Essays and Features
Over the years, we have devoted generous space to covering dissent by Arab intellectuals, especially the Syrians. We believed that most of them who were arrested and imprisoned for long periods of time (poet Farag Bayrakdar, 14 years; Riadh al-Turk, 17 years; Yassin al-Haj Saleh, 16 years) had been seen as members of different leftist and communist parties, thus posing threats to a repressive regime.
It's okay to cry a little for Syria and her people.And it's also okay to believe freedom is near.
The tsunami of Tunisian revolution toppled Arab dictatorships. Although Husni Mubarak believed Egypt would be immune to the fate of Ben Ali’s Tunisia, he soon was overthrown. Gaddhafi, Africa’s self-proclaimed “King of Kings,” said Libya would be different, as well. There was no difference except that he became a war criminal, who didn't hesitate to blindly bomb Libyan cities with Grad rockets. In the end, he was captured in a drain. So closed the history of the crazed despot.
Prison: A Geography of Despotism without a Place in the Nation
“Your Silence is Killing Us” was the slogan put forth by the peaceful Syrian opposition on one of its many Fridays. It has become a sort of tradition to give a different name to each Friday the protestors demonstrate against the Assad regime. This title was also used in an article by Ahmad Ali al-Zein, published in Al Hayat newspaper on August 10, 2011.
Everything I read about Ghayath Mattar confers an image of a young man who was a model activist in the ongoing Syrian Revolution. Ghayath was a pacifist and advocate of non-violence, states the Madrid-based Syrian exiled author Nawal al-Sibai, according to the website Aklam Hurra (Free Pens).
I have become dreadfully weary throughout the past two years of the rhetorical practices of apologists for the crimes of Mideast dictatorships. A particularly unnerving yet predictable example of this is the conspiracy theory that has been promoted since the very beginning of the Syrian Revolution.
The images of murdered men, women, and children broadcast in snippets by Arab and world satellite stations from the battlefields of the Syrian revolution have become almost like a live “exhibition,” with images rolling in day after day uninterrupted... It is as if the charred and dismembered remains of human bodies are all identical, regardless of the region or neighborhood. The corpses, particularly those of women and children, cannot be “re-made,” “rectified,” “adjusted,” or edited. They are bodies of children killed in Aleppo, Homs, Al Rastan...the place is not important.
Two interviews with Father Paolo Dall' Oglio on Al Arabiya and MTV television led me to recall an exchange I had on a Southern California Listserv almost a year ago. The exchange was spurred by a celebratory post about the Syrian Greek Orthodox Patriarchal Assistant, Bishop Luca al-Khoury, who expelled the American Ambassador Robert Ford and his French counterpart, Eric Chevallier, from the church. I asked at the time: is this Christian behavior? Do Christians not claim that God's house is open to all?
To the young Syrian filmmaker
I do not like parallel montage--this is just how god of cinema designed me
And who can argue with the gods?
But I do not like the parallel montage...for another reason:
While I was speaking at the other end of the world
(at the Museum of Modern Art in New York)
The young filmmaker Ali al-Sheikh Khudr was thrust into
A museum of torture in Damascus.
Ali al-Sheikh Khudr disappeared a week ago,
His body and soul abused in an anonymous prison