As the Assad Regime’s Collapse Looms, Riham Essa Reflects on the Complex Emotions Among Syrians
By Elie Chalala
In a blog essay published in Al Modon newspaper, Syrian short story writer and author Riham Essa touches the surface of the complex emotions she, and perhaps other Syrians, have felt in the wake of the Assad regime’s fallout as the country contemplates its new beginning. Syria, she writes, “has never been a homeland, especially after 2011."
Lebanon has recently elected a president, and the immediate response might be, “So what?” On top of this, the parliament also chose its prime minister-designate. The difference between the level of news from Syria last month and Lebanon this month sounds almost incomparable. At least regarding Syria, the fact that Bashar al-Assad is no longer the country's leader while the incumbent has not yet been elected still maintains an element of surprise for the future.
“The least we can do at this critical historical moment is to respect the suffering of the Syrians (and the suffering of everyone who was tortured by the Syrian Baath regime, regardless of their nationality) and to remain silent for a while. To come to grips with all this suffering, pain, loss of reason, and torture, we perhaps need a long time,” writes Basma Al-Khatib, a Lebanese writer and novelist.
Yara Nahle, a Lebanese writer, begins her blog with the image of the ‘angel of history,’ described by the German philosopher Walter Benjamin (1892-1940) as a figure who “sees only one catastrophe, a pile of rubble before his feet." For Benjamin, history is not a continuous progression toward the future but a pile of ruins accumulated by wars, conflicts, and disasters.
"Ruins" has more meaning for Benjamin than its literal definition, which combines rubb
In addition to being a prominent Syrian leftist with a significant presence in the revolution, Michel Kilo is also a great short story teller. His anecdotes are found not in novels, but in newspaper columns, which Kilo calls "Stories from the World of Ghosts." These stories are multi-dimensional: funny, ironic, tragic, real, and autobiographical. Ahmad, a character from "Stories from the World of the Ghosts," published in a column in Asharq Alawsat, has a gripping story. The story, I recall, featured Kilo himself in the same Al Maza prison as Ahmad. Even though it is painful to hear how unjustly Ahmad was treated, the circumstances that landed Ahmad in prison offer some comic relief.
“Voices That Speak Over the Rubble: Intellectuals Reflect on Lebanon’s War From Above, Below, and Within,” a unique feature to be published in Al Jadid’s forthcoming annual edition (Vol. 28, No. 85, 2014), compiles the compelling, powerful, and heart-wrenching accounts of those directly experiencing the ruination caused by Israel’s war against Lebanon. Among the several stories are two articles by the artist and engineer Mohamed Charaf.
The sudden arrest of award-winning Algerian-French author Boualem Sansal and the ensuing silence regarding his release have produced a global outcry, bringing literary, cultural, and political circles to the writer’s defense. Sansal becomes the second author to agitate Algeria’s political and literary scene in recent months, next to fellow Algerian-French writer Kamel Daoud, whose recent legal tangle over his Prix Goncourt-winning novel “Houris” remains ongoing. Both cases raise apprehensions among critics and writers over Algeria’s course toward further restrictions on freedoms, especially concerning criticisms of the country’s history amid current talks about Morocco’s autonomy proposal for Western Sahara.
For countries sharing as complicated a relationship as France and Algeria, some might expect the recent awarding of France’s most prestigious literary prize, the Prix Goncourt, to an Algerian writer to be cause for celebration. Algerian-born writer Kamel Daoud emerged the winner of this year’s Goncourt with his third novel “Houris” (“Virgin” in English), securing six out of 10 votes from Académie members during the deliberation process.
The Lebanese at home and abroad have been glued to their television and social media screens since September 23, awaiting news of the military operations that went beyond the bordering southern villages and reached areas as far as the deep south, the Bekaa Valley, and the southern suburbs of Beirut. Mount Lebanon, Central Beirut, and even the north of the country were not spared from Israeli raids.
Ongoing talks of the nostalgic past and less depressing times bring to mind Beirut’s own miniature ‘Andalusia,’ its famous Al Hamra Street, which — like the majestic Andalusia of eld — has become an unachievable, distant relic of a flourishing time.