Recent Stories

Lebanon Still Overshadowed by Oblivion As Port Blast Aftermath Enters Fourth Year
 
Art has played an influential role in making sense of the loss felt after the August 4 explosion. Tom Young’s “Strong Angels” and other paintings show a human dimension of the tragedy and its civilian heroes, who “join forces to lift the city’s grief,” writes Darine Houmani of Diffah Three (The New Arab). “Despite all its devastation, the August 4 explosion brought greater impetus to preserve our heritage and brought about a database of our historical buildings that hadn’t been done before,” states Mona Hallak, an architect, heritage activist, and director of the American University of Beirut’s Neighborhood Initiative, as cited in The New Arab. Several weighed in on the rebuilding efforts, including Lebanese architect Jad Tabet, who proposed “rehabilitation” rather than “reconstruction,” focusing on preserving the city’s existing social fabric and inhabitants alongside the architecture (for further reading on Jad Tabet and architectural heritage, see Al Jadid, Vol. 4, No, 25, Fall 1998; Vol. 5, No. 26, Winter 1999; and Vol. 24, No. 79, 2020). As art historian and gallery owner Andrée Sfeir-Semler says, “You need to nourish people with art and culture because that is what feeds their souls.”

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Our Current Issue

The Rise and Fall of Ziad Rahbani Through Syrian Eyes

By Elie Chalala
 
For decades, Ziad Rahbani occupied a unique place in the Syrian imagination — a figure at once satirist, musician, and political voice, whose art offered both entertainment and coded dissent. His relationship with Syrians moved through phases of clandestine admiration, public estrangement, and finally to a bittersweet mixture of betrayal and a lingering, conflicted gratitude that survived even the most profound political disappointments. His artistic journey intertwined with Syria’s own political and cultural shifts, making his transformation all the more personal for those who once claimed him as their own.
Essays and Features

From Renaissance to the Digital Age:

How Translation Can Power Arabic’s Future
By Naomi Pham
 
The Arabic language, with all its vast, rich history, has frequently been a subject of concern among intellectuals and linguists throughout recent years. The language has experienced significant development over the past century and a half and remains one of the most widely spoken languages, the official language of over 20 countries, and used by over 400 million speakers. Despite this, articles emerge every other year worrying about its development.
Essays and Features

Not a Kafer, Just a Critic:

How Ziad Rahbani Challenged Religious and Political Orthodoxy with Wit, Sorrow, and Song
By Sami Asmar
 
On 26 July 2025, the Lebanese composer, pianist, playwright, and polemicist Ziad Rahbani passed away from cirrhosis of the liver in Beirut at the age of 69. Since he started composing as a teenager, the son of the legendary Fairuz (now 90 years old) and the late Assi Rahbani of the celebrated Rahbani Brothers, the musical prodigies who defined the shape of the modern Lebanese short song, Ziad leaves us a multi-decade-long legacy that reshaped Arab music and Lebanese politics. The genius and enigmatic Ziad will be remembered by his countless fans worldwide, but likely happily forgotten by the authorities he challenged and ridiculed. 
Essays and Features

Aftermath of the Mar Elias Church Bombing:

Abeer Dagher Esber on the ‘Sectarianization of Blood’ in Syria’s Long Continuum of Collapse
By Naomi Pham
 
The recent attacks on the Church of Mar Elias in Al-Dweilaa on June 22, 2025 during Divine Liturgy left at least 25 dead and 63 injured. Perhaps Syrians have become accustomed to hearing such tragedy in the news, for every month a new story of blood, violence, and climbing death tolls appears, the massacres on the Syrian coast still a fresh wound on top of the losses suffered in Al-Dweilaa. Abeer Dagher Esber’s impassioned response to the attacks in her essay, “A Prophet of Fire… Consumed by Our Zero-Sum Conflicts,”* is an unflinching criticism of Syria’s problems. The attack on the Church of Mar Elias is a "wound to the spiritual memory of Syria and to the symbolism of the saint whose name the church bears," she writes, adding, "It is a bloody irony that the place named after the ‘one who raised the dead’ should be blown up by someone who worships death, sees the Other as heresy, and life as merely a path toward a delusional glory."
Essays and Features

In Sickness and Silence: Arab Writers and Artists Between Pain and Power

By Elie Chalala
 
I grew up in Hazmièh, a small town east of Beirut, Lebanon's capital, during the early 1960s. Our rented apartment was situated near a modest multi-unit residential building, known as the Wadih El Safi building, named after the celebrated Lebanese singer who owned it. At the time, Wadih El Safi (1921-2013) was renowned for his wealth and fame, a reputation that endured after I immigrated to and settled in the United States. Wadih El Safi's later life is notable for his declaration of bankruptcy just a year before his death. He attributes his financial troubles to a monopoly contract he signed with Rotana, a Saudi Arabian record label and the music division of the Rotana Media Group.
Essays and Features

‘Life without a Recipe’: The Ingredients of a Multicultural Life

By 
Lynne Rogers
 
Life can be sweet or spicy, depending on who is there to share it with you.
 
Life Without a Recipe
By Diana Abu-Jaber
W.W, Norton & Co., 2016
 
Proust may have had his madeleines, but Diana Abu-Jaber has her father’s grape leaves, her grandmother’s Catholic cookies, and her teta’s kknafeh. In “Life Without a Recipe,” all roads lead to the kitchen, a place of healing, love, boundaries and family.

How One Broadcaster Liberated Her Emotions with the Written Word

By 
Rima Assaf
 
While preparing my report on the Holocaust of Aleppo, I felt the customary format of broadcast news did not allow me to express my feelings. Thus, I have resorted to these written words in order to release my unbearable pain after watching a father breaking and clawing at stones with his bare hands in search of his children, entombed under mountains of rubbles.
 
While preparing my report on the Holocaust of Aleppo, I felt the customary format of broadcast news did not allow me to express my feelings.

Aleppo: A Catastrophe Defying Poets’ Powers of Description

By 
Amjad Nasser

When talking about what is happening in Syria, I face the inability of language to express reality. My vocabulary remains limited. My ability to describe reality, the basic forms of literature and writing, remains limited. Nothing I have written or read could be elevated to the level of one moment of the reality experienced by Syrians in their disastrous country, or in their great Diaspora into which they were unmercifully pushed.

 

Broken Dreams: Love, Corruption, and the Plight of Foreign Workers in Israel

By 
Lynne Rogers
 
"...although a Palestine mystery, “Murder Under the Bridge” presents readers with a crime that exposes the harsh plight of illegal foreign female workers in Israel and the corruption that leads to their abuse."
 
Murder Under the Bridge, a Palestine Mystery
By Kate Jessica Raphael
She Writes Press, 2015
 
Kate Jessica Raphael describes her novel, “Murder Under the Bridge, a Palestine Mystery,” as “the product of my imagination and experience – the experience and imagination of a white, Jewish American who spent around eighteen months in Palestine, with brief forays into Israel

Tawfiq al-Hakim: Foretelling the Youth Revolution

By 
Nada Ramadan Elnahla
 
In the translator’s introduction, Radwan explains the importance of the timing of this publication, shedding light on this pioneering figure who predominantly contributed to Arabic literature through his novels, short stories, and plays. 
 
The Revolt of the Young: Essays by Tawfiq al-Hakim
Translated by Mona Radwan
Syracuse UP, 2015, 145 pp.
 
In 1984, Tawfiq al-Hakim (1898-1987) – a major literary and intellectual figure in Egypt and the Arab world who contributed to the development of Arabic literature – wrote “Thawrat al-Shabab” (“The Revolt of the Young”).

Women of the Revolutions: The New Faces of Arab Feminism

By 
Angele Ellis
 
“Nada’s Revolution” follows the tale of the 27-year Nada Ahmed, an Alexandrian woman looking to make decisions about marriage and career in the years after the revolutionary wave of the Arab Spring. In “Feminism Inshallah: A History of Arab Feminism,” Feriel Ben Mahmoud, the film’s director, traces the beginnings of feminism to male feminists such as the Egyptian Qasim Amin (1863-1908), whose nationalist aspirations for Egypt fueled his assertion that the Quran supported women’s rights — essential to throwing off the yoke of colonialism and joining the modern world.
 
Feminism Inshallah: A History of Arab Feminism
Directed by Feriel Ben Mahmoud
Women Make Movies, 2014
 
Nada’s Revolution
Directed by Claudia Lisboa
Women Make Movies, 2014
 
Two recent documentaries directed

Sin, Redemption, and Visions of Female Illness in Modern Arab Literature

By 
Bobby Gulshan
 
Hamdar’s examination of the female body in illness and suffering presents a compelling contribution to the body of literary criticism of Arabic Literature. She invokes strains of critical thought — like Foucault and the idea of discourse — using them to map the development of the image of the female body in recent Arabic literature. 

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