Millions of people risk life and limb to escape their countries through the sea and other means as a global refugee crisis unfolds. The 2019 winner of the International Prize for Arabic Fiction, Hoda Barakat’s “Voices of the Lost” (Yale University Press, 2021), recently translated from Arabic into English by Marilyn Booth, paints a complex picture of displacement, war, and hope in the bleakest moments among immigrants and refugees.

Trauma changes people. For the unnamed narrator of Layla AlAmmar’s second novel, trauma pushes her to choose silence. “Silence is a Sense” (Algonquin Books of Chapel Hill, 2021) follows a Syrian woman who escaped from Syria to the United Kingdom, settling into a quiet English town. She spends her days observing the traumas of her neighbors: from the man who barely ever turns on his lights, to another obsessed with exercising, to an abusive man who beats his wife and children. Her voyeurism feeds into her writing — her only form of expressing herself. She submits essays to a “newsmagazine with a big name” under the pseudonym “the Voiceless,” often discussing the refugee crisis. But as her editor Josie increasingly probes the narrator for intimate details and memories of her experiences in Syria, she begins to question herself: how much of her mind’s ability to make sense of what happened does she trust?