Art has played an influential role in making sense of the loss felt after the August 4 explosion. Tom Young’s “Strong Angels” and other paintings show a human dimension of the tragedy and its civilian heroes, who “join forces to lift the city’s grief,” writes Darine Houmani of Diffah Three (The New Arab). “Despite all its devastation, the August 4 explosion brought greater impetus to preserve our heritage and brought about a database of our historical buildings that hadn’t been done before,” states Mona Hallak, an architect, heritage activist, and director of the American University of Beirut’s Neighborhood Initiative, as cited in The New Arab. Several weighed in on the rebuilding efforts, including Lebanese architect Jad Tabet, who proposed “rehabilitation” rather than “reconstruction,” focusing on preserving the city’s existing social fabric and inhabitants alongside the architecture (for further reading on Jad Tabet and architectural heritage, see Al Jadid, Vol. 4, No, 25, Fall 1998; Vol. 5, No. 26, Winter 1999; and Vol. 24, No. 79, 2020). As art historian and gallery owner Andrée Sfeir-Semler says, “You need to nourish people with art and culture because that is what feeds their souls.”
Migration, Collective Memory, and National Trauma in the ‘Shadows of the Titanic’
By Naomi Pham
Fascination with the Titanic has grasped the public for well over a century. Its name easily brings to mind several artistic and literary works — the 1997 film by James Cameron, the 1995 nonfiction book by American historian Walter Lord, “A Night to Remember,” and numerous sources like Encyclopedia Titanica dedicated to recording as many details as possible about the ship and its downfall. Syrian-American writer Leila Salloum Elias’ 2010 book “The Dream and then the Nightmare: Syrians Who Boarded the Titanic” broached the often overlooked Syrian and Lebanese victims of the sinking. The losses of the maritime tragedy — arguably among the most famous and deadly in history — were felt and mourned across the ocean, in Lebanese villages, where names of loved ones were lost, mis-reported, or remain unknown.
Seven Years After Her Passing, Emily Nasrallah’s Words Still Carry the Homeland
By Naomi Pham
Renowned Lebanese writer Emily Nasrallah’s legacy continues to broaden the understanding of emigration and exile, celebrated seven years after her death and living on through a foundation established in her honor, the Beit Touyour Ayloul Foundation, named after her first novel, “Birds of September.” On July 7, 2025, the Oriental Library of the Saint Joseph University of Beirut became the new home to a part of Nasrallah’s archive. A decade ago, Nasrallah had also donated 17 documents of her literary works to the same library.
Between the Silence of Taboo and the Cry of Despair
By Naomi Pham
The 10th of September every year marks World Suicide Prevention Day. The International Association for Suicide Prevention (IASP) and World Health Organization (WHO) estimate more than 720,000 suicides occur each year worldwide. Large-scale studies conducted on a global level find that the rates of suicidality (encompassing suicidal ideation, plans, attempts, and death by suicide) are low in the Arab world compared to other countries. 2019 statistics from the World Health Organization reported that countries within the Arab world held figures between 2.0 to 4.8 suicides per 100k (with Syria reporting 2.0 and Iraq 3.6 per 100k).
How Power and Language Keep Arabic Literature at the Margins
By Naomi Pham
Literary prizes have long held the rapt attention of critics, intellectuals, and readers in the Arab world, as evidenced by the dozens of prizes awarded each year for novels, short story collections, and poetry anthologies. Occasionally, Arab writers have been awarded the International Booker Prize or the Prix Goncourt for translated editions of their works. Yet the Nobel Prize, whose last Arab winner was Naguib Mahfouz in 1988, has eluded them for nearly 40 years. Amir Taj al-Sir writes in “The Annual Nobel Fever,” published in Al-Quds Al-Arabi, that Arab readers and intellectuals follow developments surrounding the Nobel Prize “as if stricken with fever — even though it is not an Arab prize, and it is doubtful that it will ever again be awarded to an Arab after Naguib Mahfouz, given the humiliation and marginalization that Arabs and their ancient civilization face across the world.”* Year after year, anticipation over the year’s winner leaves many in the Arab world asking questions similar to those of Brewin Habib in Al-Quds Al-Arabi: “Will the Nobel remember us after 37 years of absence? And will the eternal nominee, Adonis, finally receive it?”
Beirut’s Raouché Rock Tells Stories of Endurance and Collapse
By Elie Chalala
As a Lebanese and as many others who grew up not far from Beirut and the Raouché district — also known as Pigeons’ Rock — I was captivated by its grandeur. Two massive limestone outcrops rise from the Mediterranean along Beirut’s western coast, separated from the mainland by an ancient earthquake. This natural landmark is not only a symbol of beauty but also a silent witness to Lebanon’s triumphs and tragedies.
The legendary and controversial Iraqi poet Saadi Youssef died at 87 in his Harefield home outside of London on June 12 from lung cancer. The poet, whose multitude of works encompassed poetry, prose, literary criticism, translation, and memoir, leaves decades’ worth of work penned in exile and translated into several languages, among them English, French, German, and Italian.
Many students and scholars of Arabic literature would recall the debates on the books of Mohammad Shukri (1935-2003) late last century and a part of the early 21st century. The debates centered primarily on Shukri’s picaresque approach, which included harsh depictions of repression, marginalization, deprivation, morality, breaching taboos and censorship, and of course, the banning of his books in most Arab countries. We can categorize many of his books as autobiographical, and the opposition was not to this type of literature but to the language and details he used. His spontaneity violated all technical and artistic norms in both Moroccan and Arab literature, especially in “The Bare Bread,” “Age of Mistakes,” and “Faces,” his autobiographical trilogy.
The collapse of the Lebanese state grows imminent as news of different sectors unraveling emerges every day. The latest crisis reached the judiciary, which — though already known for its politicization and sectarianism — currently deals with a judge whose erratic, politicized personality violates all the norms of judicial behaviors and traditions. This controversial judge is Mount Lebanon state prosecutor, Ghada Aoun.
While much of the country — and even the world — focused on the last U.S. election and remained engrossed even after its results and consequences, the picture of this historic event in the Arab world was unlike anything that was happening here. Regrettably, the distorted analysis and coverage by Arab media influenced to some extent the attitudes and electoral choices of many Arab immigrants in the U.S.
The never-ending reports from Lebanon on its social and economic crises are perplexing. Despite the gravity of the situation, officials sitting at the top refuse to relinquish or even reform the system. Recent news reports reveal a collapsing banking sector, a threatened educational system, and an impoverished and broken health system, all while the country watches a judiciary circus played daily on TV and social media, demolishing whatever legitimacy the courts still hold.
The devastating combination of the Syrian war, the failure of the Arab Spring, and the worsening state of refugee camps in the Middle East culminated in an influx of migrants across Europe. Between 2015-2016, two million migrants fled Syria, Afghanistan, Iran, and Eritrea to European countries. This mass migration produced a crisis across the continent, as several countries refused to undertake the moral and economic responsibilities of housing and feeding newcomers. According to the Pew Research Center, 45% of refugees came to Germany, among whom over 1.2 million were Syrians.
The devastating combination of the Syrian war, the failure of the Arab Spring, and the worsening state of refugee camps in the Middle East culminated in an influx of migrants across Europe. Between 2015-2016, two million migrants fled Syria, Afghanistan, Iran, and Eritrea to European countries. This mass migration produced a crisis across the continent, as several countries refused to undertake the moral and economic responsibilities of housing and feeding newcomers.
Zed Books has chosen interesting times in which to re-release the English translation of the two-part autobiography of Nawal El Saadawi, “A Daughter of Isis” and “Walking Through Fire.” One of the most important and distinctive voices of her generation, not only in the Arabic-speaking world, but across the globe, El Saadawi has served as a physician, writer, rebel, and revolutionary. Born in 1931, she explores in these two interwoven volumes her personal struggles for autonomy – for the survival of body, mind, and spirit – as both girl and woman in an Egyptian society warped by patriarchal religion, as well as repressive social traditions and laws. She states in “A Daughter of Isis” that at the age of six, she learned “these three words by heart and they were like one sentence: ‘God, calamity, marriage.’”As I write this review, similar women’s words echo in the halls of the U.S. Capitol and throughout America.
A Daughter of Isis: The Early Life of Nawal El Saadawi, In Her Own Words
Walking through Fire: The Later Years of Nawal El Saadawi, In Her Own Words
By Nawal El Saadawi, translated by Sherif Hatata
Zed Books, 2018
Zed Books has chosen interesting times in which to re-release the English translation of the two-part