Art has played an influential role in making sense of the loss felt after the August 4 explosion. Tom Young’s “Strong Angels” and other paintings show a human dimension of the tragedy and its civilian heroes, who “join forces to lift the city’s grief,” writes Darine Houmani of Diffah Three (The New Arab). “Despite all its devastation, the August 4 explosion brought greater impetus to preserve our heritage and brought about a database of our historical buildings that hadn’t been done before,” states Mona Hallak, an architect, heritage activist, and director of the American University of Beirut’s Neighborhood Initiative, as cited in The New Arab. Several weighed in on the rebuilding efforts, including Lebanese architect Jad Tabet, who proposed “rehabilitation” rather than “reconstruction,” focusing on preserving the city’s existing social fabric and inhabitants alongside the architecture (for further reading on Jad Tabet and architectural heritage, see Al Jadid, Vol. 4, No, 25, Fall 1998; Vol. 5, No. 26, Winter 1999; and Vol. 24, No. 79, 2020). As art historian and gallery owner Andrée Sfeir-Semler says, “You need to nourish people with art and culture because that is what feeds their souls.”
French, Historical Memory, and Algeria's Linguistic Future
By Naomi Pham
In Algeria, the debate over whether French should be replaced by English has become increasingly entangled with broader geopolitical and ideological tensions, often overshadowing the country’s actual linguistic and educational needs. In his discussion of Algeria’s “language question,” Algerian novelist and author Waciny Laredj rejects both the demonization of French and the uncritical glorification of English, arguing instead for a pragmatic, historically informed, and educationally sound approach to multilingualism.* French remains deeply embedded in Algerian society, from everyday communication to education and professional life, making its complete removal an enormous and potentially disruptive undertaking. At the same time, Laredj challenges narratives that portray French solely as a colonial legacy, pointing to moments in which the language played an important role in intellectual, political, and liberation movements. The question facing Algeria is not simply whether French should be replaced by English, but whether such a transition is practical, historically conscious, and genuinely beneficial to the country and future generations.
Catastrophe and the Failure of Reason in Modern Arab Societies
By Naomi Pham
Across the Middle East and North Africa, superstition has long coexisted with religion, folklore, and everyday life. Beliefs surrounding the evil eye, divine curses, unseen forces, and supernatural causes for misfortune continue to shape how many people interpret disasters and hardship. While these traditions have deep historical roots, Algerian novelist and thinker Amin Zaoui argues in his essay, “When Natural Disasters Become a Breeding Ground for Superstition,” published in Independent Arabia, that their continued prominence carries consequences extending far beyond personal belief -- that is, superstition is not merely a harmless cultural practice but a force that can discourage critical thinking, perpetuate social injustice, and provide political authorities with a convenient escape from accountability.
Lebanese people often say that just as Egypt is the gift of the Nile, Lebanon is the gift of the Litani. Rivers create the ideal conditions for the rise of great civilizations, a connection acknowledged since ancient times through the worship and reverence of rivers in Greece, Egypt, Mesopotamia, and across the wider world. From the creation of myths and the birth of numerous fertility deities to celebrations, festivals, and offering ceremonies, rivers have been central to the lives of the communities surrounding them. “As the presence of water is inextricably linked to the presence of life — and its absence to death — it is hardly surprising that rivers, waterways, and their basins have frequently ignited wars and bloody conflicts among humanity,” states Shawqi Bzeih in “The Litani River: Guardian of Memory and Legend, Ignored by Poets,” published in Asharq al-Awsat.
Public Art and the Preservation of Arab American History in New York
By Naomi Pham
Just in time for the closing of Arab American Heritage Month, French-Moroccan artist Sara Ouhaddou in collaboration with NYC Parks, the Washington Street Historical Society, the New York City Department of Cultural Affairs, and funding by the Mellon Foundation, unveiled a vibrant art installation on April 30 that not only celebrates the history of its surrounding area, but stands imbued with the hopes of preserving the community’s legacy for years to come. With its permanent home at the Elizabeth H. Berger Plaza in the Financial District, Ouhaddou’s sculpture and mosaic installation, nearly a decade in the making, honors the memory of Manhattan’s Little Syria, which was completely demolished and its residents evicted in the 1940s to make way for the construction of the Brooklyn-Battery Tunnel. The unveiling was also organized in conjunction with a symposium at NYU’s Kevorkian Center, titled “Beyond Al-Qalam: Literary Rebellion and Visual Abstraction in Little Syria,” held on May 2, 2026, exploring the legacy of New York’s early Arab American writers.
How Arabia's Tribes Created a Common Language Without a Common State
By Naomi Pham
Arabic in the pre-Islamic era — or Jahiliyyah, the ‘age of ignorance’ — was a diverse continuum of spoken dialects and poetic language rather than a single unified language. The period encompasses the history of the Arabian Peninsula and surrounding regions prior to the spread of Islam in 610 CE, a time characterized by nomadic Bedouin tribes and a rich oral poetry tradition. Mustafa Attia Juma’s essay, “The Reality of Arabic in the Pre-Islamic Era,” explores the deep history of the Arabic language and the conditions that determined its purity.
Long History of Pluralism, Decentralization, Pragmatism Underpins ‘Arab Culture’ Debate
By
Elie Chalala
Rarely do we read a cultural or even general-interest publication without encountering discussions questioning whether an Arab culture exists, and if it exists, whether it is in decline. I found no exception when recently perusing Al Jazeera’s online cultural section. We do not need to look far into the article, as its title speaks for itself: “Is There an Arab Culture?” The article is by Dr.
Discussing and analyzing the catastrophic disaster that hit Lebanon is difficult. I am connected to the subject on two levels: intellectually and emotionally. Hamas' "Operation Al-Aqsa Flood" and Hezbollah's "Operation of Solidarity" have been viewed as irresponsible, and their military consequences questionable, with the conflict leaving unprecedented emotional scars on many Lebanese.
Imprisoned Palestinian Author Basim Khandaqji’s Win Reignites Old Questions About Booker Prize Standards
By
Naomi Pham
It would be remiss to overlook the significance that this year’s chosen winner for the International Prize for Arabic Fiction (Booker), one of the Arab world’s most prestigious literary awards, was written by an imprisoned Palestinian writer. When the prize committee announced the victory of Basim Khandaqji’s “A Mask, the Color of the Sky” (Dar al-Adab, 2023) in April, six months after Israel’s attacks on Gaza began, media outlets were quick to recognize Khandaqji’s daunting feat of publishing from jail.
Algeria has much to celebrate with the end of the 2024 Olympic Games in Paris, taking the podium in gymnastics, boxing, and athletics. Yet while the country celebrates the victories, its athletes share the spotlight with headlines focusing on the country’s history with France.
A familiar debate has critics and writers up in arms in the Arab world once again: What place does ‘taboo’ have in art? Ethics, morality, and the sensibilities of the contemporary age are yet more factors that play into creative production these days.
When Lebanon is in crisis, and even when it is not, laypeople and some experts rush to use popularized and romanticized explanations suggesting that the country is experiencing something unprecedented. They reminisce and claim Lebanon had a much better time in the “good old days.” If the crises are financial and economic, they proclaim that Lebanon enjoyed economic growth, stability, high employment, and increased incomes in the pre-crisis days.
The Information Revolution and the spread of the internet and social media have had severe repercussions for cultural services as we know them. The loss of numerous publications remains one symptom of the many changes sweeping across the Arab world, which recently witnessed the closure of another publication, the Qatari cultural magazine Doha.