Inheritors of Sound and Song: Arab Music and the Legacy of Al-Andalus

By Sami Asmar

In our childhood, they taught many of us that Al-Andalus was the center of a grand golden era of Arab civilization. As we lament the current state of Arab civilization, we were also taught that European civilization benefited immensely during this period. These notions are self-evident in the realm of music since, to this day, there is a highly popular genre of Arab music attributed to Andalusian heritage. Do these notions have the historical support needed for academic research, or do they remain mythological?

Books

Muslim Americans Negotiate the Public Sphere: 'Civic Purdah' and Civic Engagement in Metro Detroit

By Pamela Nice

This academic book is an ethnographic study of Muslim communities within Hamtramck, a small incorporated city within the boundaries of greater Detroit. As such, the subtitle is somewhat misleading, as Detroit has differing demographics and ethnic and religious dynamics from Hamtramck, and the two are, in fact, compared periodically by the author. Alisa Perkins lived and worked among Hamtramck’s Muslims — primarily women — during 2005-2007, with follow-up research through 2017.

Books

Historical Overview of Arab American Women from 19th Century to Present Honors the Works of Michael Suleiman

By Lynne Rogers

“Arab American Women: Representation and Refusal,” a collection of 19 essays edited by Michael W. Suleiman, Suad Joseph and Louise Cainkar, provides a moving and appropriate tribute to the seminal work of the late Michael Suleiman. A public intellectual whose important contributions like his book, “Arabs in America” and founding of the Association of Arab American University Graduates (AAUG), Suleiman vastly broadened Arab American studies. The collection offers essays for both the interested lay reader and the serious scholar and Suleiman’s immense founding contribution to the field of Arab American Studies can easily be seen in the frequency he is cited in the articles’ references. 

Books

Nudity Overshadows Betrayal in 'Huda's Salon'

Arab Audience and Critics Riled Over Controversial Film
By Naomi Pham and Elie Chalala
The controversy over Palestinian-Dutch director Hany Abu-Assad’s “Huda's Salon” will not be the last furor over an Arab film. Not long ago, the film "Amira" and its director Mohamed Diab (more on “Amira” can be found in Al Jadid, Vol. 25, Nos. 80-81, 2021) met with similar disapproval. Most of the outrage against these two films did not center on the plots, themes, acting, directing, special effects, or cinematography, but on politics and what they considered immoral elements — which in “Huda’s Salon” is female nudity. The Palestinian creative community, including in the diaspora, has not been spared from harsh, and at times treasonous, accusations. Reasonable critics dismiss this latest controversy as being uninformed, superficial, and ideological. But the long-term consequences of these "populist" campaigns against Palestinian cinema carry intellectual costs. Many Palestinian talents, whether in the diaspora or inside Palestine, may retreat or abandon creative attempts to further the interests of their communities, given the chilling treatment met by their fellow directors. Despite the opposition's reasoning, profound ideological legacies of Palestinian politics still direct and guide some activists' campaigns that continue the old tactics and direct cultural politics to agree with their rejectionist political positions.
 
Films

Examining the Past to Understand Present Controversy Over ‘The Image’ in Islamic Jurisprudence and Art

By Sausan Hasan

The Lebanese scholar and poet Charbel Dagher has written over 70 books, ranging from collections of poetry, novels, and translations to literary criticism and original research. Indeed, we can clearly recognize his various and rich creative achievements. What distinguishes Dagher’s academic works is his devotion to the quality of his writing – his rigorous documentation, sound methodology, and commitment to objective analysis are a testament to the earnestness and patience with which he approaches his craft. At the same time, Dagher’s writing maintains a vivacity often missing in academic research, which can often be dry and even burdensome to the reader. Dagher’s style flows with ease, and he delivers his arguments in a logical progression of documentation. One could even argue that in his fictional works, which he has taken care to separate from his poetry – he is, after all, a poet who has built his own experimental style and language – documentation is ever-present.

Books

The ‘Grand Compromise’ Between Lebanon’s ‘Strong Presidency’ and Iran’s 'Rejectionists' Hastens the Demise of Lebanon’s Economy

By 
Elie Chalala

In early July, we wrote about two suicides in Lebanon while holding off on a third until we fact-checked it. Subsequently, the Beirut-based Al Modon newspaper wrote about a total of four suicides, including the two reported here. The article’s author deliberately stressed the reasons behind the suicides were not personal, but rather related to deteriorating economic conditions and the loss of dignity.

ESSAYS IN FORTHCOMING AL JADID, VOL. 24, NO. 78, 2020

How Lebanon’s ‘State within a State’ Escalated Financial Disaster: Two Beirut Landmarks – AUB, and Le Bristol Hotel – the Latest Collateral Damage
By 
Elie Chalala

It is painful to witness, even from afar, what recently befell Lebanon. This agony springs from the memories of my formative years during Lebanon’s post-independence era, when resentment of its ruling elites consolidated my belief in the necessity of change. I left the country without the reform wish fulfilled, and later watched the flames of civil war consume hopes of change – even when guns fell silent after the country’s second constitution in 1989. While the Lebanese started to come together to embark on reconstruction of the country, corruption, sectarianism, and the plundering of state’s resources soon took over.

ESSAYS IN FORTHCOMING AL JADID, VOL. 24, NO. 78, 2020

Farah Al-Qasimi: Between Two Worlds: Arab Americans in Detroit
By 
Al Jadid Staff

The works of photographer Farah Al-Qasimi touch on the intricacies of life as an Arab American in Detroit, with each frame capturing both Arab and Western aesthetics. Of the 22 countries belonging to the “Arab World,” as defined by membership in the League of Arab States, seven – Lebanon, Palestine, Syria, Iraq, Egypt, Jordan, and Yemen – are prominently represented by immigrants in Metro Detroit. The Arab American community is also diverse in its religious representation, with Islam and Christianity in their Middle East iterations represented by a variety of sects and denominations including Chaldean, Coptic, Druze, Greek Orthodox, Maronite, Melkite, Shi’a, Sunni, and Syrian Orthodox.

Play Reveals Wounds of Palestinian Occupation

By 
Bobby Gulshan

An event hosted by the Voices from the Holy Land Film Series will focus its next Online Discussion Salon on director Pamela Nice’s "It’s What We Do: A Play About the Occupation" on June 14, 2020 at 2 pm EST. The event will feature guest speaker Yonatan Shapira, a former IDF helicopter pilot, who has been involved in speaking out against the abuses of the IDF since his service. Please register for the one-hour discussion, which will be in a Zoom format, at this link. Organizers are asking all registrants to view a 55-minute video beforehand. You can access it at www.iwwdplay.org.

Earlier this year, the Israeli Knesset passed a law barring “Breaking the Silence” from presenting in schools, universities, or any other non-profit institutions. The initiative to enforce a ban on the group came from Education Minister Naftali Bennett, who accused “Breaking the Silence” of denigrating the reputation of the Israeli Defense Force in the eyes of Israeli youth.

 

Amin Maalouf, Praised by Lebanese Patriots as Born for ‘Greatness,’ Criticized by Hashem Salih for Dubious Claims in His ‘The Wreck of Civilizations’

By 
Elie Chalala

Amin Maalouf recently received the National Order of Merit from the French government, earning the second-highest status in the title of Grand Officer. The author's other decorations include the Prix Goncourt in 1993 and his induction into the Academie Francaise in 2011, filling the seat of Claude Lévi-Strauss. His books have been translated into 50 languages. The Lebanese-French author is well-known for the historical themes in his writing. "Leo the African" (1987), for example, is a vivid re-imagining of the life of geographer and scholar Hasan Al-Wazzan. "Ports of Call" (1991) is a love story between a Muslim man and a Jewish woman. One of Maalouf's most well-known novels, "The Rock of Tanios" (1993), which won him the 1993 Prix Goncourt, recounts the conflict between the Ottoman Empire, Egypt, and England during the assassination of the Maronite patriarch. Maalouf came from a literary family, about whom he wrote in his biography, "Origins" (2004), which documented Lebanon's shifting loyalties and affiliations throughout the world. His most recent work, "The Wreck of Civilizations" (Le Naufrage des Civilisations, Grassat 2019), takes up Samuel Huntington's "Clash of Civilizations" thesis but shifts the focus from a clash between civilizations to a crisis that affects all aspects of human civilization. As Huntington's thesis suggests, in the age of globalization and technological development, Maalouf claims we cannot separate peoples and civilizations from each other. The COVID-19 pandemic seems to add credence to the author's claim.

 
Amin Maalouf recently received the National Order of Merit from the French government, earning the second-highest status in the title of Grand Officer. The author's other decorations include the Prix Goncourt in 1993 and his induction into the Academie Francaise in 2011, filling the seat of Claude Lévi-Strauss. His books have been translated into 50 languages. The Lebanese-French author is well-known for the historical themes in his writing.

BOOK REVIEWS IN FORTHCOMING AL JADID, VOL. 24, NO. 78, 2020

New Film History Volume Documents, Preserves Legacy of Palestinian Cinema, From Nakba to the Present
By 
Al Jadid Staff

Nadia Yaqub’s recent book “Palestinian Cinema in the Days of Revolution” (University of Texas Press) offers a valuable survey of Palestinian cinema, from its pre-history in the early photographs and films made by international relief organizations, up to its birth out of the Palestinian Liberation Organization’s struggle against the Israeli State. Yaqub details the narrative of victimhood that dominated early visual documentation of Palestine, as presented by organizations like the American Friends Service Committee and the United Nations Relief and Works Agency. Such films depicted Palestinians as “seen but not heard, and their statelessness and victimhood are presented as timeless, ahistorical facts, rather than the results of a process of violent dispossession culminating in the Nakba in 1948.”

BOOK REVIEWS IN FORTHCOMING AL JADID, VOL. 24, NO. 78, 2020

The Scanning of Signs: ‘Love, Sex and Desire in Modern Egypt: Navigating the Margins of Respectability’
By 
Al Jadid Staff


Challenging ethnographic theorists like Claude Lévi-Strauss, L.L. Wynn’s “Love, Sex, and Desire in Modern Egypt: Navigating the Margins of Respectability” (University of Texas Press, 2018) considers aspects of love and desire often overlooked by theorists when describing kinship structures. Wynn focuses on 21st century Cairenes in her book, with research collected from 2000-2015 on middle- to upper-class men and women, predominantly heterosexual, and conversations overheard in Arabic.

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