Rest in Peace Mai Skaf: Death of Exiled Artist Mirrors Syria’s Dying Revolution

By Elie Chalala

As an editor of an arts and cultural magazine, I could not help but closely follow the views and activities of two Syrian activist artists, actress Mai Skaf and poet Fadwa Suleiman, since the onset of the Syrian revolution. Both passing away while living in exile in France, Suleiman lost her battle with cancer on August 17, 2017 at the age of 47 years, and Skaf passed away by an acute brain hemorrhage on July 23 of this year at the age of 49 years.

Essays and Features

The Western Connection: How the Romanticism of Gibran & Rihani Hooked Up With Naimy’s Critical Realism to Engender a New Arab Literature

By Michael Najjar


Gibran, Rihani and Naimy: East-West Interactions in Early Twentieth-Century Arab Literature
By Aida Imangulieva, translated by Robin Thomson
Anqa Publishing, 2009

Aida Imangulieva’s book “Gibran, Rihani & Naimy: East-West Interactions in Early Twentieth-Century Arab Literature” is a translation of the Russian version, which was published shortly before her death in 1992. It focuses on three of the most prominent members of what Imangulieva calls “the Syrio-American School,” named after the then-Syrian immigrant writers who left their homeland (now Lebanon).

Books

The Silence

By Riyadh Al-Saleh Al-Hussein

In the evening, the men came tired from the pasture;
in the evening, the women came tired from the fields.
The men’s hearts hovered on the verge of failing,
and the women’s eyes on the verge of tears. 
In the evening, they came and danced till the morning. 
The wound became a song,
and fatigue a flute. 
But a certain man remained seated in the corner, 
the rifle between his hands like a snake,
and life in his eyes a time of clay.
The man, who just looks silently,
doesn’t seem to be watching television, 
or dreaming,
or sleeping. 
The wretch…
What is he thinking of?
Poetry

Echoes

By Farag Bayrakdar

For Samira al-Khalil
 
Her voice descends lightly
Down the steps of the dungeon, and she still lies in pain
In the interrogation room.
And I descend lightly,
That blanket carried by two
Who go astray.
Am I in it, or is she?
What lies in my body revives her weary voice;
What lies in her voice revives my weary body.
What revives fire?
She was not a condition or a description,
But I call her by many names.
The echo has their wings fluttering around me:
Samira....ra….Samira…ra, Samiraaa
A name does not confine its bearer even if desired
But the place…
Confined in the torture rooms of Palestine Division,
So did it confine her.
Or those women or men, together
The plain of Duma, free, with eyelids defeated,
Her voice comes.
I see several doves
As if once upon a time.
I see several clouds.
Her voice comes,
As if, oh time, Syria, a dream and a people, will live.
Oh time, she will live.
Poetry

Jalal Khoury (1933-2017): Brechtian Realist Forged by 1967 War, and the Birth of Modern Lebanese Theater

By Elie Chalala

While the Lebanese theater traces back to the 1800s, specifically to 1848 and to Maroun Nakash, it has evolved in stages. Jalal Khoury helped to pioneer the realist, or modernist, movement from the mid-1960s until his death last December at the age of 84. 

Essays and Features

The Uncompromising Voice of Syrian Screenwriter Fouad Hamira

By 
Rebecca Joubin

A Study in Courage: Screenwriter and Activist Fouad Hamira

Cinematic activist, Fouad Hamira, who began his career working for the National Theater, has become one of the leading voices for justice in Syrian television. Despite all attempts to silence him, this man of courage and conviction remains as vocal as ever. Since the current uprising in Syria, he has denounced injustices such as the government’s attempts to reframe the battle for Syrian freedom as a sectarian uprising. 

Fouad Hamira, who began as an employee in the National Theater, has gone on to become one of the leading voices in Syrian television drama. He is renowned for his unwillingness to compromise with the forces of societal and political oppression. His controversial “Ghazlan fi Ghabat al-Dhi‘ab” (Gazelles in a Forest of Wolves), which was filled with a poignant critique of corruption and the abusive nature of power, was finally allowed to air  in 2006, although he had written the miniseries 15 years earlier.

Wives in Tension

By 
Rebecca Joubin

In this exemplary documentary film, women (both veiled and unveiled, religious and secular) discuss the presence of Islam and secularism in contemporary Turkish ...

Women of Turkey: Between Islam and Secularism
A film by Olga Nakkas
Turkey/Lebanon
WMM, 2006

Pages