Our Current Issue

(Un)hyphenated Complexities?

Angele Ellis
 
The son of an Iraqi Muslim father and a Palestinian mother, Alshaibi immigrated to the United States as a child in the mid-1970s. Though he did not become a U.S. citizen until 2002, he is in many ways American – a lover of punk and metal music, a director of music videos, and the husband of a white Midwesterner. In his youth, he found solidarity with a group of American experimental filmmakers, musicians, and artists, and identifies himself as an atheist, who nonetheless feels respect for the “Mother Mosque” in Iowa City and its thoughtful imam....When his mother encourages him to change his name from Usama as part of his new citizenship, Alshaibi – who can be quite humorous – says, “At least now people know how to pronounce it.” 

A Subtle Approach to Unmasking the Assad Regime

Bobby Gulshan
 
I struggled a bit to know what to say about PBS Frontline's “Inside Assad's Syria.” Searching the internet for reviews of the film, I found a rather uninteresting piece in a Hollywood business daily, as well as a blogger who felt that PBS had finally abandoned any pretext of truth in favor of outright propaganda in order to sell Assad to the American people. Clearly, they weren't paying attention to the fact that Smith registers his frustration throughout the program, wearing a purposefully tired expression while being carted along on an obvious pro-regime tour. Their inability to identify this clue made me wonder if the blogger and his approving commentators proved equally oblivious to the fact that Frontline obviously recognized the dog and pony show being provided by the regime, and could see just how easily people could fall for such tactics. 

Whatever is Left of the Levantine Spirit?

Elie Chalala
 
The Arab world lives in a state of nostalgia for bygone days, when much of the hatred and intolerance of today had not set in, and the demographic minorities of what was once called the Levant were not escaping to Europe and elsewhere. But the Levant of peaceful coexistence between religious and ethnic minorities and the Muslim majority has suffered a physical blow with the rise of the terroristic Islamic State of Iraq and Syria (ISIS)...Using the word Levant has raised much curiosity, both intellectual and political. Identifying the vicious and obscurantist ISIS movement with the region called the Levant, a place which historically has represented the polar opposite of ISIS ideology, causes dissonance. 
 

Rescuing Christianity in Syria!

Salam Kawakibi
 
While the number of Christians has decreased under the Syrian government – a government that claims to be the “the protector of minorities” – from 15% in 1970 to 4.6% in 2008, the regime still insists on exaggerating the percentage to about 10%. The church itself places it at about 7%. The state’s rationale in offering a rosy picture appears clear: it provides a convenient propaganda tool from which the regime benefits in its “public relations.” 

Europe’s New Refugee Problem Requires Explanation Beyond War!

Bobby Gulshan
 
The scenes of refugees drowning by the hundreds in the seas between Turkey and Greece as they attempt to reach Europe are harrowing . They come from all corners of the Middle East, not only from Syria, but also Lebanon and Iraq. Lebanon recently received the corpses of a family of eight who died when they illegally took a ship from Turkey heading to Europe. All this while the photo of the Syrian toddler, Aylan Kurdi, remains fresh in the minds of the world.
 

Sin, Redemption, and Visions of Female Illness in Modern Arab Literature

By 
Bobby Gulshan
 
Hamdar’s examination of the female body in illness and suffering presents a compelling contribution to the body of literary criticism of Arabic Literature. She invokes strains of critical thought — like Foucault and the idea of discourse — using them to map the development of the image of the female body in recent Arabic literature. 

Reconstructing the Disastrous History of the Lebanese Famine

Angele Ellis
 
“Safer Barlik” — the phrase for the Famine, translated as “The Exile” in a 1967 Lebanese feature film — traces its roots to the longtime practice of abducting and pressing men in Lebanon, then part of Greater Syria, into Ottoman slave labor gangs. (Safer means voyage; Barlik, Anatolia in Turkish Asia Minor.) Being pressed into these gangs proved tantamount to receiving a death sentence; even if a laborer survived his harsh work term, his masters would release him into the Anatolian wilderness with no resources to return home. Farshee’s research leads him to estimate that only three percent ever did make it back.
 

‘The Secret of Being a Woman' on Etel Adnan's Quest

Mona Takieddine Amyuni

I read Etel Adnan. I meet her sometimes in Beirut. I try all the time to discover the kind of writer she is, the woman she is, how she perceives herself and the world around her. She tells us that her books are the houses she builds for herself, that she settles nowhere, that she lives all over the world in newspapers, railway stations, cafés, airports. Feeling different early in life, she writes in “Journey:” “Memories are as fresh as cool water and a cool breeze floats over one’s fever.”

Etel Adnan’s ‘THE ARAB APOCALYPSE’

Mona Takieddine Amyuni

In a meeting with my students at the American University of Beirut on December 14, 2000, the Lebanese-American poet Etel Adnan told us that she began writing her long, prophetic poem “The Arab Apocalypse” (The Post-Apollo Press, 1989) in January 1975 in Beirut, two months before the outbreak of the Lebanese War (1975-1990).  “Then, the war took the poem over,” said Adnan, and she added: “The war wrote this poem. I started with tensions and rhythms and later wrote 59 pages corresponding to the 59 days of the Tal-el-Zaatar (a Palestinian camp in the outskirts of Beirut, destroyed by the Lebanese Forces in 1976) siege and destruction.”

Pages

Subscribe to Al Jadid RSS