Lamia Abbas Amara (1929-2021): Pillar of Iraqi Poetry, Famed for Tenderness, Seductiveness, and Power

By Elie Chalala

Lamia Abbas Amara rose to prominence among a group of poets who ushered in the free verse movement in Arabic poetry. She was not only a major cultural figure and freethinker, but also a pillar of contemporary poetry in Iraq alongside great poets like Badr Shakir al-Sayyab and Nazik al-Malaika. After years in exile, the poet died at 92 in a California hospital due to illness. In the words of Farouk Youssef of al-Arab newspaper, Lamia is best known for her “poetic tenderness, female seduction, and strong presence on stage,” becoming an important icon of Iraqi poetry.

Essays and Features

On Translated Arabic Books: Novelist Hoda Barakat’s ‘Voices of the Lost’ Catches a Glimpse of the World Refugee Crisis

By Naomi Pham

Millions of people risk life and limb to escape their countries through the sea and other means as a global refugee crisis unfolds. The 2019 winner of the International Prize for Arabic Fiction, Hoda Barakat’s “Voices of the Lost” (Yale University Press, 2021), recently translated from Arabic into English by Marilyn Booth, paints a complex picture of displacement, war, and hope in the bleakest moments among immigrants and refugees.

Books

Revisiting Youssef al-Sayigh: Poet of Sorrows and Master of Contradictions

By Naomi Pham

Iraqi poet Youssef al-Sayigh is one of the many poets who lived and died as a stranger, regardless of his important contributions, which were mostly neglected until after his death in Damascus on December 12, 2005. Al-Sayigh led a life riddled with contradiction, abandoned by his peers, friends, and his government, effectively forced out of the public cultural scene. A poet, novelist, playwright, essayist and painter, he lived a life filled with political and personal tragedy. He was a contemporary of Saadi Yusuf, Abdul Razzaq Abdul Wahed, Musa al-Naqdi and others. This generation followed Badr Shakir al-Sayyab, Nazik al-Malaika and Abdul-Wahhab al-Bayati, the founders of the free verse movement of modern Iraqi poetry. Although al-Sayigh’s biography was published post-humously in Egypt in 2005 by his friend Atheer Muhammad Shehab through Dar al Shorouk, much of the poet’s impact during his life was neglected by Iraqi cultural associations because of his affiliation with the Baath party.

Essays and Features

On New Books: Navigating 'Silence': Syrian Refugee Woman Contends with Trauma and Memory as an Immigrant

Trauma changes people. For the unnamed narrator of Layla AlAmmar’s second novel, trauma pushes her to choose silence. “Silence is a Sense” (Algonquin Books of Chapel Hill, 2021) follows a Syrian woman who escaped from Syria to the United Kingdom, settling into a quiet English town. She spends her days observing the traumas of her neighbors: from the man who barely ever turns on his lights, to another obsessed with exercising, to an abusive man who beats his wife and children. Her voyeurism feeds into her writing — her only form of expressing herself. She submits essays to a “newsmagazine with a big name” under the pseudonym “the Voiceless,” often discussing the refugee crisis. But as her editor Josie increasingly probes the narrator for intimate details and memories of her experiences in Syria, she begins to question herself: how much of her mind’s ability to make sense of what happened does she trust?

Books

On New Arabic Books: Shocking “Disclosures” Put Focus on Suffering of Syrian Women Inside and Outside of Assad’s Prisons

By Elie Chalala

“Bawh al- Dahaya” (“The Disclosures of Victims”) is not available in English to the best of my knowledge, though its subject matter ranks at the top of human rights violations in war zones. Thus any contribution from historians, research analysts, or journalists on the victims of war are telling about the crimes committed by the Syrian regime against its people. One should not exclude the various attempts to address these stories, whether through films, press interviews, or coverage by other mediums. These stories could enrich the documentation of these crimes regardless of the religious and cultural taboos surrounding them.

Books

ESSAYS IN FORTHCOMING AL JADID, VOL. 24, NO. 79, 2020

Lebanon, Corrupted, Blasted, Burning, ‘Celebrates’ in Irony the Centennial of Its Foundation
By 
Elie Chalala

The Lebanese political scene has a melancholy and desperate mood. The country suffered shock after shock, from the economic-financial meltdown to the COVID-19 pandemic, all the way to the explosion at its main port, a significant economic lifeline disabled when most needed. Most heartbreaking is watching and listening, even from afar, as Lebanon celebrates its centennial birthday while lacking the resources to extricate itself from its present predicament and being left to plead with foreign countries and economic institutions for humanitarian and economic assistance. Aside from the legitimate requests needed to address the consequences of the port explosion, Lebanon lacks the essential prerequisites of a functioning and legitimate state.

The ‘Grand Compromise’ Between Lebanon’s ‘Strong Presidency’ and Iran’s 'Rejectionists' Hastens the Demise of Lebanon’s Economy

By 
Elie Chalala

In early July, we wrote about two suicides in Lebanon while holding off on a third until we fact-checked it. Subsequently, the Beirut-based Al Modon newspaper wrote about a total of four suicides, including the two reported here. The article’s author deliberately stressed the reasons behind the suicides were not personal, but rather related to deteriorating economic conditions and the loss of dignity.

ESSAYS IN FORTHCOMING AL JADID, VOL. 24, NO. 78, 2020

How Lebanon’s ‘State within a State’ Escalated Financial Disaster: Two Beirut Landmarks – AUB, and Le Bristol Hotel – the Latest Collateral Damage
By 
Elie Chalala

It is painful to witness, even from afar, what recently befell Lebanon. This agony springs from the memories of my formative years during Lebanon’s post-independence era, when resentment of its ruling elites consolidated my belief in the necessity of change. I left the country without the reform wish fulfilled, and later watched the flames of civil war consume hopes of change – even when guns fell silent after the country’s second constitution in 1989. While the Lebanese started to come together to embark on reconstruction of the country, corruption, sectarianism, and the plundering of state’s resources soon took over.

ESSAYS IN FORTHCOMING AL JADID, VOL. 24, NO. 78, 2020

Farah Al-Qasimi: Between Two Worlds: Arab Americans in Detroit
By 
Al Jadid Staff

The works of photographer Farah Al-Qasimi touch on the intricacies of life as an Arab American in Detroit, with each frame capturing both Arab and Western aesthetics. Of the 22 countries belonging to the “Arab World,” as defined by membership in the League of Arab States, seven – Lebanon, Palestine, Syria, Iraq, Egypt, Jordan, and Yemen – are prominently represented by immigrants in Metro Detroit. The Arab American community is also diverse in its religious representation, with Islam and Christianity in their Middle East iterations represented by a variety of sects and denominations including Chaldean, Coptic, Druze, Greek Orthodox, Maronite, Melkite, Shi’a, Sunni, and Syrian Orthodox.

Play Reveals Wounds of Palestinian Occupation

By 
Bobby Gulshan

An event hosted by the Voices from the Holy Land Film Series will focus its next Online Discussion Salon on director Pamela Nice’s "It’s What We Do: A Play About the Occupation" on June 14, 2020 at 2 pm EST. The event will feature guest speaker Yonatan Shapira, a former IDF helicopter pilot, who has been involved in speaking out against the abuses of the IDF since his service. Please register for the one-hour discussion, which will be in a Zoom format, at this link. Organizers are asking all registrants to view a 55-minute video beforehand. You can access it at www.iwwdplay.org.

Earlier this year, the Israeli Knesset passed a law barring “Breaking the Silence” from presenting in schools, universities, or any other non-profit institutions. The initiative to enforce a ban on the group came from Education Minister Naftali Bennett, who accused “Breaking the Silence” of denigrating the reputation of the Israeli Defense Force in the eyes of Israeli youth.

 

ESSAYS IN FORTHCOMING AL JADID, VOL. 24, NO. 78, 2020

Award-Winning Amin Maalouf Sees World Civilization on the Edge of the Abyss!
By 
Elie Chalala

Amin Maalouf recently received the National Order of Merit from the French government, earning the second-highest status in the title of Grand Officer. The author’s other decorations include the Prix Goncourt in 1993, as well as his induction into the Academie Francaise in 2011, filling the seat of Claude Levi Strauss. His books have been translated into 50 languages. His most recent work, “The Sinking [or Drowning] of Civilizations” (Le Naufrage des Civilisations, Grassat 2019), takes up Samuel Huntington’s “Clash of Civilizations” thesis, but shifts the focus from a clash between civilizations to a crisis that affects all aspects of human civilization as a whole. In the age of globalization and technological development, Maalouf claims that peoples and civilizations cannot be separated from each other in the way Huntington’s thesis suggests. The COVID-19 pandemic seems to add credence to the author’s claim.

BOOK REVIEWS IN FORTHCOMING AL JADID, VOL. 24, NO. 78, 2020

New Film History Volume Documents, Preserves Legacy of Palestinian Cinema, From Nakba to the Present
By 
Al Jadid Staff

Nadia Yaqub’s recent book “Palestinian Cinema in the Days of Revolution” (University of Texas Press) offers a valuable survey of Palestinian cinema, from its pre-history in the early photographs and films made by international relief organizations, up to its birth out of the Palestinian Liberation Organization’s struggle against the Israeli State. Yaqub details the narrative of victimhood that dominated early visual documentation of Palestine, as presented by organizations like the American Friends Service Committee and the United Nations Relief and Works Agency. Such films depicted Palestinians as “seen but not heard, and their statelessness and victimhood are presented as timeless, ahistorical facts, rather than the results of a process of violent dispossession culminating in the Nakba in 1948.”

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