Scholarship on the Mahjar writers saturates much of the existing literature and discussion of Arab American literature, often alongside the contemporary writers of the third wave. By comparison, second-wave literature shares hardly a fraction of the attention between these two periods. From 1948 to 1973, second-wave writers occupied a surprisingly quiet and subdued presence despite the tumultuous developments occurring around them and in the Arab world.
Migration, Collective Memory, and National Trauma in the ‘Shadows of the Titanic’
By Naomi Pham
Fascination with the Titanic has grasped the public for well over a century. Its name easily brings to mind several artistic and literary works — the 1997 film by James Cameron, the 1995 nonfiction book by American historian Walter Lord, “A Night to Remember,” and numerous sources like Encyclopedia Titanica dedicated to recording as many details as possible about the ship and its downfall. Syrian-American writer Leila Salloum Elias’ 2010 book “The Dream and then the Nightmare: Syrians Who Boarded the Titanic” broached the often overlooked Syrian and Lebanese victims of the sinking. The losses of the maritime tragedy — arguably among the most famous and deadly in history — were felt and mourned across the ocean, in Lebanese villages, where names of loved ones were lost, mis-reported, or remain unknown.
Seven Years After Her Passing, Emily Nasrallah’s Words Still Carry the Homeland
By Naomi Pham
Renowned Lebanese writer Emily Nasrallah’s legacy continues to broaden the understanding of emigration and exile, celebrated seven years after her death and living on through a foundation established in her honor, the Beit Touyour Ayloul Foundation, named after her first novel, “Birds of September.” On July 7, 2025, the Oriental Library of the Saint Joseph University of Beirut became the new home to a part of Nasrallah’s archive. A decade ago, Nasrallah had also donated 17 documents of her literary works to the same library.
Between the Silence of Taboo and the Cry of Despair
By Naomi Pham
The 10th of September every year marks World Suicide Prevention Day. The International Association for Suicide Prevention (IASP) and World Health Organization (WHO) estimate more than 720,000 suicides occur each year worldwide. Large-scale studies conducted on a global level find that the rates of suicidality (encompassing suicidal ideation, plans, attempts, and death by suicide) are low in the Arab world compared to other countries. 2019 statistics from the World Health Organization reported that countries within the Arab world held figures between 2.0 to 4.8 suicides per 100k (with Syria reporting 2.0 and Iraq 3.6 per 100k).
How Power and Language Keep Arabic Literature at the Margins
By Naomi Pham
Literary prizes have long held the rapt attention of critics, intellectuals, and readers in the Arab world, as evidenced by the dozens of prizes awarded each year for novels, short story collections, and poetry anthologies. Occasionally, Arab writers have been awarded the International Booker Prize or the Prix Goncourt for translated editions of their works. Yet the Nobel Prize, whose last Arab winner was Naguib Mahfouz in 1988, has eluded them for nearly 40 years. Amir Taj al-Sir writes in “The Annual Nobel Fever,” published in Al-Quds Al-Arabi, that Arab readers and intellectuals follow developments surrounding the Nobel Prize “as if stricken with fever — even though it is not an Arab prize, and it is doubtful that it will ever again be awarded to an Arab after Naguib Mahfouz, given the humiliation and marginalization that Arabs and their ancient civilization face across the world.”* Year after year, anticipation over the year’s winner leaves many in the Arab world asking questions similar to those of Brewin Habib in Al-Quds Al-Arabi: “Will the Nobel remember us after 37 years of absence? And will the eternal nominee, Adonis, finally receive it?”
Beirut’s Raouché Rock Tells Stories of Endurance and Collapse
By Elie Chalala
As a Lebanese and as many others who grew up not far from Beirut and the Raouché district — also known as Pigeons’ Rock — I was captivated by its grandeur. Two massive limestone outcrops rise from the Mediterranean along Beirut’s western coast, separated from the mainland by an ancient earthquake. This natural landmark is not only a symbol of beauty but also a silent witness to Lebanon’s triumphs and tragedies.
Discussing and analyzing the catastrophic disaster that hit Lebanon is difficult. I am connected to the subject on two levels: intellectually and emotionally. Hamas' "Operation Al-Aqsa Flood" and Hezbollah's "Operation of Solidarity" have been viewed as irresponsible, and their military consequences questionable, with the conflict leaving unprecedented emotional scars on many Lebanese.
Imprisoned Palestinian Author Basim Khandaqji’s Win Reignites Old Questions About Booker Prize Standards
By
Naomi Pham
It would be remiss to overlook the significance that this year’s chosen winner for the International Prize for Arabic Fiction (Booker), one of the Arab world’s most prestigious literary awards, was written by an imprisoned Palestinian writer. When the prize committee announced the victory of Basim Khandaqji’s “A Mask, the Color of the Sky” (Dar al-Adab, 2023) in April, six months after Israel’s attacks on Gaza began, media outlets were quick to recognize Khandaqji’s daunting feat of publishing from jail.
Algeria has much to celebrate with the end of the 2024 Olympic Games in Paris, taking the podium in gymnastics, boxing, and athletics. Yet while the country celebrates the victories, its athletes share the spotlight with headlines focusing on the country’s history with France.
A familiar debate has critics and writers up in arms in the Arab world once again: What place does ‘taboo’ have in art? Ethics, morality, and the sensibilities of the contemporary age are yet more factors that play into creative production these days.
When Lebanon is in crisis, and even when it is not, laypeople and some experts rush to use popularized and romanticized explanations suggesting that the country is experiencing something unprecedented. They reminisce and claim Lebanon had a much better time in the “good old days.” If the crises are financial and economic, they proclaim that Lebanon enjoyed economic growth, stability, high employment, and increased incomes in the pre-crisis days.
The Information Revolution and the spread of the internet and social media have had severe repercussions for cultural services as we know them. The loss of numerous publications remains one symptom of the many changes sweeping across the Arab world, which recently witnessed the closure of another publication, the Qatari cultural magazine Doha.
Why do we choose to tell painful stories, especially in documentary form, where we ask people to relive their trauma? That is a question I kept asking myself as I watched “Four Daughters.” Sometimes we need to know that pain is part of a story we too glibly read in the news, or perhaps it deepens a reality we think we know already.