Politicians recognized the position Amin Maalouf occupies in France and the francophone world well before the Academy; these politicians include the Presidents Jacques Chirac and Nicolas Sarkozy who made the author of “Leo Africanus” (Leo the African) accompany them in their visits to Lebanon. And how embarrassing it seemed when President Chirac, in his 1996 visit to Lebanon, introduced his “friend” Maalouf to the three presidents of Lebanon: President Elias Hrawi, Prime minister Rafik Hariri, and House Speaker Nabih Berri. Can you imagine that scene? Lebanese top officials waiting for a French president to convene a meeting between them and a renowned Lebanese author. Perhaps these men found it strange for a novelist to accompany presidents in political missions?
The talk of the town—or rather the country—in Lebanon has fixated on the great influx of Syrian and Palestinian refugees. Sadly, such talk is not about their physical, social and psychological suffering, but largely about their very presence in Lebanon and what it means to a delicate demographic and sectarian balance.
Those bemoaning the death of the Arab Spring must read what Hashem Saleh has to say. Unlike the apologists for Arab dictatorships who are reading the Arab revolts from ideological and political perspectives, Saleh is analyzing the Arab Spring from a philosophical perspective, according to Karam al-Helou.
Some of the criticisms directed at major Arab media networks that support Syrian revolution are unwarranted. Critics argue that the stories of Al Jazeera and Al Arabiya are often politically motivated, influenced by the networks’ owners.
An essay, titled "No Shame in Apologizing," written by Lebanese columnist Hussam Itani, caught my attention a few months ago. I was reminded of it last Sunday, when I read another lengthy essay in the Sunday New York Times by Iraqi-American scholar and intellectual Kanan Makiya.
It is hard to imagine what happened to Fatima,* and it is hard to describe the silence that engulfed the witnesses of her death. I think the artistic works on Facebook that restored her head and depicted a rose garden or the moon or the sun have tried to compensate for that terrible silence and ease the pain of Fatima and her loved ones and all of us together.