The Modern Arab Intellectual Forsakes Ideological Integrity, Following the Footsteps of Previous Enemies Who Accuse Him of Takfir and Treason
By Elie Chalala
Were I to sum up Amin Zaoui’s position on the Arab leftist intellectuals, who nowadays are considered part of the mumanah alliance — that is, Arab intellectuals who support the positions of Iran, Hezbollah, Syria, Iraq, and Yemen — a word of caution about the terminology used must be clarified: a distinction exists between today’s leftists and those of the 1960s, 1970s, and even part of the 1980s. Today’s leftists tend to be vulgar and lack the theoretical sophistication of their previous iterations. These critiques by Amin Zaoui, an Algerian novelist and essayist whose commentaries appear weekly in Independent Arabia, analyze the two mumanah generations, particularly emphasizing the contemporary generation of leftists who grew up in the new millennium and its current trends.
Algeria has much to celebrate with the end of the 2024 Olympic Games in Paris, taking the podium in gymnastics, boxing, and athletics. Yet while the country celebrates the victories, its athletes share the spotlight with headlines focusing on the country’s history with France.
A familiar debate has critics and writers up in arms in the Arab world once again: What place does ‘taboo’ have in art? Ethics, morality, and the sensibilities of the contemporary age are yet more factors that play into creative production these days.
Lebanon has been no stranger to war and its memory, steeped in countless wars internally and externally throughout the past century. Since the beginning of the war in Gaza and southern Lebanon in October 2023, tensions have teetered a fragile line, a constant wave of insurmountable anxiety and fear — of the war’s escalation, dwindling comforts of security, and the country’s uncertain future. Despite efforts to keep panic at bay, the state of anxiety has skyrocketed amid foreign embassies’ calls for their citizens to leave Lebanon for security reasons.
When Lebanon is in crisis, and even when it is not, laypeople and some experts rush to use popularized and romanticized explanations suggesting that the country is experiencing something unprecedented. They reminisce and claim Lebanon had a much better time in the “good old days.” If the crises are financial and economic, they proclaim that Lebanon enjoyed economic growth, stability, high employment, and increased incomes in the pre-crisis days.
Syrian novelist Khaled Khalifa’s sudden death last year in his Damascus home shocked the Arab literary world. The novelist, screenwriter, and poet has enraptured critics through his works, especially with his 2006 novel “In Praise of Hatred,” which was banned by the Syrian government. Khalifa’s passing at 59 leaves friends and acquaintances mourning the many words the writer left unsaid. At the same time, it becomes ever more prudent to heed his words, especially regarding the Arab literary prizes.
The Information Revolution and the spread of the internet and social media have had severe repercussions for cultural services as we know them. The loss of numerous publications remains one symptom of the many changes sweeping across the Arab world, which recently witnessed the closure of another publication, the Qatari cultural magazine Doha.
Moroccan literary scholar and writer Abdelfattah Kilito’s efforts in spreading recognition for Arabic literature have been honored again in the form of the Grand Prix de la Francophonie, one of two prestigious prizes awarded annually by the French Academy. The award, which marks Kilito’s second prize from the French Academy since he received the French Academy Award in 1996, celebrates the author for his contributions to developing the French language worldwide. A renowned Arabic literary critic, Kilito has authored several books in Arabic and French, devoting himself to safeguarding ancient Arabic literature. His book “Thou Shalt Not Speak My Language” (2002) remains a valuable resource for scholars on the Arabic literary tradition, establishing him as one of the greatest Arab and Francophone writers.
After his passing in 2022, poets, intellectuals, and journalists offered their eulogies of the Lebanese poet Hassan Abdallah (1943-2022), who captivated readers with his words. Among those honoring him were Shawqi Bzay, Abbas Beydoun, Jawdat Fakhreddine, Talal Salman, and others. Without exception, Abdallah’s colleagues and friends remember him as a humble man, one who preferred to remain in the shadows and shun the limelight, festivals, and fiery speeches.
“Theatrical” perhaps best describes the current state of Lebanon’s performing arts scene, which seems to be embroiled in its own drama in recent days. Early this year, we bade farewell to the director and actor duo Antoine and Latifa Multaqa, pioneers of Lebanese theater’s 1960s avant-garde era and, for a moment, relished in nostalgia for Beirut’s culturally vibrant bygone days. Unfortunately, such rose-tinted memories have little room under the stifling atmosphere overtaking much of Lebanon’s arts and culture.