Honesty is Honored in Selection of Judge Tarek Bittar as Lebanon’s Person of the Year

By Elie Chalala

Swallowed by crisis after crisis, Lebanon has struggled to stand beneath an economic meltdown, the Beirut Port explosion in 2020, and the worsening pandemic under a government that has failed to serve its people. With mounting fears that the country will continue to sink into despair, the people of Lebanon are in dire need of hope. Hope, as it turns out, comes in the form of one judge’s determined pursuit of the perpetrators of the August port explosion. In December, the Arabic online journal Daraj, along with other columnists, named judge Tarek Bittar the “Person of the Year” to wide public approval, marking the first time Lebanon has selected an individual for the achievement.

Essays and Features

About the Artist: Tom Young

By Naomi Pham
Throughout the past decade, British artist Tom Young’s work has captured Lebanon on the cusp of globalization and change. His contributions in safeguarding Beirut’s traditional architecture equally breathe life into the personal histories of the city’s residents. Young has lived in Beirut for the past 15 years in the neighborhood of Gemmayzeh, known for its hundreds of years old, beautiful historic buildings. Gemmayzeh was among the hardest hit by the devastating explosion of Beirut’s port on August 4th last year, a tragedy that killed hundreds, injured thousands, and left ruin in its wake. One may recall Young’s painting, “Toxic Beirut” (2020), featured on the cover of Al Jadid Vol. 24, No. 79, which was painted on September 11 when a fire broke out at the site of the port explosion. “All of us in Beirut were (and still are) scared that another disaster could happen at any time. Painting it is a way of harnessing that fear, transforming it into something meaningful, and perhaps, beautiful,” he told Al Jadid.
 
“We Want the Truth” (2021) appears on this issue’s cover. Depicting a crowd of people waving Lebanese flags, Young illustrates the gathering that took place on the one-year anniversary of the explosion. The people still have no answers, and those responsible are yet to be held accountable. In the words of Young: “People were demoralized and broken, helpless in the face of such injustice, corruption and brutality...as the country descended further into a state of collapse...no one knew what to do or how to change anything.”
Art

Sabah Fakhri: Loss of the Last Giant

By Sami Asmar
On 2 November 2021, the world lost a legendary singer at the age of 88 years. A Syrian who sang specifically the repertoire of his hometown of Aleppo and became popular worldwide in a rare occurrence due to his exceptional talent, charisma, perseverance, and specialization in a genre suiting his tenor voice and cultural background. 
 
Born Sabahudine (or Sabah al-Din) Abu Qaws in 1933, when he committed to a career in the arts as a teenager, his family and teachers felt Abu Qaws did not have a musical ring to it. In honor of Fakhri al-Barudi, a Syrian national figure who also founded the conservatory of Damascus and was one of his earliest sponsors, he adopted the stage name Sabah Fakhri.
Essays and Features

Arab Publishing Industry Drowning in Tsunami of Economic, Social Crises

By Naomi Pham with Elie Chalala
There is an old saying: Cairo writes, Beirut prints, and Baghdad reads. Books have played essential roles in the Arab world’s intellectual scene, and bookshops in Syria and Lebanon flourished in the 1960s and 70s. However, readers’ relationships with books have changed in modern times; scholars and intellectuals no longer flock to bookstores as they did in the past. Instead, book publishing worldwide — particularly their physical print and sale — appear to be a dying trade in the digital age.
 
Essays and Features

Founded in Egypt by Lebanese Immigrants, Legendary Al Ahram Newspaper Marks 145th Anniversary

By Elie Chalala and Naomi Pham

Throughout the 19th and 20th centuries, Lebanese and Syrian immigrants took the Arab journalistic world by storm, leaving numerous literary and cultural achievements in their wake. These immigrants established newspapers and professional literary publications of renown. Overseas, some two dozen Arabic-language newspapers sprung in the United States alone, headed by writers like Ilya Abu Maadi, Mikhail Naimy, and Amin Rihani. In the Arab world, two Lebanese Christian brothers landed on the shores of Egypt and established one of the most prominent household publications in Egypt — Al Ahram Newspaper.

Essays and Features

Women of the Revolutions: The New Faces of Arab Feminism

By 
Angele Ellis

“Nada’s Revolution” follows the tale of the 27-year Nada Ahmed, an Alexandrian woman looking to make decisions about marriage and career in the years after the revolutionary wave of the Arab Spring. In “Feminism Inshallah: A History of Arab Feminism,” Feriel Ben Mahmoud, the film’s director, traces the beginnings of feminism to male feminists such as the Egyptian Qasim Amin (1863-1908), whose nationalist aspirations for Egypt fueled his assertion that the Quran supported women’s rights—essential to throwing off the yoke of colonialism and joining the modern world.

 

Feminism Inshallah: A History of Arab Feminism
Directed by Feriel Ben Mahmoud
Women Make Movies, 2014

Nada’s Revolution
Directed by Claudia Lisboa
Women Make Movies, 2014

 

Sin, Redemption, and Visions of Female Illness in Modern Arab Literature

By 
By Bobby Gulshan

Hamdar’s examination of the female body in illness and suffering presents a compelling contribution to the body of literary criticism of Arabic Literature. She invokes strains of critical thought—like Foucault and the idea of discourse—using them to map the development of the image of the female body in recent Arabic literature. 

 
The Female Suffering Body, Illness and Disability in Modern Arabic Literature
By Abir Hamdar

New Issue of Al Jadid

By 
Al Jadid

Al Jadid is just out (Vol. 19, No. 68). The cover (“Encoded History 1” 2015) by Doris Bittar. Al Jadid is a Review & Record of Arab Culture and Arts (www.aljadid.com). As usual, the new issue is rich with essays and features, book, film and TV reviews, fiction, poetry, and a substantive editor's notebook.
ESSAYS AND FEATURES: ‘My Story With You is Different’ by Rima Assaf; ‘Sabah Zwein (1955-2014): An Innovative And Haunted Poet’ by Mike D’Andrea; 

Al Jadid is just out (Vol. 19, No. 68). The cover (“Encoded History 1” 2015) by Doris Bittar. Al Jadid is a Review & Record of Arab Culture and Arts (www.aljadid.com).

‘The Jewish Quarter:’

Ramadan Drama Revisits 40’s Egyptian-Jewish Relations
By 
Elie Chalala

“The Jewish Quarter” has sent some unsettling messages about the “Ramadan series” (or soaps), prompting commentaries in the Arab press and beyond, and finally meriting a feature article in the New York Times. This 30 episode serial, which runs through the month of Ramadan in Egypt, offers a viewpoint unlike that featured in any other serial before or after the Arab Spring.

 

Al Nakba at 67: Generations of Catastrophes

By 
Elie Chalala

I rarely passed on an Al Nakba remembrance, an event which was pivotal in forming my political and moral consciousness during my early days in Beirut and in my academic diaspora. Nowadays, I reserve my aggravation for those intellectual cowards who saw nothing in Al Nakba except a shelter to hide from their shameful silence on one of the most horrific “Nakbas” in modern Arab history.

I rarely passed on an Al Nakba remembrance, an event which was pivotal in forming my political and moral consciousness during my early days in Beirut and in my academic diaspora. Nowadays, I reserve my aggravation for those intellectual cowards who saw nothing in Al Nakba except a shelter to hide from their shameful silence on one of the most horrific “Nakbas” in modern Arab history.

As 20th Century Begins, British ‘Orientalism’ Tool of Colonialism

By 
By D.W. Aossey

Long writes the book in a scholarly manner, but redeems it with a depth of insight and information on these fascinating personalities at a very important time in Middle Eastern history. Certainly, most will find “Reading Arabia” worth a look.

Reading Arabia: British Orientalism in the Age of Mass Publication 1880 –1930
By Andrew C. Long
Syracuse University Press, 2014. 264 pp.

Orientalism’s Children: “Voices from the Threshold”

By 
By Angele Ellis

Nearly 11 years ago, an automobile accident on a dusty Jordanian road cut Susan Atefat-Peckham’s life and work short. The Iranian American poet, memoirist and Full bright Scholar now takes her rightful place among the likes of Gregorgy Orfalea and Sharif Elmusa with her “Talking Through the Door.” The anthology transports readers to various eras and exotic locales, going back to Ibn Hazm’s 10th-century Cordoba, the Lebanon of World War I, pre-revolutionary Iran as well as 1950s and 60s Ohio. “Readers will find that these works carry with them a power and promise so life-affirming that Lisa Suhair Majaj describes them as ‘sustenance.’”

Talking Through the Door: An Anthology of Contemporary Middle Eastern American Writing
Edited by Susan Atefat-Peckham
With a Foreword by Lisa SuheirMajaj
Syracuse University Press, 2014, pp.  244

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