Subscribe to Al Jadid

Our Current Issue

Baha Taher: Noble Intellectual and Literary Phenomenon

By Elie Chalala
Egypt and the Arab world lost Baha Taher, a great literary figure and an exceptional  “phenomenon” in Arab literature. I intentionally use and stress the term “phenomenon.” Most students of Arab literature are quite familiar with the battles, scandals, gossip, back stabbings, and squabbles over literary prizes, where narcissism bares its fangs. Taher was absent from all of these battles and, perhaps because of his integrity, remained in the shadows without amassing the literary “popularity” others sought after. As Oussama Farouk in the Lebanese Al Modon newspaper said, Taher was devoted exclusively to his creativity, distanced himself from any disputes, disagreements, or conflicts relating to positions, benefits, and prizes, and carved with his virtuous nature a place in the hearts of his friends, students, and readers that is hard to fill. I distinguish literary squabbles and scandals from the literary and intellectual debates between old and new, heritage and modernity. In short, Taher’s integrity primed him as a phenomenon in the world of Arab letters.
 
Essays and Features

Two Decades After Alfred Farag’s Death, Debate Still Rages Over Origins and Decline of Arab Theater

By Naomi Pham and Elie Chalala

Almost any discussion of Arab playwrights is incomplete without covering the origins of Arab theater, and no exception applies when discussing Alfred Farag. Arab scholars, playwrights, and critics have constantly debated the state of Arab theater, once its birth and recently its decline, especially when compared (as it often is) to Western theater. The late Alfred Farag (1929-2005), one of the leading contemporary playwrights of Egyptian theater, wrote numerous plays and played an instrumental role in bridging Arab heritage to the stage before his death. His bold, experimental style vastly influenced Arab theater as it is known today, and he devoted much of his life to calling for a theatrical renaissance.

Theatre

Algerian Identity 60 Years After Independence: Reclaiming Memory and Sovereignty Over Language Amid Lingering French Tensions

By Elie Chalala and Naomi Pham

Many Arab intellectuals and literary elites, some of whom fought in the Algerian Liberation War, romanticize the Algerian Revolution. Arab poets, novelists, and intellectuals produced a sizable amount of literature during and after the revolution. But the French-Algerian conflict did not disappear with Algeria's independence in 1962 and continues to this day with tense relations ebbing and flowing, especially as the country commemorates its 60th anniversary of independence.

Essays and Features

Inheritors of Sound and Song: Arab Music and the Legacy of Al-Andalus

By Sami Asmar

In our childhood, they taught many of us that Al-Andalus was the center of a grand golden era of Arab civilization. As we lament the current state of Arab civilization, we were also taught that European civilization benefited immensely during this period. These notions are self-evident in the realm of music since, to this day, there is a highly popular genre of Arab music attributed to Andalusian heritage. Do these notions have the historical support needed for academic research, or do they remain mythological?

Books

Muslim Americans Negotiate the Public Sphere: 'Civic Purdah' and Civic Engagement in Metro Detroit

By Pamela Nice

This academic book is an ethnographic study of Muslim communities within Hamtramck, a small incorporated city within the boundaries of greater Detroit. As such, the subtitle is somewhat misleading, as Detroit has differing demographics and ethnic and religious dynamics from Hamtramck, and the two are, in fact, compared periodically by the author. Alisa Perkins lived and worked among Hamtramck’s Muslims — primarily women — during 2005-2007, with follow-up research through 2017.

Books

Ghassan al-Jibai (1952-2022)

Remembering A Courageous Writer: His Refusal of Censorship, of Exile, and of Silence
By 
Elie Chalala and Naomi Pham
 
The late Syrian writer Ghassan al-Jibai (1952-2022) was known for his intellectual activities across various art forms, from theater to novels and poetry — but though his craft came in many forms, each harnessed his steadfast opposition to tyranny and oppression. His career as a theater director, dramatist, and writer suffered immensely under the Syrian regime.

Once the Cinderella of the Arab Screen, Tragedy Overshadowed Layla Murad’s Life and Career

By 
Naomi Pham and Elie Chalala
 
A common methodology for Arab critics, journalists, historians, and academics in studying different cinema, music, and other art fields is to categorize them under “Golden” or “Classic” eras, which are defined based on a system of values, a code of behavior, or another classification, such as progressive or conservative. The downside of this method is that it may not allow for impartial analysis and may prevent a thorough understanding of the subject at hand.

Growing Dysfunction of Arab Societies Parallels Rise in Violence Against Women

By 
Naomi Pham and Elie Chalala

Gender-based violence is not a new phenomenon in the Arab world. Attacks against women have been on the rise for years. One might recall the attacks on female social media influencers in 2018, leading to the deaths of former Miss Baghdad Tara Fares, beauticians Rasha al-Hassan and Rafif al-Yasiri, and the human rights activist Suad al-Ali. In 2021, the gruesome death of Farah Hamza Akbar, a Kuwaiti mother killed in front of her children by her stalker, filled headlines with an outcry against the lack of protection for women. 

Looking at Reading Rates Beyond Bogus Statistics

Yes, Arabs Read! But How Much?
By 
Naomi Pham

As UNESCO celebrates World Book Day, many countries have turned their attention to not just books but also the reading rates of their citizens and how they compare globally. Many speculate that Arabs do not read as much as Europeans and North Americans. Time and time again, major publications and news outlets fill their headlines with the claim that Arab citizens read an average of only six minutes a year. This figure was cited in the early 2000s, attributed to the December 2011 4th Annual Cultural Development Report by the Arab Thought Foundation, which has yet to be published online. The number appeared in a TEDxRamallah panel in April 2011 by Fadi Ghandour, CEO of Aramex in Jordan, who claimed his source was UNESCO (UNESCO has denied ever publishing the statistic). According to Thana Atwi, a spokeswoman for the Arab Thought Foundation, the number was never meant to be read at face value but as a symbolic figure, as cited by Leah Cladwell on the website Hekmah. Regardless of right or wrong, one cannot deny that the reading rates in the Arab world are low, which may be why the erroneous “six-minute myth” has been repeated for over a decade and continues to be a statistic that many significant publications take seriously.

The Catcher in the Bulgur?

Coming of Age Story Witnesses Tribulations of Growing up Arab American in Brooklyn
By 
D.W. Aossey
Coming of age stories can be tricky. In no other genre do authors willingly stick out their necks, relying on a single, flawed adolescent to heroically carry the day. No clever plot twist can save our young protagonists if they’re not up to the task; no quirky sidekicks or kinky lovers can plaster over the holes. The vulnerability of a Holden Caulfield, the dimwitted charm of a Forrest Gump, or even the precocious morality of a Kevin Arnold was always destined to shine. And then we have Michael Haddad, the teenager at the center of “Arab Boy Delivered” by author Michael Aziz Zarou.
 
It’s the early 1960s. A Palestinian family takes over a neighborhood grocery store in an Italian part of Brooklyn, where working-class residents pop in and out for bread, milk, beer, and cigarettes. They’re mild to outright discriminatory against Arabs. “Camel jockey assholes, go back to the desert!” comes up more than once; vandalism and other mischief loom. The police have little help. Michael, the young son of old country proprietors Aziz and Jamila Haddad, searches his parent’s worried expressions and philosophizes. He listens to 60s music and goes through his coming-of-age routine, seeming more grown-up than he should be. He looks at himself in the mirror and thinks. 

Mona al-Saudi (1945-2022): The Sculptor Who Befriended Stone and Challenged Traditions

By 
Naomi Pham and Elie Chalala

Ensconced in her garden of stone and statues, Jordanian poet, artist, and sculptor Mona al-Saudi has always been connected to the earth around her. She spent her earliest years playing amidst the ruins of the Roman Nymphaeum near her home in Amman, enamored with the geometric forms. Staring at the towering structures, her mind wandered to the more existential questions of life from a young age. “I would leave my little friends to play with the statues, converse with them, contemplate their folds, and I felt that they were silent creatures full of life… These legendary archaeological sites gave me the feeling of man’s ability to create great works that remain for eternity. And that is how my dreams began,” she said, as cited by Ghazi Anayem in Thaqafat. This love of heritage and history followed her wherever she went, inspiring all her creations for years to come. She told Gulf News, “Our house was only three meters away, and when I opened the door of my house, I could step into the Nymphaeum, with its Roman baths, columns, and scattered sculptures all over. These were literally historical stones. And I used to play in these ruins. That is why I belong to this kind of era, which I feel endures.”

Pages