Recent Stories

Lebanon Still Overshadowed by Oblivion As Port Blast Aftermath Enters Fourth Year
 
Art has played an influential role in making sense of the loss felt after the August 4 explosion. Tom Young’s “Strong Angels” and other paintings show a human dimension of the tragedy and its civilian heroes, who “join forces to lift the city’s grief,” writes Darine Houmani of Diffah Three (The New Arab). “Despite all its devastation, the August 4 explosion brought greater impetus to preserve our heritage and brought about a database of our historical buildings that hadn’t been done before,” states Mona Hallak, an architect, heritage activist, and director of the American University of Beirut’s Neighborhood Initiative, as cited in The New Arab. Several weighed in on the rebuilding efforts, including Lebanese architect Jad Tabet, who proposed “rehabilitation” rather than “reconstruction,” focusing on preserving the city’s existing social fabric and inhabitants alongside the architecture (for further reading on Jad Tabet and architectural heritage, see Al Jadid, Vol. 4, No, 25, Fall 1998; Vol. 5, No. 26, Winter 1999; and Vol. 24, No. 79, 2020). As art historian and gallery owner Andrée Sfeir-Semler says, “You need to nourish people with art and culture because that is what feeds their souls.”

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Our Current Issue

From Renaissance to the Digital Age:

How Translation Can Power Arabic’s Future
By Naomi Pham
 
The Arabic language, with all its vast, rich history, has frequently been a subject of concern among intellectuals and linguists throughout recent years. The language has experienced significant development over the past century and a half and remains one of the most widely spoken languages, the official language of over 20 countries, and used by over 400 million speakers. Despite this, articles emerge every other year worrying about its development.
Essays and Features

Not a Kafer, Just a Critic:

How Ziad Rahbani Challenged Religious and Political Orthodoxy with Wit, Sorrow, and Song
By Sami Asmar
 
On 26 July 2025, the Lebanese composer, pianist, playwright, and polemicist Ziad Rahbani passed away from cirrhosis of the liver in Beirut at the age of 69. Since he started composing as a teenager, the son of the legendary Fairuz (now 90 years old) and the late Assi Rahbani of the celebrated Rahbani Brothers, the musical prodigies who defined the shape of the modern Lebanese short song, Ziad leaves us a multi-decade-long legacy that reshaped Arab music and Lebanese politics. The genius and enigmatic Ziad will be remembered by his countless fans worldwide, but likely happily forgotten by the authorities he challenged and ridiculed. 
Essays and Features

Aftermath of the Mar Elias Church Bombing:

Abeer Dagher Esber on the ‘Sectarianization of Blood’ in Syria’s Long Continuum of Collapse
By Naomi Pham
 
The recent attacks on the Church of Mar Elias in Al-Dweilaa on June 22, 2025 during Divine Liturgy left at least 25 dead and 63 injured. Perhaps Syrians have become accustomed to hearing such tragedy in the news, for every month a new story of blood, violence, and climbing death tolls appears, the massacres on the Syrian coast still a fresh wound on top of the losses suffered in Al-Dweilaa. Abeer Dagher Esber’s impassioned response to the attacks in her essay, “A Prophet of Fire… Consumed by Our Zero-Sum Conflicts,”* is an unflinching criticism of Syria’s problems. The attack on the Church of Mar Elias is a "wound to the spiritual memory of Syria and to the symbolism of the saint whose name the church bears," she writes, adding, "It is a bloody irony that the place named after the ‘one who raised the dead’ should be blown up by someone who worships death, sees the Other as heresy, and life as merely a path toward a delusional glory."
Essays and Features

In Sickness and Silence: Arab Writers and Artists Between Pain and Power

By Elie Chalala
 
I grew up in Hazmièh, a small town east of Beirut, Lebanon's capital, during the early 1960s. Our rented apartment was situated near a modest multi-unit residential building, known as the Wadih El Safi building, named after the celebrated Lebanese singer who owned it. At the time, Wadih El Safi (1921-2013) was renowned for his wealth and fame, a reputation that endured after I immigrated to and settled in the United States. Wadih El Safi's later life is notable for his declaration of bankruptcy just a year before his death. He attributes his financial troubles to a monopoly contract he signed with Rotana, a Saudi Arabian record label and the music division of the Rotana Media Group.
Essays and Features

A Syrian Surgeon and Novelist Returns to a 'Country Once Called Syria'

Khalil al-Neimi Exposes What Tyranny Has Done to His Homeland
By Elie Chalala
 
I feel an affinity with Khalil al-Neimi, the author and novelist. Like him, I left my country, Lebanon, in 1972, and often thought about what I left behind. I gradually lost the desire to return, and later, after making a short visit back, I gave up on the idea altogether after being away for 38 years. Neimi and I differ on why it took us a long time to return (for me, 38 years, and for him, 50 years). It has been 53 years now since I departed Lebanon.
Essays and Features

New Issue of Al Jadid

By 
Al Jadid Staff

Al Jadid is just out (Vol. 19, No. 68). The cover (“Encoded History 1” 2015) by Doris Bittar. Al Jadid is a Review & Record of Arab Culture and Arts (www.aljadid.com). As usual, the new issue is rich with essays and features, book, film and TV reviews, fiction, poetry, and a substantive editor's notebook.
ESSAYS AND FEATURES: ‘My Story With You is Different’ by Rima Assaf; ‘Sabah Zwein (1955-2014): An Innovative And Haunted Poet’ by Mike D’Andrea; 

Al Jadid is just out (Vol. 19, No. 68). The cover (“Encoded History 1” 2015) by Doris Bittar. Al Jadid is a Review & Record of Arab Culture and Arts (www.aljadid.com).

‘The Jewish Quarter:’ Ramadan Drama Revisits 40’s Egyptian-Jewish Relations

By 
Elie Chalala
 
“The Jewish Quarter” has sent some unsettling messages about the “Ramadan series” (or soaps), prompting commentaries in the Arab press and beyond, and finally meriting a feature article in the New York Times. This 30 episode serial, which runs through the month of Ramadan in Egypt, offers a viewpoint unlike that featured in any other serial before or after the Arab Spring.
 
“The Jewish Quarter” has sent some unsettling messages about the “Ramadan series” (or soaps), prompting commentaries in the Arab press and beyond, and finally meriting a feature article in the New York Times. This 30 episode serial, which runs through the month of Ramadan in Egypt, offers a viewpoint unlike that featured in any other serial before or after the Arab Spring. Its importance stems from its unprecedented and sympathetic treatment of Egypt’s Jews, highlighting their “fierce anti-Zionism” to Egyptian audiences.

Al Nakba at 67: 'Generations of Catastrophes'

By 
Elie Chalala
 
I rarely passed on an Al Nakba remembrance, an event which was pivotal in forming my political and moral consciousness during my early days in Beirut and in my academic diaspora. Nowadays, I reserve my aggravation for those intellectual cowards who saw nothing in Al Nakba except a shelter to hide from their shameful silence on one of the most horrific “Nakbas” in modern Arab history.
 
I rarely passed on an Al Nakba remembrance, an event which was pivotal in forming my political and moral consciousness during my early days in Beirut and in my academic diaspora. Nowadays, I reserve my aggravation for those intellectual cowards who saw nothing in Al Nakba except a shelter to hide from their shameful silence on one of the most horrific “Nakbas” in modern Arab history.

As 20th Century Begins, British ‘Orientalism’ a Tool of Colonialism

By 
D.W. Aossey
 
Long writes the book in a scholarly manner, but redeems it with a depth of insight and information on these fascinating personalities at a very important time in Middle Eastern history. Certainly, most will find “Reading Arabia” worth a look.
 
Reading Arabia: British Orientalism in the Age of Mass Publication 1880–1930
By Andrew C. Long
Syracuse University Press, 2014
 
The Hollywood epic, “Lawrence of Arabia,” immortalized the familiar story of T.E. Lawrence.

Orientalism’s Children: 'Voices from the Threshold'

By 
Angele Ellis
 
Nearly 11 years ago, an automobile accident on a dusty Jordanian road cut Susan Atefat-Peckham’s life and work short. The Iranian American poet, memoirist and Full bright Scholar now takes her rightful place among the likes of Gregorgy Orfalea and Sharif Elmusa with her “Talking Through the Door.” The anthology transports readers to various eras and exotic locales, going back to Ibn Hazm’s 10th-century Cordoba, the Lebanon of World War I, pre-revolutionary Iran as well as 1950s and 60s Ohio. “Readers will find that these works carry with them a power and promise so life-affirming that Lisa Suhair Majaj describes them as ‘sustenance.’”
 
Talking Through the Door: An Anthology of Contemporary Middle Eastern American Writing
Edited by Susan Atefat-Peckham
Foreword by Lisa Suhair Majaj
Syracuse University Press, 2014
 
It has been nearly eleven years since an automobile accident cut Susan Atefat-Peckham’s work and life short while she pursued a Fulbright Scholarship in

Assia Djebar (1936-2015): Home in France, Heart in Algeria

By 
Elie Chalala
 
The remarkable Assia Djebar has proven almost as controversial in death as in life. Some argued that the writer, who focused on the very human concerns of women, could not be a feminist. Other issues of contention included the Algerian author’s choice to write in French, the language of her country’s former colonizers. Certainly, her induction into the prestigious French Academy as an “immortal,” or life-long member, created controversy, with many critics overlooking the fact that the writer used “the language of the colonizer to document its savagery and some of its bloody memories.” In death, as in life, it appears that Djebar will continue to challenge her critics and provide topics of lively debate. Read more about her life and final journey back to Algeria in the following article.
 
Assia Djebar has been problematic for some Arab intellectuals, both when she became an "immortal" or a life-long member of the prestigious French Academy and when her name was frequently mentioned as a Nobel Prize contender. Her death on February 6 2015, proved no exception. As her body lay in one of Paris’ hospitals, the same questions arose: Why were her works not translated enough into Arabic? In contrast, her novels were translated into scores of other languages. That is a valid question.

Etab Hreib on Conflict, Commercialism, and Sexism in Syria’s Current Art Movement

By 
Rebecca Joubin
 
In the this interview with the critically acclaimed Syrian watercolorist, Etab Hreib, she discusses the interrelated nature of the arts in the context of her own love for the theater and set design, and details various influences on her work.
 
Critically acclaimed Syrian watercolorist, Etab Hreib, a native of Der-Ez-Zor, graduated from the Graphic Arts Department of the University of Damascus. Since then, she has exhibited her work in various parts of the world. She was the recipient of the Al-Mahros Golden Award in Tunisia, a Golden Award from the Chinese Ministry of Culture, and an award from the Ministry of Culture in Algeria.

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