Essays and Features

Restoring Lebanon’s Former Glory from the Clutches of ‘Dante’s Hell’: The Key to the Future Lies in the Present, Not Past

By 
Elie Chalala
 
Lebanon stands on the precipice of change with its election of a president independent of the corrupt old elite and the nomination of a reformist prime minister-designate. These tides of change usher in a new wave of enthusiasm and even optimistic euphoria among some, as expressed by many intellectuals, both Lebanese and Arab. The Algerian novelist Amin Zaoui stands out among some of these optimistic intellectuals, recalling Beirut’s ‘golden years’ of the 1950s, 1960s, and part of the 1970s.

Reality Check: A Newly Elected Administration Navigates Lebanon's Oligarchy to Address Reforms and Reconstruction

By 
Elie Chalala
 
Lebanon has recently elected a president, and the immediate response might be, “So what?” On top of this, the parliament also chose its prime minister-designate. The difference between the level of news from Syria last month and Lebanon this month sounds almost incomparable. At least regarding Syria, the fact that Bashar al-Assad is no longer the country's leader while the incumbent has not yet been elected still maintains an element of surprise for the future.

Reflecting on Yara Nahle's 'In the Presence of Rubble'

By 
Elie Chalala
 
Yara Nahle, a Lebanese writer, begins her blog with the image of the ‘angel of history,’ described by the German philosopher Walter Benjamin (1892-1940) as a figure who “sees only one catastrophe, a pile of rubble before his feet." For Benjamin, history is not a continuous progression toward the future but a pile of ruins accumulated by wars, conflicts, and disasters.
 
"Ruins" has more meaning for Benjamin than its literal definition, which combines rubb

Assad's New Front: When Words Become Weapons

Elie Chalala
 
In addition to being a prominent Syrian leftist with a significant presence in the revolution, Michel Kilo is also a great short story teller. His anecdotes are found not in novels, but in newspaper columns, which Kilo calls "Stories from the World of Ghosts." These stories are multi-dimensional: funny, ironic, tragic, real, and autobiographical. Ahmad, a character from "Stories from the World of the Ghosts," published in a column in Asharq Alawsat, has a gripping story. The story, I recall, featured Kilo himself in the same Al Maza prison as Ahmad. Even though it is painful to hear how unjustly Ahmad was treated, the circumstances that landed Ahmad in prison offer some comic relief.

A Baalbek-Native Artist Reflects on the ‘Air Monsters’ Threatening His Hometown

By 
Al Jadid Staff
 
“Voices That Speak Over the Rubble: Intellectuals Reflect on Lebanon’s War From Above, Below, and Within,” a unique feature to be published in Al Jadid’s forthcoming annual edition (Vol. 28, No. 85, 2014), compiles the compelling, powerful, and heart-wrenching accounts of those directly experiencing the ruination caused by Israel’s war against Lebanon. Among the several stories are two articles by the artist and engineer Mohamed Charaf.

Kamel Daoud’s Goncourt-Winning ‘Houris’ Breaks the Silence on Algeria’s Black Decade

By 
Elie Chalala
 
For countries sharing as complicated a relationship as France and Algeria, some might expect the recent awarding of France’s most prestigious literary prize, the Prix Goncourt, to an Algerian writer to be cause for celebration. Algerian-born writer Kamel Daoud emerged the winner of this year’s Goncourt with his third novel “Houris” (“Virgin” in English), securing six out of 10 votes from Académie members during the deliberation process.

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