Down to the Sea in Unsafe Ships: Lebanese Refugees Risk Death to Escape Hunger, Violence, Despair

By Al Jadid Staff

Many will recall the image of Alan Kurdi, the child whose death at sea became the icon of Syria’s agony when his photograph was spread across the world in 2015. Though his story is five years old, that awful photograph comes to mind these days as desperate Lebanese families follow the same path in a desperate attempt to flee the economic, political, and humanitarian storms which rule the day in their country. The recent deaths of many Lebanese, including two children on a smuggling boat headed for Cyprus, provides us with yet more heartbreaking details of the suffering of the Lebanese people.

Cultural Briefings

Beirut’s Chernobyl Moment: A Message of Love to a Suffering City, Its Unforgettable Memories, and Undying Heart

Perhaps the August 4th explosion is the most catastrophic in Lebanon’s modern history, but let us not forget that it follows other recent explosions – financial, social, economic, and even imminent starvation.

The latest explosion is disastrous by all accounts, leaving 350,000 homeless, more than 137 dead, 5000 injured, and a large number of people still unaccounted for. Office buildings and apartments across the capital are destroyed, as well as the country’s largest port, with reconstruction estimates ranging between 12 and 15 billion dollars at a time the government cannot even secure a two-billion-dollar emergency loan.

Cultural Briefings

BOOK NEWS IN FORTHCOMING AL JADID, VOL. 24, NO. 79, 2020

New Anthology Empowers, Celebrates the Role of Professional Women Journalists Covering the Mideast
“Don’t shy away from writing about your community, your people, or your home country or region, so long as you uphold the highest journalistic standards,” the late David Khatell told Lebanese-British journalist Zahra Hankir, which inspired her latest work.
 
“Our Women on the Ground” (Harvill Secker, 2019), edited by Zahra Hankir, compiles a groundbreaking essay collection by 19 Arab and Middle Eastern female journalists, reporters, and photographers. Divided into five sections, these essays combine memoir and reportage to give perspective into the obstacles women journalists face when covering news in dangerous and oppressive countries, where they often encounter sexism and harassment. In an interview with Pen America, Hankir said, “I made sure I included a broad range of contributors in terms of their religious and cultural backgrounds: nationalities, ages, ethnicities, and political learnings. My hope was to demonstrate the diversity of the region through their stories. I worked quite closely with almost all the contributors on shaping their essays, without ever instructing or coaching them on how they should speak their own truths.”
Books

ESSAYS IN FORTHCOMING AL JADID, VOL. 24, NO. 78, 2020

Women in Kanafani’s ‘Umm Saad’: How Revolutionary Is The ‘Revolutionary Mother’ As Symbol and Actor?
By Al Jadid Staff

Ghassan Kanafani weds literary technique to political objectives in his “Umm Saad” (1969), with characters that reflect the Palestinian condition. Kanafani, a literary and a revolutionary figure in the Palestinian national struggle, proposes alternative ways of engaging the masses in the struggle for Palestinian self-determination. With  “Umm Saad,” readers can examine the representation of women in Palestinian literature through the story of the titular protagonist, whose son leaves to join the fedayeen. 

 

Essays and Features

May Menassa (1939-2019): Journalist, Novelist Wrote in the Black Ink of War and Tragedy

Forthcoming in Al Jadid
By 
Al Jadid Staff


The Lebanese Civil War (1975-1990) spurred the production of a vast literature. Yet only a small fraction of these books, novelsand memoirs are available in English. An even smaller portion received wide attention through reviews or publicity campaigns. This leaves a void in the English language about the literature of this war. This essay highlights one novelist’s contributions in the Arabic literature of the war as well as a brief glimpse into her life.

Jocelyne Saab: A Just Life

Filmmaker, Journalist, Photographer, Fighter for Justice Dies at 70
By 
Al Jadid Staff
 
Jocelyne Saab belonged to a generation of Lebanese filmmakers and artists, often described as progressive and leftist, that emerged before, during, and after the Lebanese Civil War. A contemporary of directors like Burhan Alawia, John Chamoun, Maroun Baghdadi, Nahla al-Shahal, young progressive directors of the time, Saab shared their commitment to social justice, basic reforms in the pre-1975 Lebanese political system, and a commitment to defending the rights of Palestinians both within Lebanon and supporting their struggle against Israeli occupation.

Leila Slimani: Demolishing Barriers with Literature and Francophone Values

By 
Naomi Pham

Beyond her award-winning novels, the public knows Moroccan-French novelist Leila Slimani for her advocacy of francophone values, promoting the French language, a culture of diversity and openness, as well as for her support for women’s rights. During the French presidential elections, Ms. Slimani  accompanied President Emmanuel Macron in his visit to Morocco, encouraging Moroccan-French citizens to vote for him against the right-wing and ethnocentric Marine Le Pen. According to press reports, the French President initially wanted to appoint Slimani as Minister of Culture, but she declined. So he appointed her as his personal representative of francophone affairs.

Nostalgia for a Lost Damascus Leads Native Son into Danger in New Thriller

In his latest novel, “Sophia,” Syrian-German author Rafik Schami takes readers on a journey from Beirut and Heidelberg to Rome and Damascus through the eyes of Salman, the son of Sophia, the novel’s namesake, who is a beautiful Christian woman who had recently left her Muslim lover, Karim, to marry Yusuf Baladi, a rich Damascene Christian goldsmith. The story follows Salman’s trail as he flees Syria to Lebanon after accidentally wounding a police officer in an armed revolt to topple the dictatorship.

Dystopic Trends in Modern Arabic Literature

In the first two decades of the 21st century, the Arabic literary scene has witnessed a new trend in fiction in the form of a dystopian narrative. Where Arabic research has mainly focused on Classic Western utopias as characterized by the writings of Thomas More, Tommaso Campanella, Samuel Butler, and 20th-century Western dystopian fiction, the rise of Arabic authors exploring the dystopian genre has caught the attention of Western readers. These new dystopian works by Arab authors have been defined as the start of a new literary genre in modern Arabic literature, written mostly in English or French, with any works written in Arabic quickly being translated into English, suggesting an interest and wish on the part of the authors and publishers for a presence in the Anglophone market.

The Passing of Two Women, Very Different, But Bonded By Their Search For Peace

By 
the Editors


Two strong women’s lives never crisscrossed, coming from different worlds, politically, socially and economically, yet their missions in life were somewhat similar. Kathy Kriger and Hatidza Mehmedovic each worked towards standing up against injustice, in their own ways, regardless of their backgrounds. Kathy Kriger, born Kathleen Anne Kriger, served as the United States’ diplomat in Morocco for several years, living what many would consider a comfortable life in a prestigious position. In the wake of September 11 and the

On Hips and Heritage: Cairo Nativists Object to Invasion of Foreign Belly Dancers!

By 
Naomi Pham

The recent arrest of Russian belly dancer Ekaterina Andreeva, who goes by her stage name Johara, has sparked questions about how to view foreigners participating in this dance career. In his article for the New York Times, Declan Walsh discusses this supposed “sullying” of the Egyptian ancient art form. In Egypt’s current belly-dancing scene, foreigners -- the majority of whom come from America, the United Kingdom, Brazil, and Eastern Europe – dominate the ranks and appear among the most well-known dancers in their field. According to Walsh, “The foreigners bring an athletic, high-energy sensibility to the dance, more disco than Arabian Nights. Their sweeping routines contrast with the languid, subtly suggestive style of classic Egyptian stars. Some are overtly sexual.”

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