Lamia Abbas Amara (1929-2021): Pillar of Iraqi Poetry, Famed for Tenderness, Seductiveness, and Power

By Elie Chalala

Lamia Abbas Amara rose to prominence among a group of poets who ushered in the free verse movement in Arabic poetry. She was not only a major cultural figure and freethinker, but also a pillar of contemporary poetry in Iraq alongside great poets like Badr Shakir al-Sayyab and Nazik al-Malaika. After years in exile, the poet died at 92 in a California hospital due to illness. In the words of Farouk Youssef of al-Arab newspaper, Lamia is best known for her “poetic tenderness, female seduction, and strong presence on stage,” becoming an important icon of Iraqi poetry.

Essays and Features

On Translated Arabic Books: Novelist Hoda Barakat’s ‘Voices of the Lost’ Catches a Glimpse of the World Refugee Crisis

By Naomi Pham

Millions of people risk life and limb to escape their countries through the sea and other means as a global refugee crisis unfolds. The 2019 winner of the International Prize for Arabic Fiction, Hoda Barakat’s “Voices of the Lost” (Yale University Press, 2021), recently translated from Arabic into English by Marilyn Booth, paints a complex picture of displacement, war, and hope in the bleakest moments among immigrants and refugees.

Books

Revisiting Youssef al-Sayigh: Poet of Sorrows and Master of Contradictions

By Naomi Pham

Iraqi poet Youssef al-Sayigh is one of the many poets who lived and died as a stranger, regardless of his important contributions, which were mostly neglected until after his death in Damascus on December 12, 2005. Al-Sayigh led a life riddled with contradiction, abandoned by his peers, friends, and his government, effectively forced out of the public cultural scene. A poet, novelist, playwright, essayist and painter, he lived a life filled with political and personal tragedy. He was a contemporary of Saadi Yusuf, Abdul Razzaq Abdul Wahed, Musa al-Naqdi and others. This generation followed Badr Shakir al-Sayyab, Nazik al-Malaika and Abdul-Wahhab al-Bayati, the founders of the free verse movement of modern Iraqi poetry. Although al-Sayigh’s biography was published post-humously in Egypt in 2005 by his friend Atheer Muhammad Shehab through Dar al Shorouk, much of the poet’s impact during his life was neglected by Iraqi cultural associations because of his affiliation with the Baath party.

Essays and Features

On New Books: Navigating 'Silence': Syrian Refugee Woman Contends with Trauma and Memory as an Immigrant

Trauma changes people. For the unnamed narrator of Layla AlAmmar’s second novel, trauma pushes her to choose silence. “Silence is a Sense” (Algonquin Books of Chapel Hill, 2021) follows a Syrian woman who escaped from Syria to the United Kingdom, settling into a quiet English town. She spends her days observing the traumas of her neighbors: from the man who barely ever turns on his lights, to another obsessed with exercising, to an abusive man who beats his wife and children. Her voyeurism feeds into her writing — her only form of expressing herself. She submits essays to a “newsmagazine with a big name” under the pseudonym “the Voiceless,” often discussing the refugee crisis. But as her editor Josie increasingly probes the narrator for intimate details and memories of her experiences in Syria, she begins to question herself: how much of her mind’s ability to make sense of what happened does she trust?

Books

On New Arabic Books: Shocking “Disclosures” Put Focus on Suffering of Syrian Women Inside and Outside of Assad’s Prisons

By Elie Chalala

“Bawh al- Dahaya” (“The Disclosures of Victims”) is not available in English to the best of my knowledge, though its subject matter ranks at the top of human rights violations in war zones. Thus any contribution from historians, research analysts, or journalists on the victims of war are telling about the crimes committed by the Syrian regime against its people. One should not exclude the various attempts to address these stories, whether through films, press interviews, or coverage by other mediums. These stories could enrich the documentation of these crimes regardless of the religious and cultural taboos surrounding them.

Books

BOOK REVIEWS IN FORTHCOMING AL JADID, VOL. 24, NO. 78, 2020

The Scanning of Signs: ‘Love, Sex and Desire in Modern Egypt: Navigating the Margins of Respectability’
By 
Al Jadid Staff


Challenging ethnographic theorists like Claude Lévi-Strauss, L.L. Wynn’s “Love, Sex, and Desire in Modern Egypt: Navigating the Margins of Respectability” (University of Texas Press, 2018) considers aspects of love and desire often overlooked by theorists when describing kinship structures. Wynn focuses on 21st century Cairenes in her book, with research collected from 2000-2015 on middle- to upper-class men and women, predominantly heterosexual, and conversations overheard in Arabic.

BOOK REVIEWS IN FORTHCOMING AL JADID, VOL. 24, NO. 78, 2020

Israeli Activist Narrates Palestinian Daily Struggle 'Behind the Wall'
By 
Al Jadid Staff


Jewish-Israeli author Ilana Hammerman’s recent memoir, “A Small Door Set in Concrete” (University of Chicago Press, 2019), takes readers into life after decades of occupation in the West Bank and Gaza Strip. This memoir traverses the experiences of Palestinien men, women, and children living behind the wall who are unable to move and act freely.

ESSAYS IN FORTHCOMING AL JADID, VOL. 24, NO. 78, 2020

Bandar Abdel Hamid (1947-2020): Editor and Poet Transformed His Humble Damascus Apartment into Inspiring ‘Literary Salon’
By 
Elie Chalala

The “beautiful Bedouin poet” Bandar Abdel Hamid passed away at the age of 73 on February 17, in his Damascus home from a heart attack. He died quietly, discovered 16 hours later to have had a heart attack, without anyone being able to help him. His death sent a painful shock to his many friends in Syria and throughout the Arab world. A leading poet of the 1970s, Bandar’s work contributed to Arab culture and enriched film criticism while encouraging creativity in his peers;  he transformed his humble apartment in Damascus into a stage for all forms of art and dialogues among intellectuals, friends, and strangers.

ESSAYS IN FORTHCOMING AL JADID, VOL. 24, NO. 78, 2020

Silent in First Person: Where is the Confessional Autobiography in Arab Literature?
By 
Al Jadid Staff

Confessions in autobiographies can achieve two things: they reveal all that the writers have concealed about their lives, or they serve to offend those around them in doing so. Some have used confessions to elevate their own characters, depicting their actions as courageous while recalling the wrongs done against them throughout their life. In Arab tradition, writers wish their readers to see them in a positive light, and readers look to autobiographies for ideal figures and role models for future generations, drawing on religious traditions and figures. Rather than touch on his misdeeds, the writer would instead share his accomplishments, highlighting only the positive parts, according to Ehab al-Najdi. The 2015 publication of the Egyptian Najdi’s “Literature of Confessions: Analytical Approaches from a Narrative Perspective” (Dar al-Maaref) examines the complex obstacles and scarcity of confessional writings in the Arab world.

ESSAYS & FEATURES IN FORTHCOMING AL JADID, VOL. 23, NO. 77, 2019

Despite Decades-Old Controversies, Iraqi Poet Badr Shaker al-Sayyab Still Relevant!
By 
Al Jadid Staff

The Arab cultural scene never tires of Iraqi poet Badr Shakir al-Sayyab’s legacy, refusing to let it rest even 55 years after his death. The recent publications of Jasim al-Muttair’s “The Swinging Moods of Badr Shakir al-Sayyab,” as well as several columns on the poet by Iraqi writer Yassin al-Dulaymi and Lebanese columnist Mohammad al-Houjeiri, have again brought the poet’s life into the public eye. Sayyab did not shy away from politics in his work. “He was the kind of person who thought that a literary person and an educated person and a poet had a duty to get involved in the politics of his country and his nation and to point his finger and to be on the side of the poor and the struggling sectors of society. Governments were not, still are not, accepting of people who are not accepting of their line,” said his son, Ghailan al-Sayyab, in an interview with The National.

FILM REVIEWS FORTHCOMING IN AL JADID, VOL. 23, NO. 77, 2019

‘Out on the Burning Sands’
By 
Al Jadid Staff

Despite being a 20-year-old film, “Hollywood Harems,” directed by Tania Kamal-Eldin, discusses myths and fantasies of Orientalism and Arab women that still resonate today. The documentary takes a close look at several films, from “The Sheik” (1921) to “The Mummy” (1932), and others spanning between the 1930s and 1960s, with a sharp focus on the portrayal of women -- from fictionalized harems and the voyeuristic “intruder’s gaze” of men, to the depiction of their exploiters as Arab men and saviors as white men.

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