Art has played an influential role in making sense of the loss felt after the August 4 explosion. Tom Young’s “Strong Angels” and other paintings show a human dimension of the tragedy and its civilian heroes, who “join forces to lift the city’s grief,” writes Darine Houmani of Diffah Three (The New Arab). “Despite all its devastation, the August 4 explosion brought greater impetus to preserve our heritage and brought about a database of our historical buildings that hadn’t been done before,” states Mona Hallak, an architect, heritage activist, and director of the American University of Beirut’s Neighborhood Initiative, as cited in The New Arab. Several weighed in on the rebuilding efforts, including Lebanese architect Jad Tabet, who proposed “rehabilitation” rather than “reconstruction,” focusing on preserving the city’s existing social fabric and inhabitants alongside the architecture (for further reading on Jad Tabet and architectural heritage, see Al Jadid, Vol. 4, No, 25, Fall 1998; Vol. 5, No. 26, Winter 1999; and Vol. 24, No. 79, 2020). As art historian and gallery owner Andrée Sfeir-Semler says, “You need to nourish people with art and culture because that is what feeds their souls.”
French, Historical Memory, and Algeria's Linguistic Future
By Naomi Pham
In Algeria, the debate over whether French should be replaced by English has become increasingly entangled with broader geopolitical and ideological tensions, often overshadowing the country’s actual linguistic and educational needs. In his discussion of Algeria’s “language question,” Algerian novelist and author Waciny Laredj rejects both the demonization of French and the uncritical glorification of English, arguing instead for a pragmatic, historically informed, and educationally sound approach to multilingualism.* French remains deeply embedded in Algerian society, from everyday communication to education and professional life, making its complete removal an enormous and potentially disruptive undertaking. At the same time, Laredj challenges narratives that portray French solely as a colonial legacy, pointing to moments in which the language played an important role in intellectual, political, and liberation movements. The question facing Algeria is not simply whether French should be replaced by English, but whether such a transition is practical, historically conscious, and genuinely beneficial to the country and future generations.
Catastrophe and the Failure of Reason in Modern Arab Societies
By Naomi Pham
Across the Middle East and North Africa, superstition has long coexisted with religion, folklore, and everyday life. Beliefs surrounding the evil eye, divine curses, unseen forces, and supernatural causes for misfortune continue to shape how many people interpret disasters and hardship. While these traditions have deep historical roots, Algerian novelist and thinker Amin Zaoui argues in his essay, “When Natural Disasters Become a Breeding Ground for Superstition,” published in Independent Arabia, that their continued prominence carries consequences extending far beyond personal belief -- that is, superstition is not merely a harmless cultural practice but a force that can discourage critical thinking, perpetuate social injustice, and provide political authorities with a convenient escape from accountability.
Lebanese people often say that just as Egypt is the gift of the Nile, Lebanon is the gift of the Litani. Rivers create the ideal conditions for the rise of great civilizations, a connection acknowledged since ancient times through the worship and reverence of rivers in Greece, Egypt, Mesopotamia, and across the wider world. From the creation of myths and the birth of numerous fertility deities to celebrations, festivals, and offering ceremonies, rivers have been central to the lives of the communities surrounding them. “As the presence of water is inextricably linked to the presence of life — and its absence to death — it is hardly surprising that rivers, waterways, and their basins have frequently ignited wars and bloody conflicts among humanity,” states Shawqi Bzeih in “The Litani River: Guardian of Memory and Legend, Ignored by Poets,” published in Asharq al-Awsat.
Public Art and the Preservation of Arab American History in New York
By Naomi Pham
Just in time for the closing of Arab American Heritage Month, French-Moroccan artist Sara Ouhaddou in collaboration with NYC Parks, the Washington Street Historical Society, the New York City Department of Cultural Affairs, and funding by the Mellon Foundation, unveiled a vibrant art installation on April 30 that not only celebrates the history of its surrounding area, but stands imbued with the hopes of preserving the community’s legacy for years to come. With its permanent home at the Elizabeth H. Berger Plaza in the Financial District, Ouhaddou’s sculpture and mosaic installation, nearly a decade in the making, honors the memory of Manhattan’s Little Syria, which was completely demolished and its residents evicted in the 1940s to make way for the construction of the Brooklyn-Battery Tunnel. The unveiling was also organized in conjunction with a symposium at NYU’s Kevorkian Center, titled “Beyond Al-Qalam: Literary Rebellion and Visual Abstraction in Little Syria,” held on May 2, 2026, exploring the legacy of New York’s early Arab American writers.
How Arabia's Tribes Created a Common Language Without a Common State
By Naomi Pham
Arabic in the pre-Islamic era — or Jahiliyyah, the ‘age of ignorance’ — was a diverse continuum of spoken dialects and poetic language rather than a single unified language. The period encompasses the history of the Arabian Peninsula and surrounding regions prior to the spread of Islam in 610 CE, a time characterized by nomadic Bedouin tribes and a rich oral poetry tradition. Mustafa Attia Juma’s essay, “The Reality of Arabic in the Pre-Islamic Era,” explores the deep history of the Arabic language and the conditions that determined its purity.
Carlos ben Carlos Rossman, a Puerto Rican Jew, is in for a surprise. When he lands in New York Harbor in 1950, he realizes that the American melting pot is more fable than fact. In many cases, diversity is likely to make one “Un-American” rather than American. Language, culture, religion, or even something as simple as a green baseball bat, when all of the other kids own plain pine bats, can result in ostracism.
In the House UN-American
By Benjamin Hollander
Clockroot Books, 2013
“In the House UN-American” is about tribes, how they differ and whether it’s possible to become a member of one you weren’t born into. Carlos ben Carlos Rossman, a Puerto Rican Jew (a double-pronged tribe!) lands in New York Harbor in 1950.
A Study in Courage: Screenwriter and Activist Fouad Hamira
Cinematic activist, Fouad Hamira, who began his career working for the National Theater, has become one of the leading voices for justice in Syrian television. Despite all attempts to silence him, this man of courage and conviction remains as vocal as ever. Since the current uprising in Syria, he has denounced injustices such as the government’s attempts to reframe the battle for Syrian freedom as a sectarian uprising.
Fouad Hamira, who began as an employee in the National Theater, has gone on to become one of the leading voices in Syrian television drama. He is renowned for his unwillingness to compromise with the forces of societal and political oppression. His controversial “Ghazlan fi Ghabat al-Dhi‘ab” (Gazelles in a Forest of Wolves), which was filled with a poignant critique of corruption and the abusive nature of power, was finally allowed to air in 2006, although he had written the miniseries 15 years earlier.
In this exemplary documentary film, women (both veiled and unveiled, religious and secular) discuss the presence of Islam and secularism in contemporary Turkish ...
Women of Turkey: Between Islam and Secularism A film by Olga Nakkas Turkey/Lebanon WMM, 2006