Syrian Poet Rasha Omran Examines the Dilemma Facing Displaced Syrians
By Elie Chalala
“Will the Syrians return?” remains a loaded question as Syria takes its first steps on the long road to recovery after half a century under tyranny. Syrian author and poet Rasha Omran poses that very question in the title of her article, “Will the Syrians Return?” published in Arabic in Diffah 3. Her story resonates with many Syrians who left the country, but rather than focus on why many chose to leave, Omran touches on the delicate issues faced by those considering returning from displacement once conditions allow.
As the Assad Regime’s Collapse Looms, Riham Essa Reflects on the Complex Emotions Among Syrians
By Elie Chalala
In a blog essay published in Al Modon newspaper, Syrian short story writer and author Riham Essa touches the surface of the complex emotions she, and perhaps other Syrians, have felt in the wake of the Assad regime’s fallout as the country contemplates its new beginning. Syria, she writes, “has never been a homeland, especially after 2011."
“The least we can do at this critical historical moment is to respect the suffering of the Syrians (and the suffering of everyone who was tortured by the Syrian Baath regime, regardless of their nationality) and to remain silent for a while. To come to grips with all this suffering, pain, loss of reason, and torture, we perhaps need a long time,” writes Basma Al-Khatib, a Lebanese writer and novelist.
The sudden arrest of award-winning Algerian-French author Boualem Sansal and the ensuing silence regarding his release have produced a global outcry, bringing literary, cultural, and political circles to the writer’s defense. Sansal becomes the second author to agitate Algeria’s political and literary scene in recent months, next to fellow Algerian-French writer Kamel Daoud, whose recent legal tangle over his Prix Goncourt-winning novel “Houris” remains ongoing. Both cases raise apprehensions among critics and writers over Algeria’s course toward further restrictions on freedoms, especially concerning criticisms of the country’s history amid current talks about Morocco’s autonomy proposal for Western Sahara.
The Lebanese at home and abroad have been glued to their television and social media screens since September 23, awaiting news of the military operations that went beyond the bordering southern villages and reached areas as far as the deep south, the Bekaa Valley, and the southern suburbs of Beirut. Mount Lebanon, Central Beirut, and even the north of the country were not spared from Israeli raids.
Lebanon stands on the precipice of change with its election of a president independent of the corrupt old elite and the nomination of a reformist prime minister-designate. These tides of change usher in a new wave of enthusiasm and even optimistic euphoria among some, as expressed by many intellectuals, both Lebanese and Arab. The Algerian novelist Amin Zaoui stands out among some of these optimistic intellectuals, recalling Beirut’s ‘golden years’ of the 1950s, 1960s, and part of the 1970s.
Lebanon has recently elected a president, and the immediate response might be, “So what?” On top of this, the parliament also chose its prime minister-designate. The difference between the level of news from Syria last month and Lebanon this month sounds almost incomparable. At least regarding Syria, the fact that Bashar al-Assad is no longer the country's leader while the incumbent has not yet been elected still maintains an element of surprise for the future.
Yara Nahle, a Lebanese writer, begins her blog with the image of the ‘angel of history,’ described by the German philosopher Walter Benjamin (1892-1940) as a figure who “sees only one catastrophe, a pile of rubble before his feet." For Benjamin, history is not a continuous progression toward the future but a pile of ruins accumulated by wars, conflicts, and disasters.
"Ruins" has more meaning for Benjamin than its literal definition, which combines rubb
“Voices That Speak Over the Rubble: Intellectuals Reflect on Lebanon’s War From Above, Below, and Within,” a unique feature to be published in Al Jadid’s forthcoming annual edition (Vol. 28, No. 85, 2014), compiles the compelling, powerful, and heart-wrenching accounts of those directly experiencing the ruination caused by Israel’s war against Lebanon. Among the several stories are two articles by the artist and engineer Mohamed Charaf.
For countries sharing as complicated a relationship as France and Algeria, some might expect the recent awarding of France’s most prestigious literary prize, the Prix Goncourt, to an Algerian writer to be cause for celebration. Algerian-born writer Kamel Daoud emerged the winner of this year’s Goncourt with his third novel “Houris” (“Virgin” in English), securing six out of 10 votes from Académie members during the deliberation process.
Ongoing talks of the nostalgic past and less depressing times bring to mind Beirut’s own miniature ‘Andalusia,’ its famous Al Hamra Street, which — like the majestic Andalusia of eld — has become an unachievable, distant relic of a flourishing time.
Long History of Pluralism, Decentralization, Pragmatism Underpins ‘Arab Culture’ Debate
By
Elie Chalala
Rarely do we read a cultural or even general-interest publication without encountering discussions questioning whether an Arab culture exists, and if it exists, whether it is in decline. I found no exception when recently perusing Al Jazeera’s online cultural section. We do not need to look far into the article, as its title speaks for itself: “Is There an Arab Culture?” The article is by Dr.