Historical Overview of Arab American Women from 19th Century to Present Honors the Works of Michael Suleiman

By Lynne Rogers

“Arab American Women: Representation and Refusal,” a collection of 19 essays edited by Michael W. Suleiman, Suad Joseph and Louise Cainkar, provides a moving and appropriate tribute to the seminal work of the late Michael Suleiman. A public intellectual whose important contributions like his book, “Arabs in America” and founding of the Association of Arab American University Graduates (AAUG), Suleiman vastly broadened Arab American studies. The collection offers essays for both the interested lay reader and the serious scholar and Suleiman’s immense founding contribution to the field of Arab American Studies can easily be seen in the frequency he is cited in the articles’ references. 

Books

Nudity Overshadows Betrayal in 'Huda's Salon'

Arab Audience and Critics Riled Over Controversial Film
By Naomi Pham and Elie Chalala
The controversy over Palestinian-Dutch director Hany Abu-Assad’s “Huda's Salon” will not be the last furor over an Arab film. Not long ago, the film "Amira" and its director Mohamed Diab (more on “Amira” can be found in Al Jadid, Vol. 25, Nos. 80-81, 2021) met with similar disapproval. Most of the outrage against these two films did not center on the plots, themes, acting, directing, special effects, or cinematography, but on politics and what they considered immoral elements — which in “Huda’s Salon” is female nudity. The Palestinian creative community, including in the diaspora, has not been spared from harsh, and at times treasonous, accusations. Reasonable critics dismiss this latest controversy as being uninformed, superficial, and ideological. But the long-term consequences of these "populist" campaigns against Palestinian cinema carry intellectual costs. Many Palestinian talents, whether in the diaspora or inside Palestine, may retreat or abandon creative attempts to further the interests of their communities, given the chilling treatment met by their fellow directors. Despite the opposition's reasoning, profound ideological legacies of Palestinian politics still direct and guide some activists' campaigns that continue the old tactics and direct cultural politics to agree with their rejectionist political positions.
 
Films

Examining the Past to Understand Present Controversy Over ‘The Image’ in Islamic Jurisprudence and Art

By Sausan Hasan

The Lebanese scholar and poet Charbel Dagher has written over 70 books, ranging from collections of poetry, novels, and translations to literary criticism and original research. Indeed, we can clearly recognize his various and rich creative achievements. What distinguishes Dagher’s academic works is his devotion to the quality of his writing – his rigorous documentation, sound methodology, and commitment to objective analysis are a testament to the earnestness and patience with which he approaches his craft. At the same time, Dagher’s writing maintains a vivacity often missing in academic research, which can often be dry and even burdensome to the reader. Dagher’s style flows with ease, and he delivers his arguments in a logical progression of documentation. One could even argue that in his fictional works, which he has taken care to separate from his poetry – he is, after all, a poet who has built his own experimental style and language – documentation is ever-present.

Books

Today, Authoritarian Threats Rather Than Technological Limitations Make It Difficult to Capture the Oral History of the Arab World

By Naomi Pham and Elie Chalala
Oral tradition is deeply embedded in Arab culture. One need only look at al-Hakawati, performances by skilled storytellers that enrapture the mind and imagination. Knowledge and memory have been passed down orally from generation to generation in many Arab communities throughout history, giving Middle Eastern oral history different importance and imminence than Western or European academia because of a lack of written and archival records. 
 
A new book hopes to add more to the understanding of this “new-old” science. Jordanian researcher Maher Kiwan’s “Oral History Industry: Voice of the Actors in Society” (Abdul Hameed Shoman Public Library) examines this growing subfield of historiology. Oral history encompasses various techniques used in the retrieval and archiving of testimonies from people who have direct knowledge and experience. The field focuses on contemporary processes so that the experiences of the recent past are collected and narrated from a modern perspective. “It is the product of a progressive movement that illuminates collective and individual memory and participates in the making of societies,” according to Kiwan, as cited by Al Arab newspaper. “Oral history can contribute to bridging a gap in the level of Arab historical practice, allowing oral testimony — a direct expression of memories that were not destined to move to the stage of writing — an opportunity to become history and turn them into archives and publications, providing… alternate channels that traditional records have fallen short of.”
Books

Islamic Scholar Hashem Saleh Shocks with Critique of Venerated 10th Century Scholar, Ibn Khaldun

By Elie Chalala and Naomi Pham

Syrian author Hashem Saleh has established himself as a critic, known for his searing criticisms of Amin Maalouf and other influential writers (his complaints of Maalouf’s “The Sinking of Civilizations” were covered in Al Jadid, Vol. 24, No.78, 2020). He levels his latest claim against an Arab giant, the Enlightenment thinker Ibn Khaldun, calling on scholars to examine the celebrated Arab historian, whom Saleh calls a fundamentalist. According to Saleh, we should not consider Ibn Khaldun a pioneer of free, enlightened, and tolerant thinking in the Arab Islamic heritage. Rather, Ibn Khaldun’s rejection of pluralism and support of jihad sets a tone of intolerance that offers little in today’s turbulent climate of religious wars, unrest, and the rise of Islamic extremism and Daesh.

Essays and Features

Ancient Classic Expresses Modern Tragedy of Syria’s 'Trojan Women'

By 
Naomi Pham

Amidst the ruins of Troy, Queen Hecuba declares, “Lift up your head from the dust! Heave up from the earth the weight of your misery, you whom the Gods have cursed. Some agonies are beyond telling, and some must be told.” One of the acclaimed works of ancient Greek playwright Euripides tells the tale of Hecuba, Andromache, Cassandra and the other women of fallen Troy, who, after their husbands die in battle, now face being sold into slavery with their families. Although this war assuredly takes place in the past, director Zoe Lafferty’s reworking of the ancient play reveals a haunting similarity with the wars we wage today.

Syrian, Palestinian and Afghan Stage Artists Cross Oceans to Land in Maxim Gorki Theater in Berlin

By 
Al Jadid Staff

Despite being so far from their homes, a group of actors and actresses come together at Germany’s Maxim Gorki Theater to present a story near and dear to their hearts. “Winterreise” (or, “Winter Journey”), performed by the “Exil Ensemble,” tells of 24-year-old Syrian actress Kenda Hmeidan’s journey with her fellow six performers as they take a bus tour through Germany during the brittle cold weeks of January. Each an exile from Syria, Palestine, or Afghanistan, these actors have left their home countries in pursuit of their art, all while struggling with the transition from departure to settlement.

Syrian Refugee Drama Troupe Seeks to Heal Traumas

By 
Al Jadid Staff

It is no accident that the "Love Boat" theatrical sea journey ends in Shakespeare's "King Lear," as more and more Syrians die either under assault from Assad and Russian bombs or by drowning, desperately taking to the seas in hopes of escaping genocidal policies.

It is no accident that the "Love Boat" theatrical sea journey ends in Shakespeare's "King Lear," as more and more Syrians die either under assault from Assad and Russian bombs or by drowning, desperately taking to the seas in hopes of escaping genocidal policies.

‘The Morning They Came for Us’: Untold Stories of Syria's Most Vulnerable Victims

By 
Elie Chalala

Ms. Janine di Giovanni, one of Europe’s most respected reporters, chronicles the hardships inflicted upon adults and children alike, telling tales both gruesome and emotional in her new book, “The Morning They Came for Us” (Liveright, 2016). 

 

Ms. Janine di Giovanni, one of Europe’s most respected reporters, chronicles the hardships inflicted upon adults and children alike, telling tales both gruesome and emotional in her new book, “The Morning They Came for Us” (Liveright, 2016). From her visits to Syria in 2012, di Giovanni gathered stories, speaking with a diverse group of people including pro-Assad nuns, regime doctors, and civilian activists...“The Morning They Came for Us” provides rich content that can be difficult to find in daily news coverage alone.

Dreaming at the Crossroads of Cultures: Mirages

By 
Angele Ellis

Issa Makhlouf’s “Mirages” (The Post-Apollo Press, 2015), formerly translated from the Arabic into French in 2004, returns in an English edition translated by Alicia F. Lam.

 
Mirages
By Issa Makhlouf, translated into English by Alicia F. Lam
The Post-Apollo Press, 2015
 
Issa Makhlouf, an expatriate poet, possesses an anthropologist’s eye, a philosopher’s soul, a journalist’s sense of detail – and a heart rooted in the mountains and valleys of Lebanon.

Love and Loss: An Iran-Iraq Story

By 
Bobby Gulshan

For those unaccustomed to witnessing the daily, random bombardments of cities during a bloody conflict like the eight-year Iran-Iraq War, it would be hard to imagine the lives of those who actually endured those experiences.

 
For those unaccustomed to witnessing the daily, random bombardments of cities during a bloody conflict like the eight-year Iran-Iraq War, it would be hard to imagine the lives of those who actually endured those experiences. The novel “A Portal in Space” (Center for Middle Eastern Studies, University of Texas at Austin, 2015), by Mahmoud Saeed, allows readers to feel, share, and interact with the ordinary people living in war-plagued Basra, Iraq. You cannot help but feel connected to the characters as they struggle to cope with their worries, fears, and despair.

Diaspora Arab Women Writers: The Legacy of Shahrazad and Female Infanticide

By 
Nada Ramadan Elnahla

Rather than focus on Arab women’s repression from an observer’s viewpoint, Hanadi al-Samman’s “Anxiety of Erasure: Trauma, Authorship, and the Diaspora in Arab Women's Writings” (Syracuse University Press) instead highlights the accounts of female writers living in diaspora who have contributed productively and creatively through their writings.

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