Rest in Peace Mai Skaf: Death of Exiled Artist Mirrors Syria’s Dying Revolution

By Elie Chalala

As an editor of an arts and cultural magazine, I could not help but closely follow the views and activities of two Syrian activist artists, actress Mai Skaf and poet Fadwa Suleiman, since the onset of the Syrian revolution. Both passing away while living in exile in France, Suleiman lost her battle with cancer on August 17, 2017 at the age of 47 years, and Skaf passed away by an acute brain hemorrhage on July 23 of this year at the age of 49 years.

Essays and Features

The Western Connection: How the Romanticism of Gibran & Rihani Hooked Up With Naimy’s Critical Realism to Engender a New Arab Literature

By Michael Najjar


Gibran, Rihani and Naimy: East-West Interactions in Early Twentieth-Century Arab Literature
By Aida Imangulieva, translated by Robin Thomson
Anqa Publishing, 2009

Aida Imangulieva’s book “Gibran, Rihani & Naimy: East-West Interactions in Early Twentieth-Century Arab Literature” is a translation of the Russian version, which was published shortly before her death in 1992. It focuses on three of the most prominent members of what Imangulieva calls “the Syrio-American School,” named after the then-Syrian immigrant writers who left their homeland (now Lebanon).

Books

The Silence

By Riyadh Al-Saleh Al-Hussein

In the evening, the men came tired from the pasture;
in the evening, the women came tired from the fields.
The men’s hearts hovered on the verge of failing,
and the women’s eyes on the verge of tears. 
In the evening, they came and danced till the morning. 
The wound became a song,
and fatigue a flute. 
But a certain man remained seated in the corner, 
the rifle between his hands like a snake,
and life in his eyes a time of clay.
The man, who just looks silently,
doesn’t seem to be watching television, 
or dreaming,
or sleeping. 
The wretch…
What is he thinking of?
Poetry

Echoes

By Farag Bayrakdar

For Samira al-Khalil
 
Her voice descends lightly
Down the steps of the dungeon, and she still lies in pain
In the interrogation room.
And I descend lightly,
That blanket carried by two
Who go astray.
Am I in it, or is she?
What lies in my body revives her weary voice;
What lies in her voice revives my weary body.
What revives fire?
She was not a condition or a description,
But I call her by many names.
The echo has their wings fluttering around me:
Samira....ra….Samira…ra, Samiraaa
A name does not confine its bearer even if desired
But the place…
Confined in the torture rooms of Palestine Division,
So did it confine her.
Or those women or men, together
The plain of Duma, free, with eyelids defeated,
Her voice comes.
I see several doves
As if once upon a time.
I see several clouds.
Her voice comes,
As if, oh time, Syria, a dream and a people, will live.
Oh time, she will live.
Poetry

Jalal Khoury (1933-2017): Brechtian Realist Forged by 1967 War, and the Birth of Modern Lebanese Theater

By Elie Chalala

While the Lebanese theater traces back to the 1800s, specifically to 1848 and to Maroun Nakash, it has evolved in stages. Jalal Khoury helped to pioneer the realist, or modernist, movement from the mid-1960s until his death last December at the age of 84. 

Essays and Features

Women of the Revolutions: The New Faces of Arab Feminism

By 
Angele Ellis

“Nada’s Revolution” follows the tale of the 27-year Nada Ahmed, an Alexandrian woman looking to make decisions about marriage and career in the years after the revolutionary wave of the Arab Spring. In “Feminism Inshallah: A History of Arab Feminism,” Feriel Ben Mahmoud, the film’s director, traces the beginnings of feminism to male feminists such as the Egyptian Qasim Amin (1863-1908), whose nationalist aspirations for Egypt fueled his assertion that the Quran supported women’s rights—essential to throwing off the yoke of colonialism and joining the modern world.

 

Feminism Inshallah: A History of Arab Feminism
Directed by Feriel Ben Mahmoud
Women Make Movies, 2014

Nada’s Revolution
Directed by Claudia Lisboa
Women Make Movies, 2014

 

Sin, Redemption, and Visions of Female Illness in Modern Arab Literature

By 
By Bobby Gulshan

Hamdar’s examination of the female body in illness and suffering presents a compelling contribution to the body of literary criticism of Arabic Literature. She invokes strains of critical thought—like Foucault and the idea of discourse—using them to map the development of the image of the female body in recent Arabic literature. 

 
The Female Suffering Body, Illness and Disability in Modern Arabic Literature
By Abir Hamdar

New Issue of Al Jadid

By 
Al Jadid

Al Jadid is just out (Vol. 19, No. 68). The cover (“Encoded History 1” 2015) by Doris Bittar. Al Jadid is a Review & Record of Arab Culture and Arts (www.aljadid.com). As usual, the new issue is rich with essays and features, book, film and TV reviews, fiction, poetry, and a substantive editor's notebook.
ESSAYS AND FEATURES: ‘My Story With You is Different’ by Rima Assaf; ‘Sabah Zwein (1955-2014): An Innovative And Haunted Poet’ by Mike D’Andrea; 

Al Jadid is just out (Vol. 19, No. 68). The cover (“Encoded History 1” 2015) by Doris Bittar. Al Jadid is a Review & Record of Arab Culture and Arts (www.aljadid.com).

‘The Jewish Quarter:’

Ramadan Drama Revisits 40’s Egyptian-Jewish Relations
By 
Elie Chalala

“The Jewish Quarter” has sent some unsettling messages about the “Ramadan series” (or soaps), prompting commentaries in the Arab press and beyond, and finally meriting a feature article in the New York Times. This 30 episode serial, which runs through the month of Ramadan in Egypt, offers a viewpoint unlike that featured in any other serial before or after the Arab Spring.

 

Al Nakba at 67: Generations of Catastrophes

By 
Elie Chalala

I rarely passed on an Al Nakba remembrance, an event which was pivotal in forming my political and moral consciousness during my early days in Beirut and in my academic diaspora. Nowadays, I reserve my aggravation for those intellectual cowards who saw nothing in Al Nakba except a shelter to hide from their shameful silence on one of the most horrific “Nakbas” in modern Arab history.

I rarely passed on an Al Nakba remembrance, an event which was pivotal in forming my political and moral consciousness during my early days in Beirut and in my academic diaspora. Nowadays, I reserve my aggravation for those intellectual cowards who saw nothing in Al Nakba except a shelter to hide from their shameful silence on one of the most horrific “Nakbas” in modern Arab history.

As 20th Century Begins, British ‘Orientalism’ Tool of Colonialism

By 
By D.W. Aossey

Long writes the book in a scholarly manner, but redeems it with a depth of insight and information on these fascinating personalities at a very important time in Middle Eastern history. Certainly, most will find “Reading Arabia” worth a look.

Reading Arabia: British Orientalism in the Age of Mass Publication 1880 –1930
By Andrew C. Long
Syracuse University Press, 2014. 264 pp.

Orientalism’s Children: “Voices from the Threshold”

By 
By Angele Ellis

Nearly 11 years ago, an automobile accident on a dusty Jordanian road cut Susan Atefat-Peckham’s life and work short. The Iranian American poet, memoirist and Full bright Scholar now takes her rightful place among the likes of Gregorgy Orfalea and Sharif Elmusa with her “Talking Through the Door.” The anthology transports readers to various eras and exotic locales, going back to Ibn Hazm’s 10th-century Cordoba, the Lebanon of World War I, pre-revolutionary Iran as well as 1950s and 60s Ohio. “Readers will find that these works carry with them a power and promise so life-affirming that Lisa Suhair Majaj describes them as ‘sustenance.’”

Talking Through the Door: An Anthology of Contemporary Middle Eastern American Writing
Edited by Susan Atefat-Peckham
With a Foreword by Lisa SuheirMajaj
Syracuse University Press, 2014, pp.  244

Pages