Essays and Features

While political, social, and economic influences on national, ethnic, and religious groups generally dominate the focus in researchers’ studies of revolution or war, the sway of the arts remains largely overlooked. According to Salam Kawakibi in his “Baathist ‘Culture Shock’: Pre-2011 Syrian Regime Policy in Culture and the Arts,” (scheduled to appear in the forthcoming issue of Al Jadid magazine, Vol. 21, No. 72, 2017), this oversight continues to occur despite the importance of the arts in creating a “collective identity and harmony.” Kawakibi’s essay, which offers an in-depth introduction to Ettijahat’s recently published “Cultural Activities in Syria During the Dark Assadist Years,” states that the arts not only play significant roles in the settlement of civil disputes, effectively “renew [ing]…the social fabric of war-torn countries,” but also build a favorable climate for creativity and expression, a task the state often fails to promote.

With the passing of Patrick Seale (1930-2015), it might become difficult to read more “authoritative” personal-political biographies of members of the Assad family. Assad the son demonstrated little trust in the past decade, even for the British scholar in whom Assad the father frequently confided. Will anyone else step onto the stage of political biographies about Syria’s elites in order to offer us a stronger grip over the character of Bashar al-Assad? Not certain, at least as of now. 

For almost two years the Lebanese journalistic community has been engaged in continuous debate about the future of their print media. This occurs at a time already impacted by the previous closings of many literary supplements, as well as political and cultural magazines, a time when many of the surviving newspapers must layoff of journalists, severely reduce their daily pages, or finally close their doors, as in the case of the recent shuttering of a 43-year old daily. To a large extent, most of the Lebanese print media problems remain global, but nevertheless, indigenous or “homegrown” causes do exist.

I belong to the 1950s generation, having been brought up socialized by Nasserite, Baathist, Communist and secular cultures. The meaning of nation for me gradually changed through time, although I have felt privately inclined to the term my good folk used, which wasn’t politically and ideologically loaded.