VOL. 27, NO. 84, 2023
Al Jadid is a Review & Record of Arab Culture and Arts (www.aljadid.com). This new issue of Al Jadid (Vol. 27, No. 84, 2023) explores contemporary culture and the arts. It provides a critical overview of the social-political scene in both the Arab world and its diaspora.
CONTENTS
ARAB AMERICANS
“A Fresh Look at the Debate: Definitions and Historiography of Arab Americans in the New Century” by Elie Chalala • “Arab American Literature Pioneers Incorporating Modernism and Reason: How Later Generations Reduced a Dynamic Legacy to Mere Genealogy” by Elie Chalala • “Second-Wave Arab American Literature Caught Between Assimilation and Diversity: Literary Legacy Which Descended into a Dormant Period Experienced a Revival in the Late 1960s” by Naomi Pham • “To a Woman He Never Met: What Gibran’s Love Letters to May Ziadeh Reveal About the Inner Life of the ‘Prophet’s’ Author” by Lynne Rogers • “The Secret History: Reframing Arab American Origin Stories Through a Queer Lens” by Angele Ellis • “With Cutting-Edge Scholarship, New Reader ‘Sajjilu’ Challenges Traditional, Homogenous Archive Representations of Arab American Studies” by Lynne Rogers • ‘“details stolen from the heavens’: Rich Anthology of Love Poems Spotlights New Generation of Anglophone Arab Writers” by Angele Ellis
ESSAYS AND FEATURES
“Lebanon Still Overshadowed by Oblivion as Port Blast Aftermath Enters Fourth Year” by Naomi Pham • “The Imperialism of Indifference: From Colonial Voice to Reliable News Source Trusted by Generations, the BBC Closes Its Iconic Arabic Radio After 85 Years” by Elie Chalala • “Nazik al-Malaika: Queen of Free Verse Remains Uncertain” by Elie Chalala • “Layla Baalbaki (1936-2023): Lebanese Writer Who Left a Revolutionary Storm in Modern Arab Feminist Novel at 22 Before Unexpected Adieu to Fiction Writing” by Abdo Wazen • “Layla Baalbaki: The Last Existential Feminist” by Naomi Pham • “Farewell to Habib Sadek (1931-2023): Friend, Poet, and Exceptionally Honest Politician” by Elie Chalala • “Haidar Haidar (1936-2023): Author Who Shunned Spotlight and For Whom Writing Was Truly Its Own Reward” by Elie Chalala • “A Legacy Recorded in Eulogy: Abdulaziz al-Maqaleh (1937-2022), Pillar of Yemeni Letters Whose Words Touched Generations of Arab Writers” by Elie Chalala • “Six Years After Publication, Zionist Protests Transform Adania Shibli’s ‘Minor Detail’ Into a Major Detail” by Elie Chalala
BOOK REVIEWS
“Invited to Witness: Solidarity Tourism across Occupied Palestine” by Jennifer Lynn Kelly, reviewed by Lynne Rogers • “Fugitive Dreams: Chronicles of Occupation and Resistance” by Ramsey Hanhan, reviewed by Pamela Nice • “Between Two Moons: A Novel” by Aisha Abdel Gawad, reviewed by Lynne Rogers • “Women’s War Stories: The Lebanese Civil War, Women’s Labor, and the Creative Arts” edited by Michelle Hartman and Malek Abisaab, reviewed by Lynne Rogers • “Socialist Feminism: A New Approach” by Frieda Afary, reviewed by D.W. Aossey
EDITOR’S RETROSPECTIVE
When Salman Rushdie Inspired the Late Evelyn Shakir! • Rare Gibran Drawings and Paintings Reveal Faces Transcending Time • ‘Repentance’ Illustrates Mikhail Naimy’s Humanism, Pacifism, and Anti-Nationalism • From Emigration to Excommunication: Iconic Mahjari Writer Ameen Rihani, Celebrated in Lebanon Despite Estrangement from Maronite Church • Emily Nasrallah Reads Between the Lines of Community and Culture • Salma Khadra Jayyusi (1926-2023): Balancing Tradition, Modernity, Individual Expression, and Community Structure • Faith and Sexuality in Tragicomic Struggle • Edwar al-Kharrat and the Modernist Revolution in the Egyptian Novel • Intellectuals Trapped in a Web of Irony: Fiction Imparts More Truth About Lebanese Civil War than Historical Literature • Piecing Together Individual Experiences: Arab Americans in the ‘Mosaic’ of American History • The Characters of Naguib Mahfouz Evolve Alongside Their Creator
POETRY
“The Cholera” by Nazik al-Malaika, translated by Fawaz Azem • “Was It Love?” by Badr Shakir al-Sayyab, translated by Fawaz Azem
COVER ARTIST
Over the past ten years, Etab Hrieb (cover artwork: “Sufi Dance,” 2020) has lived and worked in Chicago as a painter. Originally from Syria, she graduated from the Damascus University of Fine Arts. Her artistic style expresses the innocence and imagination of her childhood, emphasizing both the real world and a fragile memory at the same time.
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