Recent Stories

Lebanon Still Overshadowed by Oblivion As Port Blast Aftermath Enters Fourth Year
 
Art has played an influential role in making sense of the loss felt after the August 4 explosion. Tom Young’s “Strong Angels” and other paintings show a human dimension of the tragedy and its civilian heroes, who “join forces to lift the city’s grief,” writes Darine Houmani of Diffah Three (The New Arab). “Despite all its devastation, the August 4 explosion brought greater impetus to preserve our heritage and brought about a database of our historical buildings that hadn’t been done before,” states Mona Hallak, an architect, heritage activist, and director of the American University of Beirut’s Neighborhood Initiative, as cited in The New Arab. Several weighed in on the rebuilding efforts, including Lebanese architect Jad Tabet, who proposed “rehabilitation” rather than “reconstruction,” focusing on preserving the city’s existing social fabric and inhabitants alongside the architecture (for further reading on Jad Tabet and architectural heritage, see Al Jadid, Vol. 4, No, 25, Fall 1998; Vol. 5, No. 26, Winter 1999; and Vol. 24, No. 79, 2020). As art historian and gallery owner Andrée Sfeir-Semler says, “You need to nourish people with art and culture because that is what feeds their souls.”

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Our Current Issue

Aftermath of the Mar Elias Church Bombing:

Abeer Dagher Esber on the ‘Sectarianization of Blood’ in Syria’s Long Continuum of Collapse
By Naomi Pham
 
The recent attacks on the Church of Mar Elias in Al-Dweilaa on June 22, 2025 during Divine Liturgy left at least 25 dead and 63 injured. Perhaps Syrians have become accustomed to hearing such tragedy in the news, for every month a new story of blood, violence, and climbing death tolls appears, the massacres on the Syrian coast still a fresh wound on top of the losses suffered in Al-Dweilaa. Abeer Dagher Esber’s impassioned response to the attacks in her essay, “A Prophet of Fire… Consumed by Our Zero-Sum Conflicts,”* is an unflinching criticism of Syria’s problems. The attack on the Church of Mar Elias is a "wound to the spiritual memory of Syria and to the symbolism of the saint whose name the church bears," she writes, adding, "It is a bloody irony that the place named after the ‘one who raised the dead’ should be blown up by someone who worships death, sees the Other as heresy, and life as merely a path toward a delusional glory."
Essays and Features

In Sickness and Silence: Arab Writers and Artists Between Pain and Power

By Elie Chalala
 
I grew up in Hazmièh, a small town east of Beirut, Lebanon's capital, during the early 1960s. Our rented apartment was situated near a modest multi-unit residential building, known as the Wadih El Safi building, named after the celebrated Lebanese singer who owned it. At the time, Wadih El Safi (1921-2013) was renowned for his wealth and fame, a reputation that endured after I immigrated to and settled in the United States. Wadih El Safi's later life is notable for his declaration of bankruptcy just a year before his death. He attributes his financial troubles to a monopoly contract he signed with Rotana, a Saudi Arabian record label and the music division of the Rotana Media Group.
Essays and Features

A Syrian Surgeon and Novelist Returns to a 'Country Once Called Syria'

Khalil al-Neimi Exposes What Tyranny Has Done to His Homeland
By Elie Chalala
 
I feel an affinity with Khalil al-Neimi, the author and novelist. Like him, I left my country, Lebanon, in 1972, and often thought about what I left behind. I gradually lost the desire to return, and later, after making a short visit back, I gave up on the idea altogether after being away for 38 years. Neimi and I differ on why it took us a long time to return (for me, 38 years, and for him, 50 years). It has been 53 years now since I departed Lebanon.
Essays and Features

Life Suspended Between Sorrow and Loss:

Nesrine Akram Khoury on the Trauma of Displacement in ‘A Room Between Two Massacres’
By Naomi Pham
 
“We were surprised by the other, the room, and me. I took a small space from it, just enough to open my laptop and resume the life I had left behind, hungry and afraid. The room, in turn, took two years of my life.” In this poetic portrait of life caught between war, displacement, and cyclical violence, Nesrine Akram Khoury’s “A Room Between Two Massacres”* dredges up painful memories that may resonate with many despite their intensely personal nature. 
Essays and Features

Waciny Laredj Reflects on the Ambiguous Nature of Nationalism and Algerian Literature in French

By Elie Chalala
 
Language is not just a means of expression; it shapes identity and offers a broader, more complex connection to culture. In his essay “Arabic Literature in French: A Confusing Classification,”* published in Al Quds Al Arabi, Algerian novelist Waciny Laredj unravels the complex relationship between Arab writers, the French language, and identity. Language, he writes, is not merely a tool of expression — for many, it is a “home” and a determinant of cultural and intellectual vision, especially among writers who adopted French, whether by necessity or strategic choice, whose Arab identities were erased and sidelined in the literary world. 
Essays and Features

Ali al-Shawk in the Eyes of One Acquaintance

By 
Mahmoud Saeed


Ali al-Shawk’s death leaves an empty space that no one can fill. He was prolific, thoughtful, articulate, and of high manners. Personally, I thought of him as one of the most cultured intellectuals I have met inside or outside of Iraq. His cultural depth owed to the greatness and diversity of his reading, which included his fluent command of English, from which he translated several books.

‘Sexuality in the Arab World’: Book Attempts to Shed Multi-Faceted Light on Subject Long in the Shadows

By 
Al Jadid Staff
 
“Sexuality in the Arab World” has fascinated many Western scholars, though not as many Arabs, mainly for political and cultural reasons. Edited by Samir Khalaf and John Gagnon, this book first appeared in English in 2005 and then was published in Arabic by Dar al-Saqi in 2015, translated by Osama Manzalji.

Mustafa Khalifa’s ‘The Shell’ Latest Example of Literature Offering Insight of Syrian Ordeal

By 
Al Jadid Staff


A mere glance at the most notorious prisons in the world, Assad’s Tadmur moves to the forefront, ranking 2nd on a list of the 10 worst prisons. This is the prison which “hosted” Mustafa Khalifa, the author of “The Shell” for more than 13 years, and which Fawaz Azem reviews for the next issue of Al Jadid.

Prolific in Exile: An Appreciation of the Life and Work of Ali al-Shawk

By 
Al Jadid Staff
 
A prolific author and reader, Ali al-Shawk embodied scholarship, transforming himself into a veritable encyclopedia of intellectual knowledge. His humility endeared him to his friends and set a worthy example for others. He remains particularly known for being a good listener and for his non-confrontational ways, listening “to you until you finished talking before offering his own opinion,” according to Mahmoud Saeed. His writings encompassed the topics of mathematics, music, painting, literature, etymology, mythology, and science, and he wrote continuously until his death in his London home this year.

New Book Places Famed 20th Century Lebanese Beauty and Unappreciated Intellectual May Ziadeh at Center of Controversy Now as Then

Forthcoming in Al Jadid
By 
Elie Chalala

Twenty-years ago, Al Jadid published “The Victim Of Beauty: Reviving the Literary Legacy of Mai Ziadeh” by Ghada Samman. The issue we tackled then was how Ziadeh's talents and skills were overlooked because of her gender, and even worse, how highlighting her personal life at the expense of her intellect distorted her legacy. One Lebanese critic was emotionally overwhelmed by the recent book, “May: The Nights of Isis Copia” (Dar al-Adab, 2018) by Waciny Laredj, expressing her appreciation for this kind gesture by the Algerian-French novelist and academic toward a fellow “Lebanese.” However, an Egyptian critic takes issue with the new book. The same concerns which fueled early criticism of how Ziadeh was treated did not escape the notice of Sharif al-Shafei's thoughtful essay in Al Modon newspaper.  

May Menassa (1939-2019): Journalist, Novelist Wrote in the Black Ink of War and Tragedy

By 
Al Jadid Staff


The Lebanese Civil War (1975-1990) spurred the production of a vast literature. Yet only a small fraction of these books, novelsand memoirs are available in English. An even smaller portion received wide attention through reviews or publicity campaigns. This leaves a void in the English language about the literature of this war. This essay highlights one novelist’s contributions in the Arabic literature of the war as well as a brief glimpse into her life.

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