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Lebanon Still Overshadowed by Oblivion As Port Blast Aftermath Enters Fourth Year

Art has played an influential role in making sense of the loss felt after the August 4 explosion. Tom Young’s “Strong Angels” and other paintings show a human dimension of the tragedy and its civilian heroes, who “join forces to lift the city’s grief,” writes Darine Houmani of Diffah Three (The New Arab). “Despite all its devastation, the August 4 explosion brought greater impetus to preserve our heritage and brought about a database of our historical buildings that hadn’t been done before,” states Mona Hallak, an architect, heritage activist, and director of the American University of Beirut’s Neighborhood Initiative, as cited in The New Arab. Several weighed in on the rebuilding efforts, including Lebanese architect Jad Tabet, who proposed “rehabilitation” rather than “reconstruction,” focusing on preserving the city’s existing social fabric and inhabitants alongside the architecture (for further reading on Jad Tabet and architectural heritage, see Al Jadid, Vol. 4, No, 25, Fall 1998; Vol. 5, No. 26, Winter 1999; and Vol. 24, No. 79, 2020). As art historian and gallery owner Andrée Sfeir-Semler says, “You need to nourish people with art and culture because that is what feeds their souls.”

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Prison Becomes a City: Separating the Unspeakable Legacy of Assad’s Sednaya and Tadmur from the Fabric of Syrian Souls and Cities

By Elie Chalala
 
Suppose we must encapsulate the essence of Abeer Dagher Esber’s message for Syrians to remember, now and in the future. In that case, it should be the words she leaves at the end of her essay in Al Modon newspaper: “Our detention centers and the shame they represent — something we hope never to endure again — are woven into the fabric of our souls and cities, the stains on our brows that generations strive to erase and forgive. Our detention centers reflect a complex relationship with a collective memory we hesitate to confront, fearing we might be accused of mere rhetoric and shedding sentimental tears in unfamiliar cities.”
Essays and Features

‘The Obedient Tears’ of Youssef Abdelki

By Elie Chalala
 
Since the downfall of the Assad regime, Syria’s preeminent painter, Youssef Abdelki, has remained active in both the artistic and political spheres. Maen al-Bayyari honors the artist’s impactful contributions, calling for his recognition from the creative community in his essay, “Youssef Abdelki’s Obedient Tears,”* published in The New Arab. Bayyari’s article is not a biographical profile of Abdelki, but rather an effort to move past the “long night” and recognize the artist’s contributions and sacrifices for Syria’s struggle for freedom, both before and after the 2011 Revolution. He states, "It is natural that no tribute will be held for him in his country during that long night; I believe it is essential to organize a significant celebration for him, as freedom has remained a central theme in many of his works, sculptures, paintings, and graphics." This recommendation genuinely deserves attention.
Essays and Features

The Legacy of Western Colonialism, Arab Authoritarianism, and Islamic Extremism Taints Image of Secularism

By Elie Chalala
 
Since the fall of the Assad regime, Syrians have been discussing the kind of future government they desire. These discussions have occurred on Facebook and at conferences inside and outside Syria. The 14-year war has intensified these debates, and the identity of the new power in Syria, Hayat Tahrir al-Sham (HTS), led by Ahmed al-Sharaa, has further influenced them. This formerly extremist Islamic group has recently moderated its positions and become more open to various political perspectives. However, the latest development has raised skepticism: the new government has adopted a temporary declaration of constitutional law as its legal foundation, asserting that Islam should be the source of legislation and the president's faith. This has intensified the heated debates surrounding the new state's stance on Islam.
Essays and Features

SHALL I RETURN?

Syrian Poet Rasha Omran Examines the Dilemma Facing Displaced Syrians
By Elie Chalala
 
“Will the Syrians return?” remains a loaded question as Syria takes its first steps on the long road to recovery after half a century under tyranny. Syrian author and poet Rasha Omran poses that very question in the title of her article, “Will the Syrians Return?” published in Arabic in Diffah 3. Her story resonates with many Syrians who left the country, but rather than focus on why many chose to leave, Omran touches on the delicate issues faced by those considering returning from displacement once conditions allow.
Essays and Features

‘About the Happiness of the Oppressed’:

As the Assad Regime’s Collapse Looms, Riham Essa Reflects on the Complex Emotions Among Syrians
By Elie Chalala
 
In a blog essay published in Al Modon newspaper, Syrian short story writer and author Riham Essa touches the surface of the complex emotions she, and perhaps other Syrians, have felt in the wake of the Assad regime’s fallout as the country contemplates its new beginning. Syria, she writes, “has never been a homeland, especially after 2011."
Essays and Features

Syrian, Palestinian and Afghan Stage Artists Cross Oceans to Land in Maxim Gorki Theater in Berlin

By 
Al Jadid Staff

Despite being so far from their homes, a group of actors and actresses come together at Germany’s Maxim Gorki Theater to present a story near and dear to their hearts. “Winterreise” (or, “Winter Journey”), performed by the “Exil Ensemble,” tells of 24-year-old Syrian actress Kenda Hmeidan’s journey with her fellow six performers as they take a bus tour through Germany during the brittle cold weeks of January. Each an exile from Syria, Palestine, or Afghanistan, these actors have left their home countries in pursuit of their art, all while struggling with the transition from departure to settlement.

Syrian Refugee Drama Troupe Seeks to Heal Traumas

By 
Al Jadid Staff
 
It is no accident that the "Love Boat" theatrical sea journey ends in Shakespeare's "King Lear," as more and more Syrians die either under assault from Assad and Russian bombs or by drowning, desperately taking to the seas in hopes of escaping genocidal policies.


It is no accident that the "Love Boat" theatrical sea journey ends in Shakespeare's "King Lear," as more and more Syrians die either under assault from Assad and Russian bombs or by drowning, desperately taking to the seas in hopes of escaping genocidal policies. 

‘The Morning They Came for Us’: Untold Stories of Syria's Most Vulnerable Victims

By 
Elie Chalala

Ms. Janine di Giovanni, one of Europe’s most respected reporters, chronicles the hardships inflicted upon adults and children alike, telling tales both gruesome and emotional in her new book, “The Morning They Came for Us” (Liveright, 2016). 

 

Ms. Janine di Giovanni, one of Europe’s most respected reporters, chronicles the hardships inflicted upon adults and children alike, telling tales both gruesome and emotional in her new book, “The Morning They Came for Us” (Liveright, 2016). From her visits to Syria in 2012, di Giovanni gathered stories, speaking with a diverse group of people including pro-Assad nuns, regime doctors, and civilian activists...“The Morning They Came for Us” provides rich content that can be difficult to find in daily news coverage alone.

Dreaming at the Crossroads of Cultures: Mirages

By 
Angele Ellis
 
Issa Makhlouf’s “Mirages” (The Post-Apollo Press, 2015), formerly translated from the Arabic into French in 2004, returns in an English edition translated by Alicia F. Lam.
 
Mirages
By Issa Makhlouf, translated into English by Alicia F. Lam
The Post-Apollo Press, 2015
 
Issa Makhlouf, an expatriate poet, possesses an anthropologist’s eye, a philosopher’s soul, a journalist’s sense of detail – and a heart rooted in the mountains and valleys of Lebanon.

Love and Loss: An Iran-Iraq Story

By 
Bobby Gulshan

For those unaccustomed to witnessing the daily, random bombardments of cities during a bloody conflict like the eight-year Iran-Iraq War, it would be hard to imagine the lives of those who actually endured those experiences.

 
For those unaccustomed to witnessing the daily, random bombardments of cities during a bloody conflict like the eight-year Iran-Iraq War, it would be hard to imagine the lives of those who actually endured those experiences. The novel “A Portal in Space” (Center for Middle Eastern Studies, University of Texas at Austin, 2015), by Mahmoud Saeed, allows readers to feel, share, and interact with the ordinary people living in war-plagued Basra, Iraq. You cannot help but feel connected to the characters as they struggle to cope with their worries, fears, and despair.

Diaspora Arab Women Writers: The Legacy of Shahrazad and Female Infanticide

By 
Nada Ramadan Elnahla
 
Rather than focus on Arab women’s repression from an observer’s viewpoint, Hanadi al-Samman’s “Anxiety of Erasure: Trauma, Authorship, and the Diaspora in Arab Women's Writings” (Syracuse University Press) instead highlights the accounts of female writers living in diaspora who have contributed productively and creatively through their writings.
 
Anxiety of Erasure: Trauma, Authorship, and the Diaspora in Arab Women’s Writings
By Hanadi al-Samman
Syracuse University Press, 2015
 
“Anxiety of Erasure” offers a dual-layered journey of discovery: first, sharing the journey undertaken by Muslim and Christian diaspora Arab women writers with their traumatic and triumphant creative experiences; second, revealing Han

‘Life without a Recipe’: The Ingredients of a Multicultural Life

By 
Lynne Rogers
 
Life can be sweet or spicy, depending on who is there to share it with you.
 
Life Without a Recipe
By Diana Abu-Jaber
W.W, Norton & Co., 2016
 
Proust may have had his madeleines, but Diana Abu-Jaber has her father’s grape leaves, her grandmother’s Catholic cookies, and her teta’s kknafeh. In “Life Without a Recipe,” all roads lead to the kitchen, a place of healing, love, boundaries and family.

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