-Houjeiri, have again brought the poet’s life into the public eye. Sayyab did not shy away from politics in his work. “He was the kind of person who thought that a literary person and an educated person and a poet had a duty to get involved in the politics of his country and his nation and to point his finger and to be on the side of the poor and the struggling sectors of society. Governments were not, still are not, accepting of people who are not accepting of their line,” said his son, Ghailan al-Sayyab, in an interview with The National.

FILM REVIEWS FORTHCOMING IN AL JADID, VOL. 23, NO. 77, 2019

‘Out on the Burning Sands’
By 
Al Jadid Staff

Despite being a 20-year-old film, “Hollywood Harems,” directed by Tania Kamal-Eldin, discusses myths and fantasies of Orientalism and Arab women that still resonate today. The documentary takes a close look at several films, from “The Sheik” (1921) to “The Mummy” (1932), and others spanning between the 1930s and 1960s, with a sharp focus on the portrayal of women -- from fictionalized harems and the voyeuristic “intruder’s gaze” of men, to the depiction of their exploiters as Arab men and saviors as white men.

For a Friend Sorely Missed

Moayyad al-Rawi (1939-2015)
By 
Elie Chalala


This brief column can only begin to do justice to Iraqi poet and critic Moayyad al-Rawi. A longer tribute will appear in Al Jadid’s next issue later this year (Vol. 23, No. 77, 2019).

Moayyad, who died in 2015, fled the Iraqi dictatorship in 1970 for Lebanon, making it his first stop in a life in exile; it is there I met him. Imprisonment and repression following the 1963 Baathist coup forced him to leave Baghdad and Kirkuk, which he loved, and which figured prominently in his writings.

Ali al-Shawk in the Eyes of One Acquaintance

By 
Mahmoud Saeed


Ali al-Shawk’s death leaves an empty space that no one can fill. He was prolific, thoughtful, articulate, and of high manners. Personally, I thought of him as one of the most cultured intellectuals I have met inside or outside of Iraq. His cultural depth owed to the greatness and diversity of his reading, which included his fluent command of English, from which he translated several books.

‘Sexuality in the Arab World’: Book Attempts to Shed Multi-Faceted Light on Subject Long in the Shadows

Forthcoming in Al Jadid
By 
Al Jadid Staff


“Sexuality in the Arab World” has fascinated many Western scholars, though not as many Arabs, mainly for political and cultural reasons. Edited by Samir Khalaf and John Gagnon, this book first appeared in English in 2005 and then was published in Arabic by Dar al-Saqi in 2015, translated by Osama Manzalji. Novelist and critic Mahmoud Houjeiri has reviewed this book in Arabic, a review that offers an Arab perspective which is worthy of sharing and translating. 

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