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Lebanon Still Overshadowed by Oblivion As Port Blast Aftermath Enters Fourth Year

Art has played an influential role in making sense of the loss felt after the August 4 explosion. Tom Young’s “Strong Angels” and other paintings show a human dimension of the tragedy and its civilian heroes, who “join forces to lift the city’s grief,” writes Darine Houmani of Diffah Three (The New Arab). “Despite all its devastation, the August 4 explosion brought greater impetus to preserve our heritage and brought about a database of our historical buildings that hadn’t been done before,” states Mona Hallak, an architect, heritage activist, and director of the American University of Beirut’s Neighborhood Initiative, as cited in The New Arab. Several weighed in on the rebuilding efforts, including Lebanese architect Jad Tabet, who proposed “rehabilitation” rather than “reconstruction,” focusing on preserving the city’s existing social fabric and inhabitants alongside the architecture (for further reading on Jad Tabet and architectural heritage, see Al Jadid, Vol. 4, No, 25, Fall 1998; Vol. 5, No. 26, Winter 1999; and Vol. 24, No. 79, 2020). As art historian and gallery owner Andrée Sfeir-Semler says, “You need to nourish people with art and culture because that is what feeds their souls.”

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The Legacy of Western Colonialism, Arab Authoritarianism, and Islamic Extremism Taints Image of Secularism

By Elie Chalala
 
Since the fall of the Assad regime, Syrians have been discussing the kind of future government they desire. These discussions have occurred on Facebook and at conferences inside and outside Syria. The 14-year war has intensified these debates, and the identity of the new power in Syria, Hayat Tahrir al-Sham (HTS), led by Ahmed al-Sharaa, has further influenced them. This formerly extremist Islamic group has recently moderated its positions and become more open to various political perspectives. However, the latest development has raised skepticism: the new government has adopted a temporary declaration of constitutional law as its legal foundation, asserting that Islam should be the source of legislation and the president's faith. This has intensified the heated debates surrounding the new state's stance on Islam.
Essays and Features

SHALL I RETURN?

Syrian Poet Rasha Omran Examines the Dilemma Facing Displaced Syrians
By Elie Chalala
 
“Will the Syrians return?” remains a loaded question as Syria takes its first steps on the long road to recovery after half a century under tyranny. Syrian author and poet Rasha Omran poses that very question in the title of her article, “Will the Syrians Return?” published in Arabic in Diffah 3. Her story resonates with many Syrians who left the country, but rather than focus on why many chose to leave, Omran touches on the delicate issues faced by those considering returning from displacement once conditions allow.
Essays and Features

‘About the Happiness of the Oppressed’:

As the Assad Regime’s Collapse Looms, Riham Essa Reflects on the Complex Emotions Among Syrians
By Elie Chalala
 
In a blog essay published in Al Modon newspaper, Syrian short story writer and author Riham Essa touches the surface of the complex emotions she, and perhaps other Syrians, have felt in the wake of the Assad regime’s fallout as the country contemplates its new beginning. Syria, she writes, “has never been a homeland, especially after 2011."
Essays and Features

In the Face of Syria’s Suffering, Basma al-Khatib Calls for Silence from the Bystanders and Naysayers

By Elie Chalala
 
“The least we can do at this critical historical moment is to respect the suffering of the Syrians (and the suffering of everyone who was tortured by the Syrian Baath regime, regardless of their nationality) and to remain silent for a while. To come to grips with all this suffering, pain, loss of reason, and torture, we perhaps need a long time,” writes Basma Al-Khatib, a Lebanese writer and novelist.  
Essays and Features

Algeria's Curtailing of Freedom of Expression Sparks Outcry from Critics, Intellectuals, and Politicians Following Author Boualem Sansal's Arrest

By Naomi Pham
 
The sudden arrest of award-winning Algerian-French author Boualem Sansal and the ensuing silence regarding his release have produced a global outcry, bringing literary, cultural, and political circles to the writer’s defense. Sansal becomes the second author to agitate Algeria’s political and literary scene in recent months, next to fellow Algerian-French writer Kamel Daoud, whose recent legal tangle over his Prix Goncourt-winning novel “Houris” remains ongoing. Both cases raise apprehensions among critics and writers over Algeria’s course toward further restrictions on freedoms, especially concerning criticisms of the country’s history amid current talks about Morocco’s autonomy proposal for Western Sahara.
 
Essays and Features

ESSAYS IN FORTHCOMING AL JADID, VOL. 24, NO. 79, 2020

Lebanon, Corrupted, Blasted, Burning, ‘Celebrates’ in Irony the Centennial of Its Foundation
By 
Elie Chalala

The Lebanese political scene has a melancholy and desperate mood. The country suffered shock after shock, from the economic-financial meltdown to the COVID-19 pandemic, all the way to the explosion at its main port, a significant economic lifeline disabled when most needed. Most heartbreaking is watching and listening, even from afar, as Lebanon celebrates its centennial birthday while lacking the resources to extricate itself from its present predicament and being left to plead with foreign countries and economic institutions for humanitarian and economic assistance. Aside from the legitimate requests needed to address the consequences of the port explosion, Lebanon lacks the essential prerequisites of a functioning and legitimate state.

The ‘Grand Compromise’ Between Lebanon’s ‘Strong Presidency’ and Iran’s 'Rejectionists' Hastens the Demise of Lebanon’s Economy

By 
Elie Chalala

In early July, we wrote about two suicides in Lebanon while holding off on a third until we fact-checked it. Subsequently, the Beirut-based Al Modon newspaper wrote about a total of four suicides, including the two reported here. The article’s author deliberately stressed the reasons behind the suicides were not personal, but rather related to deteriorating economic conditions and the loss of dignity.

ESSAYS IN FORTHCOMING AL JADID, VOL. 24, NO. 78, 2020

How Lebanon’s ‘State within a State’ Escalated Financial Disaster: Two Beirut Landmarks – AUB, and Le Bristol Hotel – the Latest Collateral Damage
By 
Elie Chalala

It is painful to witness, even from afar, what recently befell Lebanon. This agony springs from the memories of my formative years during Lebanon’s post-independence era, when resentment of its ruling elites consolidated my belief in the necessity of change. I left the country without the reform wish fulfilled, and later watched the flames of civil war consume hopes of change – even when guns fell silent after the country’s second constitution in 1989. While the Lebanese started to come together to embark on reconstruction of the country, corruption, sectarianism, and the plundering of state’s resources soon took over.

ESSAYS IN FORTHCOMING AL JADID, VOL. 24, NO. 78, 2020

Farah Al-Qasimi: Between Two Worlds: Arab Americans in Detroit
By 
Al Jadid Staff

The works of photographer Farah Al-Qasimi touch on the intricacies of life as an Arab American in Detroit, with each frame capturing both Arab and Western aesthetics. Of the 22 countries belonging to the “Arab World,” as defined by membership in the League of Arab States, seven – Lebanon, Palestine, Syria, Iraq, Egypt, Jordan, and Yemen – are prominently represented by immigrants in Metro Detroit. The Arab American community is also diverse in its religious representation, with Islam and Christianity in their Middle East iterations represented by a variety of sects and denominations including Chaldean, Coptic, Druze, Greek Orthodox, Maronite, Melkite, Shi’a, Sunni, and Syrian Orthodox.

Play Reveals Wounds of Palestinian Occupation

By 
Bobby Gulshan

An event hosted by the Voices from the Holy Land Film Series will focus its next Online Discussion Salon on director Pamela Nice’s "It’s What We Do: A Play About the Occupation" on June 14, 2020 at 2 pm EST. The event will feature guest speaker Yonatan Shapira, a former IDF helicopter pilot, who has been involved in speaking out against the abuses of the IDF since his service. Please register for the one-hour discussion, which will be in a Zoom format, at this link. Organizers are asking all registrants to view a 55-minute video beforehand. You can access it at www.iwwdplay.org.

Earlier this year, the Israeli Knesset passed a law barring “Breaking the Silence” from presenting in schools, universities, or any other non-profit institutions. The initiative to enforce a ban on the group came from Education Minister Naftali Bennett, who accused “Breaking the Silence” of denigrating the reputation of the Israeli Defense Force in the eyes of Israeli youth.

 

Amin Maalouf, Praised by Lebanese Patriots as Born for ‘Greatness,’ Criticized by Hashem Salih for Dubious Claims in His ‘The Wreck of Civilizations’

By 
Elie Chalala

Amin Maalouf recently received the National Order of Merit from the French government, earning the second-highest status in the title of Grand Officer. The author's other decorations include the Prix Goncourt in 1993 and his induction into the Academie Francaise in 2011, filling the seat of Claude Lévi-Strauss. His books have been translated into 50 languages. The Lebanese-French author is well-known for the historical themes in his writing. "Leo the African" (1987), for example, is a vivid re-imagining of the life of geographer and scholar Hasan Al-Wazzan. "Ports of Call" (1991) is a love story between a Muslim man and a Jewish woman. One of Maalouf's most well-known novels, "The Rock of Tanios" (1993), which won him the 1993 Prix Goncourt, recounts the conflict between the Ottoman Empire, Egypt, and England during the assassination of the Maronite patriarch. Maalouf came from a literary family, about whom he wrote in his biography, "Origins" (2004), which documented Lebanon's shifting loyalties and affiliations throughout the world. His most recent work, "The Wreck of Civilizations" (Le Naufrage des Civilisations, Grassat 2019), takes up Samuel Huntington's "Clash of Civilizations" thesis but shifts the focus from a clash between civilizations to a crisis that affects all aspects of human civilization. As Huntington's thesis suggests, in the age of globalization and technological development, Maalouf claims we cannot separate peoples and civilizations from each other. The COVID-19 pandemic seems to add credence to the author's claim.

 
Amin Maalouf recently received the National Order of Merit from the French government, earning the second-highest status in the title of Grand Officer. The author's other decorations include the Prix Goncourt in 1993 and his induction into the Academie Francaise in 2011, filling the seat of Claude Lévi-Strauss. His books have been translated into 50 languages. The Lebanese-French author is well-known for the historical themes in his writing.

BOOK REVIEWS IN FORTHCOMING AL JADID, VOL. 24, NO. 78, 2020

New Film History Volume Documents, Preserves Legacy of Palestinian Cinema, From Nakba to the Present
By 
Al Jadid Staff

Nadia Yaqub’s recent book “Palestinian Cinema in the Days of Revolution” (University of Texas Press) offers a valuable survey of Palestinian cinema, from its pre-history in the early photographs and films made by international relief organizations, up to its birth out of the Palestinian Liberation Organization’s struggle against the Israeli State. Yaqub details the narrative of victimhood that dominated early visual documentation of Palestine, as presented by organizations like the American Friends Service Committee and the United Nations Relief and Works Agency. Such films depicted Palestinians as “seen but not heard, and their statelessness and victimhood are presented as timeless, ahistorical facts, rather than the results of a process of violent dispossession culminating in the Nakba in 1948.”

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