Recent Stories

Lebanon Still Overshadowed by Oblivion As Port Blast Aftermath Enters Fourth Year
 
Art has played an influential role in making sense of the loss felt after the August 4 explosion. Tom Young’s “Strong Angels” and other paintings show a human dimension of the tragedy and its civilian heroes, who “join forces to lift the city’s grief,” writes Darine Houmani of Diffah Three (The New Arab). “Despite all its devastation, the August 4 explosion brought greater impetus to preserve our heritage and brought about a database of our historical buildings that hadn’t been done before,” states Mona Hallak, an architect, heritage activist, and director of the American University of Beirut’s Neighborhood Initiative, as cited in The New Arab. Several weighed in on the rebuilding efforts, including Lebanese architect Jad Tabet, who proposed “rehabilitation” rather than “reconstruction,” focusing on preserving the city’s existing social fabric and inhabitants alongside the architecture (for further reading on Jad Tabet and architectural heritage, see Al Jadid, Vol. 4, No, 25, Fall 1998; Vol. 5, No. 26, Winter 1999; and Vol. 24, No. 79, 2020). As art historian and gallery owner Andrée Sfeir-Semler says, “You need to nourish people with art and culture because that is what feeds their souls.”

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Our Current Issue

On Living Twice and Belonging Nowhere:

Living Across Two Geographies of Fear and Freedom
By Naomi Pham
 
“I offer these lines to the world on behalf of all those who have left a homeland tossed about by crises and conflicts,” writes Samah Halawani in the opening lines of her essay, “I Walk ‘Here,’ Wrapped in a Screen That Relays the Events of ‘There,’” published in Al Modon. Halawani’s words speak to the complex experiences of those in exile, divided between their homeland and their new dwellings — an existential struggle between attachment and detachment. This dual existence, she states, is a difficulty that anyone who has left their homelands behind may also experience, whether they arrived in their new countries by choice or by force.
Essays and Features

A City of Many Homelands:

How 'Niyū Yūrk' Archives the Story of Middle Eastern New York
By Naomi Pham
 
A rich resource capturing the vast cultural history of New York’s MENA community over centuries, the exhibition "Niyū Yūrk: Middle Eastern and North African Lives in the City" ran from October 4, 2025, to March 8, 2026. Curated by Hiba Abid, the Curator for Middle Eastern and Islamic Studies, and organized by the New York Public Library, the exhibition explores the history of Middle Eastern and North African (MENA) immigration to New York City from the late 19th century to the present, tracing through art, music, literature, and the slew of accomplishments made by the community the ways these emigrants planted their roots in their new home.
Essays and Features

From Asfourieh to Aftermath:

Psychiatry, the State, and the Collapse of Care in Lebanon
By Naomi Pham
 
The stigmatization of mental illness remains prevalent in the Arab world, especially surrounding psychiatric institutions like the Asfourieh Hospital, formally known as the Lebanon Hospital for the Insane, which closed its doors in 1982. While part of Asfourieh’s reputation stems from its direct associations with infamous cases like that of May Ziadeh, much of the hospital’s history has been overlooked, from its ties to the development of treatment for the mentally ill, its contributions in furthering psychiatric studies, and its role as one of the leaders in modernizing medicine in the Arab world at the time.
Essays and Features

Writing Against Defeat:

Issam Mahfouz’s Theatre, Criticism, and the Struggle for Meaning
By Naomi Pham
 
The late Lebanese playwright, poet, and critic Issam Mahfouz was known for his contributions in numerous fields, including modern poetry, journalism, and, perhaps most famously, as one of the pioneering figures of the Lebanese modern theater movement that lasted from the late 1950s up to the outbreak of the Lebanese civil war in 1975. Following his death in 2006, Al Jadid published a feature article by the late Mohammad Dakroub highlighting Mahfouz’s contributions to Arab criticism. Now, 21 years after his death, many continue to recall his legacy. Alhussam Muhy al-Din’s article, “Twenty Years After the Passing of Issam Mahfouz: A Legacy That Extends Beyond the Theater,” published in Al Quds Al Arabi, rekindles appreciation for the works of this celebrated writer.
Essays and Features

Between Knowledge and the Body:

Cultured Women and the Fragmented Self in Arab Fiction
By Naomi Pham
 
Arab women have paved their own paths in the Arab social and cultural sphere throughout history — especially in the early to mid-20th century — by any means possible, whether as writers, leaders, teachers, or founders of clubs, magazines, and movements. Like in reality, women’s determination to secure their positions in fiction is layered with complex barriers. A valuable addition to the Arab critical library, Yemeni writer and researcher Huda al-Attas’ new book, “The Cultured Woman in the Arab Novel: Appropriating Masculinity and Liberating the Body” (Riad Al Rayyes Books and Publishing, 2026), examines the presence and portrayal of women in Arab fiction, going beyond superficial analyses of women as social and emotional beings to question the ways culture, knowledge, and femininity intersect with her existence. Ali Jazo reviews the book in an article for Al Modon, “The Cultured Woman’ by Huda al-Attas: The Imitation of Masculinity and the Suspended Being.”
Essays and Features

Love and Loss: An Iran-Iraq Story

By 
Bobby Gulshan

For those unaccustomed to witnessing the daily, random bombardments of cities during a bloody conflict like the eight-year Iran-Iraq War, it would be hard to imagine the lives of those who actually endured those experiences.

 
For those unaccustomed to witnessing the daily, random bombardments of cities during a bloody conflict like the eight-year Iran-Iraq War, it would be hard to imagine the lives of those who actually endured those experiences. The novel “A Portal in Space” (Center for Middle Eastern Studies, University of Texas at Austin, 2015), by Mahmoud Saeed, allows readers to feel, share, and interact with the ordinary people living in war-plagued Basra, Iraq. You cannot help but feel connected to the characters as they struggle to cope with their worries, fears, and despair.

Diaspora Arab Women Writers: The Legacy of Shahrazad and Female Infanticide

By 
Nada Ramadan Elnahla
 
Rather than focus on Arab women’s repression from an observer’s viewpoint, Hanadi al-Samman’s “Anxiety of Erasure: Trauma, Authorship, and the Diaspora in Arab Women's Writings” (Syracuse University Press) instead highlights the accounts of female writers living in diaspora who have contributed productively and creatively through their writings.
 
Anxiety of Erasure: Trauma, Authorship, and the Diaspora in Arab Women’s Writings
By Hanadi al-Samman
Syracuse University Press, 2015
 
“Anxiety of Erasure” offers a dual-layered journey of discovery: first, sharing the journey undertaken by Muslim and Christian diaspora Arab women writers with their traumatic and triumphant creative experiences; second, revealing Han

‘Life without a Recipe’: The Ingredients of a Multicultural Life

By 
Lynne Rogers
 
Life can be sweet or spicy, depending on who is there to share it with you.
 
Life Without a Recipe
By Diana Abu-Jaber
W.W, Norton & Co., 2016
 
Proust may have had his madeleines, but Diana Abu-Jaber has her father’s grape leaves, her grandmother’s Catholic cookies, and her teta’s kknafeh. In “Life Without a Recipe,” all roads lead to the kitchen, a place of healing, love, boundaries and family.

How One Broadcaster Liberated Her Emotions with the Written Word

By 
Rima Assaf
 
While preparing my report on the Holocaust of Aleppo, I felt the customary format of broadcast news did not allow me to express my feelings. Thus, I have resorted to these written words in order to release my unbearable pain after watching a father breaking and clawing at stones with his bare hands in search of his children, entombed under mountains of rubbles.
 
While preparing my report on the Holocaust of Aleppo, I felt the customary format of broadcast news did not allow me to express my feelings.

Aleppo: A Catastrophe Defying Poets’ Powers of Description

By 
Amjad Nasser

When talking about what is happening in Syria, I face the inability of language to express reality. My vocabulary remains limited. My ability to describe reality, the basic forms of literature and writing, remains limited. Nothing I have written or read could be elevated to the level of one moment of the reality experienced by Syrians in their disastrous country, or in their great Diaspora into which they were unmercifully pushed.

 

Broken Dreams: Love, Corruption, and the Plight of Foreign Workers in Israel

By 
Lynne Rogers
 
"...although a Palestine mystery, “Murder Under the Bridge” presents readers with a crime that exposes the harsh plight of illegal foreign female workers in Israel and the corruption that leads to their abuse."
 
Murder Under the Bridge, a Palestine Mystery
By Kate Jessica Raphael
She Writes Press, 2015
 
Kate Jessica Raphael describes her novel, “Murder Under the Bridge, a Palestine Mystery,” as “the product of my imagination and experience – the experience and imagination of a white, Jewish American who spent around eighteen months in Palestine, with brief forays into Israel

Tawfiq al-Hakim: Foretelling the Youth Revolution

By 
Nada Ramadan Elnahla
 
In the translator’s introduction, Radwan explains the importance of the timing of this publication, shedding light on this pioneering figure who predominantly contributed to Arabic literature through his novels, short stories, and plays. 
 
The Revolt of the Young: Essays by Tawfiq al-Hakim
Translated by Mona Radwan
Syracuse UP, 2015, 145 pp.
 
In 1984, Tawfiq al-Hakim (1898-1987) – a major literary and intellectual figure in Egypt and the Arab world who contributed to the development of Arabic literature – wrote “Thawrat al-Shabab” (“The Revolt of the Young”).

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