Egypt and the Arab world lost Baha Taher, a great literary figure and an exceptional “phenomenon” in Arab literature. I intentionally use and stress the term “phenomenon.” Most students of Arab literature are quite familiar with the battles, scandals, gossip, back stabbings, and squabbles over literary prizes, where narcissism bares its fangs. Taher was absent from all of these battles and, perhaps because of his integrity, remained in the shadows without amassing the literary “popularity” others sought after. As Oussama Farouk in the Lebanese Al Modon newspaper said, Taher was devoted exclusively to his creativity, distanced himself from any disputes, disagreements, or conflicts relating to positions, benefits, and prizes, and carved with his virtuous nature a place in the hearts of his friends, students, and readers that is hard to fill. I distinguish literary squabbles and scandals from the literary and intellectual debates between old and new, heritage and modernity. In short, Taher’s integrity primed him as a phenomenon in the world of Arab letters.
Almost any discussion of Arab playwrights is incomplete without covering the origins of Arab theater, and no exception applies when discussing Alfred Farag. Arab scholars, playwrights, and critics have constantly debated the state of Arab theater, once its birth and recently its decline, especially when compared (as it often is) to Western theater. The late Alfred Farag (1929-2005), one of the leading contemporary playwrights of Egyptian theater, wrote numerous plays and played an instrumental role in bridging Arab heritage to the stage before his death. His bold, experimental style vastly influenced Arab theater as it is known today, and he devoted much of his life to calling for a theatrical renaissance.
Many Arab intellectuals and literary elites, some of whom fought in the Algerian Liberation War, romanticize the Algerian Revolution. Arab poets, novelists, and intellectuals produced a sizable amount of literature during and after the revolution. But the French-Algerian conflict did not disappear with Algeria's independence in 1962 and continues to this day with tense relations ebbing and flowing, especially as the country commemorates its 60th anniversary of independence.
In our childhood, they taught many of us that Al-Andalus was the center of a grand golden era of Arab civilization. As we lament the current state of Arab civilization, we were also taught that European civilization benefited immensely during this period. These notions are self-evident in the realm of music since, to this day, there is a highly popular genre of Arab music attributed to Andalusian heritage. Do these notions have the historical support needed for academic research, or do they remain mythological?
This academic book is an ethnographic study of Muslim communities within Hamtramck, a small incorporated city within the boundaries of greater Detroit. As such, the subtitle is somewhat misleading, as Detroit has differing demographics and ethnic and religious dynamics from Hamtramck, and the two are, in fact, compared periodically by the author. Alisa Perkins lived and worked among Hamtramck’s Muslims — primarily women — during 2005-2007, with follow-up research through 2017.
In this exemplary documentary film, women (both veiled and unveiled, religious and secular) discuss the presence of Islam and secularism in contemporary Turkish ...
Women of Turkey: Between Islam and Secularism A film by Olga Nakkas Turkey/Lebanon WMM, 2006
