Essays and Features

Sawsan al-Abtah’s recent article in Asharq al-Awsat exposed the lackluster presence of Arabic on the internet today. This topic is hardly a new one: since the early 2010s, discussions on the broader use of Arabic online and how to streamline Arabic use of the web brought concerns about the language’s underrepresentation in the digital world. Then the outbreak of the Arab Spring led to a larger Arab userbase, with increased citizen journalism, organized activism, and the availability of platforms allowing more freedom of speech and expression. With an abundance of Arabic-speaking users, one would expect Arabic content to develop naturally. On the contrary — al-Abtah points out that Arabic content has been and continues to be overshadowed by content in other languages. Today, we have become more conscious of its shortcomings amid a global pandemic that has pushed large portions of work, education, and social life online, with very few Arabic language resources available.

Lamia Abbas Amara rose to prominence among a group of poets who ushered in the free verse movement in Arabic poetry. She was not only a major cultural figure and freethinker, but also a pillar of contemporary poetry in Iraq alongside great poets like Badr Shakir al-Sayyab and Nazik al-Malaika. After years in exile, the poet died at 92 in a California hospital due to illness. In the words of Farouk Youssef of al-Arab newspaper, Lamia is best known for her “poetic tenderness, female seduction, and strong presence on stage,” becoming an important icon of Iraqi poetry.

Iraqi poet Youssef al-Sayigh is one of the many poets who lived and died as a stranger, regardless of his important contributions, which were mostly neglected until after his death in Damascus on December 12, 2005. Al-Sayigh led a life riddled with contradiction, abandoned by his peers, friends, and his government, effectively forced out of the public cultural scene. A poet, novelist, playwright, essayist and painter, he lived a life filled with political and personal tragedy. He was a contemporary of Saadi Yusuf, Abdul Razzaq Abdul Wahed, Musa al-Naqdi and others. This generation followed Badr Shakir al-Sayyab, Nazik al-Malaika and Abdul-Wahhab al-Bayati, the founders of the free verse movement of modern Iraqi poetry. Although al-Sayigh’s biography was published post-humously in Egypt in 2005 by his friend Atheer Muhammad Shehab through Dar al Shorouk, much of the poet’s impact during his life was neglected by Iraqi cultural associations because of his affiliation with the Baath party.