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Rose Antun: Early 20th Century Arab Feminist Journalist

How ‘Shwam’ Migration Contributed to Arab Renaissance Movement
By Naomi Pham
A new biographical book enriches the scarce literature on 19th and 20th century Lebanese and Syrian emigrants (often referred to as Shwam) who settled in Egypt and grew up to be journalists and intellectuals. Many of their contributions to the Nahda reflect the inescapable truths about the role of women in the Arab Renaissance movement.
Essays and Features

ON NEW BOOKS:

Ben Jelloun Recounts a Moroccan Tragedy of Repression, Rape and Suicide Against Teenager

Tahar Ben Jelloun returns with his latest novel, “Honey and Bitterness” (Gallimard 2021), following the story of a middle-class Moroccan family torn apart by the suicide of their 16-year-old daughter after her rape. Based on actual events, “Honey and Bitterness” begins after Samia’s death as her parents, Murad and Malika, struggle to process the tragedy. Their marriage — which was arranged by their mothers — descends into loveless, mutual resentment as they cope with their pain, all the while uncovering the truth of Samia’s rape in her diary (a secret the teenager never revealed to her parents because of its taboo nature).

Books

ESSAYS & FEATURES IN FORTHCOMING AL JADID, VOL. 24, NO. 79, 2020

A Nation in an Expanding Mental Ward: Is Lebanon Now Chekhov’s Ward No. Six?

Anton Chekhov’s internationally renowned “Ward No. 6” in 1892 arose from despair over Russia’s collapse into the hands of ignorant rulers, perhaps comparing the decrepit hospital of his story to the state of the country. Over a century later, his story strikes a fresh chord — now more than ever following the Beirut Blast on August 4 that turned large parts of the city to ruin. In a recent Independent Arabia article, Lebanese poet and critic Abdo Wazen went as far as to compare the tragedy to Chekhov’s “Ward No. 6,” where the corrupted and negligent staff of a provincial mental asylum bear a painful resemblance to Lebanon’s highest office holders.

Essays and Features

Documentary Film Gives Voice to the Erotic Body

By 
Kim Jensen

Joumana Haddad, Lebanese feminist, author, and poet, founded Jasad, the Arabic Journal of Erotic Arts, in order to advocate for the sexual liberation for the Arab World. In her film, “Jasad & The Queen of Contradictions” Amanda Homsi-Ottosson combines interviews with Haddad, Jasad journal contributors, and critics, as well as reactions from the street, and footage taken from the literary salons of Beirut, the Queen of Contradictions herself.  

Jasad & The Queen of Contradictions
A film by Amanda Homsi-Ottosson
Women Make Movies,  2011, 40 minutes 

The Only Diner in the Restaurant: A Travel Writer’s Perspective on the Arab Spring

By 
By Daniel Hugh-Jones

Several excellent articles and books have been written concerning the revolutions of the Arab Spring, most by participants, relatives of the fallen, political analysts or foreign correspondents. Tom Chesshyre makes no claim to any of these perspectives. Instead, he deals with the subject of life during and after revolution with the light touch and charm of a travel writer.

A Tourist in the Arab Spring
By Tom ChesshyreBradt Travel Guides, Ltd.
Bradt Travel Guides, Ltd.The Globe Pequot Press Inc., 2013
The Globe Pequot Press Inc., 2013

The American Mirage: Immigrant or “Un-American?”

By 
By Francis Khairallah Noble

Carlos ben Carlos Rossman, a Puerto Rican Jew, is in for a surprise. When he lands in New York Harbor in 1950, he realizes that the American melting pot is more fable than fact. In many cases, diversity is likely to make one “Un-American” rather than American. Language, culture, religion, or even something as simple as a green baseball bat, when all of the other kids own plain pine bats, can result in ostracism.

In the House UN-AmericanBy Benjamin Hollander
By Benjamin HollanderClockroot Books, 2013
Clockroot Books, 2013

The Uncompromising Voice of Syrian Screenwriter Fouad Hamira

By 
Rebecca Joubin

A Study in Courage: Screenwriter and Activist Fouad Hamira

Cinematic activist, Fouad Hamira, who began his career working for the National Theater, has become one of the leading voices for justice in Syrian television. Despite all attempts to silence him, this man of courage and conviction remains as vocal as ever. Since the current uprising in Syria, he has denounced injustices such as the government’s attempts to reframe the battle for Syrian freedom as a sectarian uprising. 

Fouad Hamira, who began as an employee in the National Theater, has gone on to become one of the leading voices in Syrian television drama. He is renowned for his unwillingness to compromise with the forces of societal and political oppression. His controversial “Ghazlan fi Ghabat al-Dhi‘ab” (Gazelles in a Forest of Wolves), which was filled with a poignant critique of corruption and the abusive nature of power, was finally allowed to air  in 2006, although he had written the miniseries 15 years earlier.

Wives in Tension

By 
Rebecca Joubin

In this exemplary documentary film, women (both veiled and unveiled, religious and secular) discuss the presence of Islam and secularism in contemporary Turkish ...

Women of Turkey: Between Islam and Secularism
A film by Olga Nakkas
Turkey/Lebanon
WMM, 2006

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