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Lebanon Still Overshadowed by Oblivion As Port Blast Aftermath Enters Fourth Year

Art has played an influential role in making sense of the loss felt after the August 4 explosion. Tom Young’s “Strong Angels” and other paintings show a human dimension of the tragedy and its civilian heroes, who “join forces to lift the city’s grief,” writes Darine Houmani of Diffah Three (The New Arab). “Despite all its devastation, the August 4 explosion brought greater impetus to preserve our heritage and brought about a database of our historical buildings that hadn’t been done before,” states Mona Hallak, an architect, heritage activist, and director of the American University of Beirut’s Neighborhood Initiative, as cited in The New Arab. Several weighed in on the rebuilding efforts, including Lebanese architect Jad Tabet, who proposed “rehabilitation” rather than “reconstruction,” focusing on preserving the city’s existing social fabric and inhabitants alongside the architecture (for further reading on Jad Tabet and architectural heritage, see Al Jadid, Vol. 4, No, 25, Fall 1998; Vol. 5, No. 26, Winter 1999; and Vol. 24, No. 79, 2020). As art historian and gallery owner Andrée Sfeir-Semler says, “You need to nourish people with art and culture because that is what feeds their souls.”

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An Algerian Intellectual on Once-‘Arab Leftist Radicals’!

The Modern Arab Intellectual Forsakes Ideological Integrity, Following the Footsteps of Previous Enemies Who Accuse Him of Takfir and Treason
By Elie Chalala
 
Were I to sum up Amin Zaoui’s position on the Arab leftist intellectuals, who nowadays are considered part of the mumanah alliance — that is, Arab intellectuals who support the positions of Iran, Hezbollah, Syria, Iraq, and Yemen — a word of caution about the terminology used must be clarified: a distinction exists between today’s leftists and those of the 1960s, 1970s, and even part of the 1980s. Today’s leftists tend to be vulgar and lack the theoretical sophistication of their previous iterations. These critiques by Amin Zaoui, an Algerian novelist and essayist whose commentaries appear weekly in Independent Arabia, analyze the two mumanah generations, particularly emphasizing the contemporary generation of leftists who grew up in the new millennium and its current trends.
Essays and Features

Lebanon’s Civilian ‘Veterans’ Cope Differently Than Younger Generations in the Current Conflict!

By Elie Chalala


Lebanon has been no stranger to war and its memory, steeped in countless wars internally and externally throughout the past century. Since the beginning of the war in Gaza and southern Lebanon in October 2023, tensions have teetered a fragile line, a constant wave of insurmountable anxiety and fear — of the war’s escalation, dwindling comforts of security, and the country’s uncertain future. Despite efforts to keep panic at bay, the state of anxiety has skyrocketed amid foreign embassies’ calls for their citizens to leave Lebanon for security reasons.

Essays and Features

The Late Khaled Khalifa Hoped for Remedy and Redemption of the Arab Literary Prize Through Transparency

By Elie Chalala
 
Syrian novelist Khaled Khalifa’s sudden death last year in his Damascus home shocked the Arab literary world. The novelist, screenwriter, and poet has enraptured critics through his works, especially with his 2006 novel “In Praise of Hatred,” which was banned by the Syrian government. Khalifa’s passing at 59 leaves friends and acquaintances mourning the many words the writer left unsaid. At the same time, it becomes ever more prudent to heed his words, especially regarding the Arab literary prizes.
 
Essays and Features

Grand Prix de la Francophonie Marks Pinnacle of Abdelfattah Kilito’s Profound Impact on Ancient Arabic Literary Traditions

By Al Jadid Staff
 
Moroccan literary scholar and writer Abdelfattah Kilito’s efforts in spreading recognition for Arabic literature have been honored again in the form of the Grand Prix de la Francophonie, one of two prestigious prizes awarded annually by the French Academy. The award, which marks Kilito’s second prize from the French Academy since he received the French Academy Award in 1996, celebrates the author for his contributions to developing the French language worldwide. A renowned Arabic literary critic, Kilito has authored several books in Arabic and French, devoting himself to safeguarding ancient Arabic literature. His book “Thou Shalt Not Speak My Language” (2002) remains a valuable resource for scholars on the Arabic literary tradition, establishing him as one of the greatest Arab and Francophone writers.
Essays and Features

Global Audiences Resonate With ‘Goodbye Julia,’ a Film About Two Sudanese Families Shattered by Tragedy

By Naomi Pham


For a debut film, “Goodbye Julia” has been graced with many ‘firsts,’ becoming the first Sudanese work to participate in the Cannes International Film Festival and go on to win several awards. Like his previous short film, “Nyerkuk” (2016), Kordofani continues to captivate his audience with drama, airing out wounds that are as relevant today as they were in 2005. The quiet frustrations within the walls of a home can feel just as loud as the unrest overtaking the city streets.

Films

Prolific in Exile: An Appreciation of the Life and Work of Ali al-Shawk

Forthcoming in Al Jadid
By 
Al Jadid Staff

A prolific author and reader, Ali al-Shawk embodied scholarship, transforming himself into a veritable encyclopedia of intellectual knowledge. His humility endeared him to his friends and set a worthy example for others. He remains particularly known for being a good listener and for his non-confrontational ways, listening “to you until you finished talking before offering his own opinion,” according to Mahmoud Saeed. His writings encompassed the topics of mathematics, music, painting, literature, etymology, mythology, and science, and he wrote continuously until his death in his London home this year.

New Book Places Famed 20th Century Lebanese Beauty and Unappreciated Intellectual May Ziadeh at Center of Controversy Now as Then

Forthcoming in Al Jadid
By 
Elie Chalala

Twenty-years ago, Al Jadid published “The Victim Of Beauty: Reviving the Literary Legacy of Mai Ziadeh” by Ghada Samman. The issue we tackled then was how Ziadeh's talents and skills were overlooked because of her gender, and even worse, how highlighting her personal life at the expense of her intellect distorted her legacy. One Lebanese critic was emotionally overwhelmed by the recent book, “May: The Nights of Isis Copia” (Dar al-Adab, 2018) by Waciny Laredj, expressing her appreciation for this kind gesture by the Algerian-French novelist and academic toward a fellow “Lebanese.” However, an Egyptian critic takes issue with the new book. The same concerns which fueled early criticism of how Ziadeh was treated did not escape the notice of Sharif al-Shafei's thoughtful essay in Al Modon newspaper.  

May Menassa (1939-2019): Journalist, Novelist Wrote in the Black Ink of War and Tragedy

Forthcoming in Al Jadid
By 
Al Jadid Staff


The Lebanese Civil War (1975-1990) spurred the production of a vast literature. Yet only a small fraction of these books, novelsand memoirs are available in English. An even smaller portion received wide attention through reviews or publicity campaigns. This leaves a void in the English language about the literature of this war. This essay highlights one novelist’s contributions in the Arabic literature of the war as well as a brief glimpse into her life.

Jocelyne Saab: A Just Life

Filmmaker, Journalist, Photographer, Fighter for Justice Dies at 70
By 
Al Jadid Staff
 
Jocelyne Saab belonged to a generation of Lebanese filmmakers and artists, often described as progressive and leftist, that emerged before, during, and after the Lebanese Civil War. A contemporary of directors like Burhan Alawia, John Chamoun, Maroun Baghdadi, Nahla al-Shahal, young progressive directors of the time, Saab shared their commitment to social justice, basic reforms in the pre-1975 Lebanese political system, and a commitment to defending the rights of Palestinians both within Lebanon and supporting their struggle against Israeli occupation.

Leila Slimani: Demolishing Barriers with Literature and Francophone Values

By 
Naomi Pham

Beyond her award-winning novels, the public knows Moroccan-French novelist Leila Slimani for her advocacy of francophone values, promoting the French language, a culture of diversity and openness, as well as for her support for women’s rights. During the French presidential elections, Ms. Slimani  accompanied President Emmanuel Macron in his visit to Morocco, encouraging Moroccan-French citizens to vote for him against the right-wing and ethnocentric Marine Le Pen. According to press reports, the French President initially wanted to appoint Slimani as Minister of Culture, but she declined. So he appointed her as his personal representative of francophone affairs.

Nostalgia for a Lost Damascus Leads Native Son into Danger in New Thriller

In his latest novel, “Sophia,” Syrian-German author Rafik Schami takes readers on a journey from Beirut and Heidelberg to Rome and Damascus through the eyes of Salman, the son of Sophia, the novel’s namesake, who is a beautiful Christian woman who had recently left her Muslim lover, Karim, to marry Yusuf Baladi, a rich Damascene Christian goldsmith. The story follows Salman’s trail as he flees Syria to Lebanon after accidentally wounding a police officer in an armed revolt to topple the dictatorship.

Dystopic Trends in Modern Arabic Literature

In the first two decades of the 21st century, the Arabic literary scene has witnessed a new trend in fiction in the form of a dystopian narrative. Where Arabic research has mainly focused on Classic Western utopias as characterized by the writings of Thomas More, Tommaso Campanella, Samuel Butler, and 20th-century Western dystopian fiction, the rise of Arabic authors exploring the dystopian genre has caught the attention of Western readers. These new dystopian works by Arab authors have been defined as the start of a new literary genre in modern Arabic literature, written mostly in English or French, with any works written in Arabic quickly being translated into English, suggesting an interest and wish on the part of the authors and publishers for a presence in the Anglophone market.

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